The Brutalist Report

Variety

• ‘Sugar Babies’ Review: A Louisiana TikToker Hopes to Flirt Her Way Out of Poverty in a Surface-Level Portrait [23d]
• Oscar-Nominated Rúnar Rúnarsson Wins Göteborg’s Best Nordic Film Award for ‘When the Light Breaks,’ as ’Memoir of a Snail’ Nabs Best International Film [23d]
• ‘Companion’ Ending Breakdown: Director Drew Hancock Tells All About the Film’s Showdown and Potential Sequel: ‘That’s the Future I Want for [Spoiler]’ [23d]
• Cate Blanchett ‘Never, Ever’ Thought She Could Work in the Film Industry: ‘I Didn’t Think I Was That Girl’ [23d]
• Grateful Dead’s MusiCares Salute Is Heavy on Gratitude, as All-Star Cast Shares the Lovefest With Bob Weir and Mickey Hart [23d]
• Benavidez vs. Morrell: How to Watch the Premier Boxing Champions Live Online [23d]
• ‘Enigma’ Review: A Fascinating Portrait of Two Trailblazing Transgender Legends [23d]
• Guy Pearce Says ‘I’m S–‘ in ‘Memento’ After Rewatching Christopher Nolan Thriller: ‘I Hate What I Did’ [23d]
• Lady Gaga and Bruno Mars to Perform Special Tribute to Los Angeles at Grammy Awards [24d]
• Trump White House Takes Aim at Selena Gomez in New Video Responding to Her Crying About Deportations [24d]
• Journalist Who Uncovered Karla Sofía Gascón’s Racist Tweets Explains Why She Looked for Them: ‘I’m Not a Studio Plant’ [24d]
• Exceptional Minds Adds Four New Members to Its Board of Directors [24d]
• ‘Luz’ Review: Isabelle Huppert Leads Alluring, if Cold Chinese Diptych About Virtual Reality and Real-Life Woes [24d]
• ‘Khartoum’ Review: A Collective of Filmmakers Captures an Embattled City With Ingenuity and Hopeful Spirit [24d]