The Brutalist Report

Variety

• How an Absent Father, a Facebook Doppelgänger and Barbie Ferreira’s Baby Pictures Helped Create SXSW Film ‘Bob Trevino Likes It’ [809d]
• ‘Songs From the Hole’ Review: The Mesmerizing Story of a Rap Album Created Behind Bars That Helped a Convict Find Redemption [809d]
• Oscar Final Picks in Every Category, as Debated by Variety’s Awards Circuit Podcast Roundtable [809d]
• ‘Harry Potter’ Actor Miriam Margolyes Says Adult Fans ‘Should Be Over’ the Franchise by Now: ‘It’s for Children’ [809d]
• Jean Smart and ‘Hacks’ Team Tease a ‘Totally Unexpected’ Season 3 Twist at SXSW Premiere [809d]
• ‘Conan O’Brien Must Go,’ the Host’s Return to TV, Gets a Max Premiere Date [809d]
• ‘Kung Fu Panda 4’s’ Chameleon Was One of Dreamworks’ Most Complex Creations: ‘Every Little Spike on Her Hand…Was Completely Animatable’ [809d]
• Colman Domingo Explains Why He Attended the SXSW Premiere of ‘Sing Sing’ the Same Weekend as the Oscars (EXCLUSIVE) [809d]
• ‘How to Build a Truth Engine’ Review: A Sobering but Fatally Flawed Doc on Disinformation [809d]
• ‘I Love You Forever’ Review: A Suffocating Beau Ties Together Genres in a Nifty Millennial Rewrite of Rom-Coms [809d]
• Alexander Payne’s ‘The Holdovers’ Accused of Plagiarism by ‘Luca’ Writer (EXCLUSIVE) [809d]
• ‘Imaginary’ Star Betty Buckley on Embracing Playing Another ‘White-Haired Weirdo’ and Why She’s Unsure About a Return to Broadway [809d]
• AI is Sticking Point in SAG-AFTRA Video Game Contract Talks; Strike Appears ’50-50 or More Likely’ Union Chief Says at SXSW [809d]
• Box Office: ‘Kung Fu Panda 4’ Chopping Up $55 Million Opening Weekend, ‘Dune 2’ Rising Above $150 Million Domestic [809d]
• ‘Red Island’ Review: Robin Campillo’s Disjointed but Alluring Memory Piece [809d]
• WWE Sells Ring Mat Sponsorship for First Time in ‘Record-Setting’ Pact With Logan Paul’s Prime Sports Drink [809d]
• ‘Saturn Return,’ ‘Radical,’ ‘Little Loves’ Top Spain’s Malaga Festival [809d]