The Brutalist Report

Variety

• ‘Horizon: An American Saga — Chapter 1’ Review: Sprawling Yet Thinly Spread, the First Part of Kevin Costner’s Western Epic Feels Like the Set-Up for a TV Miniseries [735d]
• Cannes Goes Apes— for ‘The Substance,’ Demi Moore and Margaret Qualley’s Flesh-Shredding Body Horror, With 11-Minute Standing Ovation [735d]
• ‘The Substance’ Review: Demi Moore and Margaret Qualley in a Visionary Feminist Body-Horror Film That Takes Cosmetic Enhancement to Extremes [736d]
• How to Watch the ‘American Idol’ Season 22 Finale (and Katy Perry’s Farewell) Online Free [736d]
• Sergei Loznitsa’s ‘The Invasion’ Picked Up for France Following Cannes Premiere (EXCLUSIVE) [736d]
• Box Office: ‘Kingdom of the Planet of the Apes’ Hits $237 Million Globally, ‘IF’ Nears $60 Million [736d]
• A24 Closing U.S. Rights Deal on Ruben Ostlund’s ‘The Entertainment System Is Down’ [736d]
• Seattle International Film Festival Awards Top Honors to ‘Sing Sing,’ ‘Gloria!’ [736d]
• This Hack Lets You Use Your Own Wireless Earbuds and Bluetooth Headphones on the Plane [736d]
• Kevin Costner Can’t Hold Back Tears as His Western Epic ‘Horizon’ Earns 7-Minute Cannes Standing Ovation, Promises ‘3 More’ Installments [736d]
• Amazon’s Latest Security Camera Deal Gets You Its Bestselling HD Cam for Under $20 [736d]
• Michel Hazanavicius on His Cannes Competition Film ‘The Most Precious of Cargoes’: ‘It’s About People Who Saved Lives’ (EXCLUSIVE) [736d]
• Urban Sales Racks Up Deals on Animation ‘Into the Wonderwoods’ Ahead of Cannes World Premiere (EXCLUSIVE) [736d]
• ‘My Sunshine’ Review: Hiroshi Okuyama’s Second Feature Traces a Gentle Trajectory Through Changing Seasons [736d]
• Spanish Animation Woos Marché du Film Buyers [736d]
• Sean ‘Diddy’ Combs Apologizes for Allegedly Assaulting Cassie in Video: ‘I Was F—ed Up’ [736d]
• UFO Nabs French Distribution for Directors’ Fortnight Player ‘Gazer’ (EXCLUSIVE) [736d]
• Box Office: John Krasinski’s ‘IF’ Debuts at No. 1 With Soft $35 Million [736d]
• ‘The Substance’ Director Coralie Fargeat on How Her Feminist Body Horror Film With Demi Moore and Margaret Qualley Mirrors #MeToo: ‘We Need a Bigger Revolution’ [736d]
• ‘Limonov: The Ballad’ Review: Ben Whishaw Stars in a Portrait of a Radical That Is All Swagger and No Game [736d]
• A.R. Rahman Unveils Music Documentary ‘Headhunting to Beatboxing’ at Cannes (EXCLUSIVE) [736d]
• ‘The Falling Sky’ Review: The Yanomami People Deliver an Apocalyptic Warning in Scorching Resistance Doc [736d]
• Cynthia Erivo Delivers Powerful Speech About Being ‘Black, Bald-Headed, Pierced and Queer’ [736d]
• Julianne Moore Says It’s ‘Very Exciting’ to See Women ‘Represented Through All Stages of Their Lives’ on Screen [736d]
• Spanish Animation Booms, Still Looks For Improvement [736d]