The Brutalist Report - variety
- ‘Freedom’ Review: Mélanie Laurent’s Smash-and-Grab Fictionalization Pays Homage to the Art of the Heist [27d]
- L.A. Can Turn Around Its Homeless Crisis: TV Writer and Advocate Hayes Davenport Breaks Down How Voters Can Help [27d]
- Elliott Heffernan, the 11-Year-Old Star of ‘Blitz’, on His Oscar Buzz and Crying on Command: ‘I Pretended My Mom Was Taking Away My PlayStation’ [27d]
- Before NBCU Considered Spinning Off Cable Networks, It Shut Many Down [27d]
- ‘Sleep No More’ Sets Final Performance After Closure Was Delayed a Year (EXCLUSIVE) [27d]
- Halsey Recalls ‘Demoralizing’ Moment a ‘Powerful’ Exec Looked at Their Nude Photos Without Consent [27d]
- Andrew Santino Sets New Comedy Special at Hulu [27d]
- Jake Paul Endorses Donald Trump, Compares Former President’s Status as a Convicted Felon to America’s Founding Fathers [27d]
- Fox News Bets Lawrence Jones Can Win New Viewers from Surprising Places [27d]
- Universal Music Reports 4.3% Revenue Growth for Third Quarter, Despite Streaming Decline [27d]
- Michel Gondry’s ‘Maya, Give Me a Title’ Acquired by Indie Sales (EXCLUSIVE) [28d]
- ‘Tokyo Vice’ Producer Alex Boden Details Challenges, Opportunities in Japan Production Landscape [28d]
- AI Tools Can Slash Film Production Costs by 90%, Industry Leaders Say at TIFFCOM [28d]
- Sammo Hung, Kurata Yasuaki Get Kick Out of Hong Kong Martial Arts Discussion in Tokyo: ‘Buy More Tickets, Buy the Whole Theater’ [28d]
- Newen Connect Boards ‘All in Favor,’ Spanish Bigscreen Adaptation of ‘Votamos’ Starring Clara Lago (EXCLUSIVE) [28d]
- How Thessaloniki’s Industry Arm Stays True to Its Mission to ‘Nurture Talents’ and Remains a Vital Launching Pad for Region’s Filmmakers [28d]
- Feminist Thriller ‘Where the Mountain Women Sing’ Teams Patrick Mao Huang, Zhang Juefang at Tokyo Market – TIFFCOM [28d]
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