The Brutalist Report - variety
- Actor Ariane Labed Wants to Explore ‘How People Live’ in Feature Debut, ‘September Says’ [156d]
- ‘Monkey Man’ Action Specialist Brahim Chab Boards Pedring Lopez’s ‘Blood Passage’ [156d]
- New Zealand Film Commission Execs Talk Jane Campion’s Pop-Up Film School, Incentives at Variety’s Global Conversations Summit [156d]
- How Film AlUla Helped Rising Saudi Filmmakers Craft Festival-Ready Short Films [156d]
- ‘All American’ Boss on How She Brought Back Taye Diggs’ Billy Baker and Hopes for Future Seasons While Awaiting Season 7 Renewal [156d]
- ‘Twilight of the Warriors: Walled In’ Review: Blazing Action Delights Get Marred by Languid Soap Opera [156d]
- Trump Campaign Threatens Legal Action Over Sebastian Stan’s ‘The Apprentice’ Movie: ‘This Garbage Is Pure Fiction’ [156d]
- Olivia Colman as Queen Elizabeth Not Eligible for ‘The Crown’ in Emmy Guest Actress Race, Claire Foy Remains Early Favorite (EXCLUSIVE) [156d]
- Chris Pratt Was ‘Garfield’ Director’s First Choice to Voice Iconic Orange Cat in New Animated Movie [156d]
- Criterion and Janus Films Sell to Indian Paintbrush Founder Steven Rales [156d]
- Scarlett Johansson Says She Was ‘Shocked’ and ‘Angered’ Over OpenAI’s Use of a Voice That Was ‘Eerily Similar to Mine’ [156d]
- ‘How to End a Love Story’ Author Yulin Kuang on Plans for TV Adaptation of Her Debut Novel and Writing Emily Henry’s ‘Beach Read’ Movie [156d]
- David Cronenberg’s ‘The Shrouds,’ About a Corpse-Obsessed Widow, Gets Polite 3.5-Minute Standing Ovation at Cannes [156d]
- Mel Gibson and Mark Wahlberg’s ‘Flight Risk’ Sets Fall 2024 Release, Gerard Butler’s ‘Den of Thieves’ Sequel to Open in 2025 [156d]
- Music Industry Moves: Otis Redding Estate Taps Sony Music Publishing for Catalog Administration [156d]
- ‘The Shrouds’ Review: David Cronenberg Makes a Movie About Grief — and Body Horror, and Digital Gravestones — That in Its Somber Way Verges on Self-Parody [156d]
- Post Malone Scores Second No. 1 Single of the Year With His and Morgan Wallen’s ‘I Had Some Help’ [157d]
- Nike Releases New Pegasus Trail 4 Sneakers: Here’s How To Get Them Online [157d]
- Billie Eilish ‘Hit Me Hard and Soft’ World Tour: Buy Tickets Online [157d]
- Ryan Reynolds Is ‘Surprised’ Disney Allowed ‘Deadpool and Wolverine’ to Be So Hard R: ‘It’s a Huge Step for Them’ and I’m Not Trying to ‘Sound Condescending’ [157d]
- Metrograph Pictures Nabs Sandhya Suri’s Cannes’ Un Certain Regard Highlight ‘Santosh’ For North America (EXCLUSIVE) [157d]
- ‘Lioness’ Season 2 Casts Genesis Rodriguez [157d]
- Brutal Donald Trump Biopic ‘The Apprentice’ Gets 8-Minute Cannes Standing Ovation as Director Says ‘It’s Time to Make Movies Political Again’ [157d]
- Cannes 2024 Portrait Gallery: Hunter Schafer, Kevin Costner, Zoe Saldana and More [157d]
- ‘Death Becomes Her’ Review: Promising Pre-Broadway Musical Makes for a Campy Improvement on the Cult Film [157d]
- Who’s Driving the Canary Islands’ New Wave? A Drill-Down on Players and Banner Titles [157d]
- Andrew Huberman Signs With WME (EXCLUSIVE) [157d]
- Peter Caranicas, Longtime Variety Editor Known for His Expertise in Production and Technology, Dies at 80 [157d]
- Sideshow, Janus Films Buy Payal Kapadia’s Cannes Competition Entry ‘All We Imagine as Light’ for North America (EXCLUSIVE) [157d]
- Christopher Reeve Documentary ‘Super/Man’ Sets Theatrical Release for Two Days Only [157d]
- Chile’s Karla Melo to Headline Booze-Fueled Comedy ‘Relatos de una Mujer Borracha’ (EXCLUSIVE) [157d]
- Kevin Costner Confirms He Spent $38 Million of His Own Money on ‘Horizon,’ Not the $20 Million Being Reported: ‘That’s the Truth. The Real Number’ [157d]
- ‘Abbott Elementary,’ ‘Shōgun,’ ‘Only Murders in the Building’ Among Shows at Disney’s Emmy FYC Fest (EXCLUSIVE) [157d]
- Steve Carell to Star in HBO Comedy Series From Bill Lawrence, Matt Tarses [157d]
- ‘Yellowstone’ Begins Production on Final Episodes; Season 5 Still Set to Resume in November [157d]
- Ari Aster and Lars Knudsen’s Square Peg Boards ‘Hansel and Gretel’ Stop-Motion Feature as Executive Producers (EXCLUSIVE) [157d]
- Yorgos Lanthimos’ ‘Kinds of Kindness’ Among First Titles Announced for Mediterrane Film Festival Sophomore Edition [157d]
- Sundance Now Acquires Natalie Dormer Murder Mystery Series ‘White Lies’ For North America (EXCLUSIVE) [157d]
- Eddie Vedder Calls Harrison Butker a ‘F—ing P—y’ Mid-Concert Over Sexist Speech: ‘There’s Nothing More Masculine Than a Strong Man Supporting a Strong Woman’ [157d]
- OpenAI Suspends ChatGPT Voice That Sounds Like Scarlett Johansson in ‘Her’: AI ‘Should Not Deliberately Mimic a Celebrity’s Distinctive Voice’ [157d]
- Nearly Half of Video Game Players Say ‘Creation and Self-Expression’ Are Their Main Reasons for Gaming, New Study Finds [157d]
- ‘Santosh’ Review: A Dramatic Inquiry Into Images of Indian Policing [157d]
- INSP’s ‘Blue Ridge: The Series’ Gets Premiere Date (EXCLUSIVE) [157d]
- ‘The Sandman’ Season 2 Casts Remaining ‘Endless’ Siblings of Tom Sturridge’s Dream: Delirium, Destiny and ‘The Prodigal’ [157d]
- Cate Blanchett Is Pushing for More Funding for Women and LGBTQ Filmmakers, but She Wants to Know Why Nobody Asks Men How to Fix It [157d]
- The Apartment to Produce ‘Rosebushpruning,’ Starring Kristen Stewart, Josh O’Connor and Elle Fanning [157d]
- Inside the Legal Battle to Recut Trump Movie ‘The Apprentice’: Why Billionaire Investor Dan Snyder Is Furious With Ex-President’s Portrayal (EXCLUSIVE) [157d]
- New Saudi Production Company 3SIX9 Studios Launches From Cannes With Hollywood Film and TV Slate [157d]
- Sean Cronin’s Magnificent Films Unveils Brace of Vampire Projects at Cannes Market (EXCLUSIVE) [157d]
- ‘The Crown’-Inspired Drama About Iran’s Last Royal Family in Development at Random Access Media (EXCLUSIVE) [157d]
- Asian and European Film Associations Seek Common Ground at Cannes – Global Bulletin [157d]
- Federation Spain Boards Xavier Rull’s Frontières Platform Player ‘My Stalker’ [157d]
- It’s Time for Wine and Discussion as German Films Celebrates 70th Anniversary at Cannes: ‘We Have to Be Even More Daring’ [157d]
- Maltese Film Industry Booming With Impressive Tax Rebate, But Not Without Growing Pains [157d]
- ‘The Kingdom’ Review: The Daughter of a Corsican Big Shot Practices Her Aim in Cannes Standout [157d]
- Kevin Costner Has ‘Knocked on Every Door’ to Help Finance Third ‘Horizon’ Movie: ‘Come On, Get Your Checkbook Out. Let’s Talk Money!’ [157d]
- Kevin Costner Has ‘Knocked on Every Boat in Cannes’ to Help Finance Third ‘Horizon’ Movie: ‘Come Get Your Checkbook Out. Let’s Talk Money!’ [157d]
- New Italian Label PiperFilm Launches With Paolo Sorrentino’s ‘Parthenope’ and Post-Theatrical Window Deal With Netflix (EXCLUSIVE) [157d]
- Hunter Schafer’s ‘Cuckoo,’ Charlie Plummer’s ‘National Anthem’ to Bookend Raindance as Festival Moves Up to Summer From Fall [157d]
- Demi Moore on Full Frontal Nudity With Margaret Qualley in ‘The Substance’: ‘A Very Vulnerable Experience’ but I Had a ‘Great Partner Who I Felt Very Safe With’ [157d]
- Cannes Title ‘Santosh’ First Clip Unveiled: ‘Religious Intolerance, Casteism, Prejudice and Misogyny Are Sitting Heavily in the Atmosphere’ (EXCLUSIVE) [157d]
- Alan Partridge Returns in First Look Image From BBC Mockumentary ‘And Did Those Feet…’ [157d]
- Mediterrane Film Festival Returns for Sophomore Edition With Focus on Industry and Local Stories [157d]
- ‘Mothers’ Instinct’ Set for China Theatrical Release (EXCLUSIVE) [157d]
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