The Brutalist Report - variety
- Johnny Depp’s ‘Modì’ Gets Italian Distribution Via Be Water and Maestro Distribution (EXCLUSIVE) [159d]
- ‘Lamb’ Scribe Sjón Boards Gothic Drama ‘The Wolf Will Tear Your Immaculate Hands’ From ‘Clara Sola’’s Nathalie Álvarez Mesén ‘(EXCLUSIVE) [159d]
- Ruben Östlund Regular Partner Film i Väst Hikes Co-Pros with Noomi Rapace Starrer ‘Mother,’ Flags Five Films in Cannes (EXCLUSIVE) [159d]
- Movistar Plus+ Partners on Alauda Ruíz de Azua’s ‘Los Domingos’ (EXCLUSIVE) [159d]
- How the Death of David Cronenberg’s Wife of 43 Years Inspired ‘The Shrouds’: ‘Grief Is Forever’ [159d]
- Burna Boy, Mandla Dube Headline Latest Slate From Pape Boye and Logical Pictures’ Black Mic Mac Production Banner (EXCLUSIVE) [159d]
- ‘Bad Boys’ and ‘Road House’ Remind Filmmakers What Florida Has to Offer [159d]
- Known Associates Group, Inner City Films, Circle Blue Entertainment Team Up to Launch South African-Canadian Outfit KIC Group (EXCLUSIVE) [159d]
- Wild Bunch Nabs Ron Perlman-Led ‘The Gentleman,’ Plus ‘Undercover’ (EXCLUSIVE) [159d]
- Athens-Based Intl. Emerging Film Talent Foundation Launches to Support ‘Unseen and Unheard Talent’ (EXCLUSIVE) [159d]
- ‘Succession’s’ Nicholas Braun in Talks to Join Ruben Ostlund’s ‘The Entertainment System Is Down’ (EXCLUSIVE) [159d]
- Hoshi Studios, East-West Manga Incubator, Launched by Through the Lens Entertainment (EXCLUSIVE) [159d]
- Aaron Eckhart Returning for Canine Action Thriller Sequel ‘Muzzle: City of Wolves’ (EXCLUSIVE) [159d]
- ‘Harry Potter’ Star Tom Felton to Topline $15 Million Action/Sci-Fi Film ‘Altered’ (EXCLUSIVE) [159d]
- ‘AI On The Lot’ Attendees Examine the Impact of New Technology and Tools on Entertainment Industry Jobs [160d]
- Inside ‘X-Men ’97’: EP Brad Winderbaum Talks Shocking Deaths, Marvel Cameos and Bringing ‘Human Desire’ to the Show [160d]
- Luminate Streaming Ratings: ‘Mother of the Bride,’ ‘Bodkin’ Bubble Up, ‘Idea of You,’ ‘Unfrosted’ Hold Strong [160d]
- Nicolas Cage’s Sun-Bleached, Rat-Munching Mind-Bender ‘The Surfer’ Makes Waves at Cannes With Six-Minute Standing Ovation [160d]
- Cassie Ventura’s Husband Responds to Hotel Footage of Alleged Sean ‘Diddy’ Combs Assault: ‘Men Who Hurt Women, Hate Women’ [160d]
- Daniel Radcliffe on Being the Ring Bearer for His ‘Merrily We Roll Along’ Co-Star Lindsay Mendez’s Wedding: ‘I Have to Not Screw It Up’ [160d]
- ‘Scénarios’ Review: Cannes Premieres a Short Completed by Jean-Luc Godard the Day Before His Death, and Also a Film About the Making of It [160d]
- Nike Releases New Air Jordan 11 Retro Low Sneakers: Here’s Where to Get A Pair Online [160d]
- Ceramist Katie Kimmel Talks New Row DTLA Pop-Up, Her Talk Show Father’s Artistic Talents and the One Commission She Refused to Do [160d]
- Caylee Cowan, Barbara Crampton and Jesse Metcalfe to Lead Horror Film ‘The Possession at Gladstone Manor’ [160d]
- ‘RuPaul’s Drag Race All Stars’ Queens Talk Competing for Charity, How They Were Compensated and Whether They Need Ru-demption [160d]
- ’Galileo: A Rock Musical’ Review: Grafting 80s-Style Power Ballads Onto The Story of a Renaissance Visionary Yields Assertive But Awkward Results [160d]
- Dabney Coleman, ‘9 to 5’ Star and ‘Boardwalk Empire’ Actor, Dies at 92 [160d]
- ‘Thelma the Unicorn’ Review: Brittany Howard Voices a Pony with Dreams of Fame in Unexceptional Netflix Toon [160d]
- Jacob Elordi Skips Cannes as Crying Paul Schrader Accepts 4-Minute Standing Ovation for ‘Oh, Canada’ [160d]
- ‘Oh, Canada’ Review: Paul Schrader Separates the Art From the Artist in Prismatic Portrait of a Dying Director [160d]
- Dead & Company Prove Las Vegas’ Sphere Isn’t Just for U2, but Them, Too, in Residency’s Astounding Opening Night: Concert Review [160d]
- Bill Maher Says It’s ‘Ridiculous’ Steve-O Thought ‘I Should Give Up Pot Smoking’ for an Interview Just Because He ‘Has a Problem’: ‘I’m Sorry You Can’t Be Here’ [160d]
- Paramount Global’s Top Marketing and Communications Exec, Julia Phelps, Is Leaving [160d]
- ‘Crip Camp’ Director Nicole Newnham Teams With NBC News Studios on a Doc About Secret Tunnel Dug Under Berlin Wall (EXCLUSIVE) [160d]
- ‘Outer Range’ Star Josh Brolin and EP Charles Murray on the Sci-Fi Western’s Wild Second Season — and Possible Future: ‘This Has Its Hook In Me’ [160d]
- How ‘Kingdom of the Planet of the Apes’ Production Designer Built a Beached Ship the Size of a Football Field [160d]
- IATSE to Extend Talks on Basic Agreement Into June as Union Vows to ‘Negotiate the Deal Our Members Deserve’ [160d]
- ‘Bridgerton’ Season 3 Part 1 Finale Breakdown: That Carriage Sex Scene, Changes From the Book and the ‘Heavier Conflicts’ Set to Come in Part 2 [160d]
- NBCUniversal’s Donna Langley Thanks Kering Women In Motion Award For Sparking Career Reflection: ‘I Am Driven To See What’s Next’ [160d]
- ‘Challengers’ Is Now Available To Watch From Home [160d]
- Center Theatre Group Artistic Director Snehal Desai Talks 2024-2025 Lineup, Including Sutton Foster in ‘Once Upon a Mattress’ [160d]
- ‘The Belle From Gaza’ Review: A Blinkered Search for a Palestinian Trans Woman in Israel [160d]
- Freestyle Digital Media Acquires Social Drama ‘Global Harmony’ and Thriller ‘Ghost Trap’ [160d]
- Film Masters Partners with American Genre Film Archive for Theatrical Distribution of Restored Titles From Roger Corman and More (EXCLUSIVE) [160d]
- How ‘Back to Black’ Recreated Amy Winehouse’s Iconic Beehive Hair, Dresses and Used Her Real Jewelry [160d]
- Daniel Burman’s ‘Transmitzvah’ Sings and Dances Its Way Into Cannes Cinéma de la Plage Screening [160d]
- ‘Young Sheldon’ Series Finale Hits Nearly 9 Million Viewers, Biggest Episode in Four Years [160d]
- ‘Kinds of Kindness’ Review: Yorgos Lanthimos Keeps You Squirming for Nearly Three Hours in Bizarre, Biting Parody [160d]
- Chris Pratt Pays Tribute to Late Stunt Double Tony McFarr, Who Once Came ‘Right Back to Work’ After ‘Guardians 2’ Head Injury: ‘I’ll Never Forget His Toughness’ [160d]
- Buzzfeed Studios, Lil Rel Howery Partner on Docuseries ‘Saving The Neighborhood’ (EXCLUSIVE) [160d]
- Acid Player ‘Most People Die on Sundays’ Ruminates on the Unexpected Costs Loved Ones Pay After a Death in the Family [160d]
- Box Office: Ryan Reynolds and John Krasinski’s ‘IF’ Makes $1.75 Million in Previews [160d]
- From Torch Lady to Michelle Yeoh: Columbia Pictures Marks Its 100-Year Anniversary in Cannes With Legendary Leading Ladies Photo Exhibit [160d]
- The Book Behind ‘It Ends With Us’ Is 50% Off Right Now to Celebrate Release of Film Adaptation Trailer [160d]
- ‘Back to Black’ Director Sam Taylor-Johnson Defends Positive Depictions of Amy Winehouse’s Dad and Ex-Husband in Biopic: ‘We’re in Her Perspective’ [160d]
- BuzzFeed Slashes CEO Jonah Peretti’s Salary, Shifting Most of His Compensation to Stock. Will It Make a Difference? [160d]
- Is Anyone Canceled in Cannes? Shia LaBeouf and James Franco Movies Shopped Amid France’s #MeToo Moment [160d]
- Kevin Costner’s Western Epic ‘Horizon: An American Saga’ Sells Wide Ahead of Cannes Premiere (EXCLUSIVE) [160d]
- ‘Wildcat’ Producer Renovo Media Group Launches Studio and Facility in Iowa (EXCLUSIVE) [160d]
- Mediawan CEO Pierre-Antoine Capton Celebrated With Variety’s Intl. Visionary Award at Cannes Event [160d]
- ‘Christmas Eve in Miller’s Point’ Review: A Sweet, Nostalgic Love Letter to Suburban Holiday-Season Rituals [160d]
- Tennis Champ Naomi Osaka’s Company Hana Kuma Boards ‘Julie Keeps Quiet,’ Ahead of Cannes World Premiere (EXCLUSIVE) [160d]
- Professional Bull Riders Splits Media Rights Between CBS, Dr. Phil’s Merit Street Media [160d]
- AGC Intl. Launches Sales on Matt Tyrnauer’s Documentary Feature ‘Nobu’ (EXCLUSIVE) [160d]
- Sylvester Stallone Action Thriller ‘Alarum’ Acquired by Signature for U.K. (EXCLUSIVE) [160d]
- Francis Ford Coppola Slams Studio System After He Self-Financed ‘Megalopolis’: Execs ‘Don’t Make Good Movies … They Pay Their Debt Obligations’ [160d]
- Variety Women in Cinema Panel in Cannes to Feature Salma Abu Deif, Kiara Advani, Sarocha Chankimha (Freen), Adhwa Fahad, Aseel Omran, Ramata Toulaye-Sy [160d]
- FilmSharks Snags Sebastian Schindel’s Thriller ‘A Silent Death,’ Sells to Disney’s Star Distribution (EXCLUSIVE) [160d]
- ‘The Shameless’ Review: A Remarkable Lead Performance Illuminates Radical Visions of Indian Womanhood [160d]
- ‘Everybody Loves Touda’ Director Nabil Ayouch on How the Film Depicts a Moroccan Female Poet and Singer as an ‘Agent of Resistance’ [160d]
- Filmax Nabs Global Rights to ‘The Light of Aisha,’ a CG Family Feature Showcasing Spain’s Rich Arab History (EXCLUSIVE) [160d]
- Ron Howard Salutes George Lucas, Roger Corman and Jim Henson at Variety’s Welcome to Cannes Party [160d]
- Andrea Arnold Says Her New Film ‘Bird’ Started With the Vision of a ‘Tall, Thin Man With a Long Penis Standing on a Roof’ [160d]
- Logical Pictures Launches Africa Venture, Creates Investment Fund to Spur Fast-Growing Market (EXCLUSIVE) [160d]
- A Portuguese Village’s Struggle Against a Lithium Mining Giant Takes Center Stage at Cannes in Paulo Carneiro’s ‘Savanna and the Mountain’ [160d]
- Paul Dano, Alicia Vikander, Jude Law, Zach Galifianakis Lead Starry Cast of Olivier Assayas’ ‘The Wizard of the Kremlin’ for Gaumont (EXCLUSIVE) [160d]
- MK2 Films Unveils First Clip of ‘Dog on Trial,’ as Helmer Laetitia Dosch Talks Dogs, Justine Triet and Shakespeare [160d]
- ‘The Pig, The Snake and The Pigeon’ Leads Taipei Film Awards Nominations – Global Bulletin [160d]
- Jean-Luc Godard’s Last Film ‘Scénarios,’ Completed the Day Before He Died, Reveals Trailer Before Cannes Debut: ‘His Whole Life Was a Work of Art’ [160d]
- Flourishing Films Boards Sales on Singapore-India Company Mumba Devi’s ‘Grand Sugar Daddy’ and ‘Not Today’ at Cannes (EXCLUSIVE) [160d]
- Digital Platform ‘The Gleaners and I’ Brings Agnès Varda to Next Generation of Filmmakers [160d]
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