The Brutalist Report - variety
- Berlin Film Festival Day 2 Recap: What You Need to Know [9d]
- ‘Living the Land’ Review: Progress Takes Time In a Stirring, Season-Cycling Chinese Family Saga [9d]
- Jonas Brothers Announce ‘Jonascon: the Ultimate Jonas Brothers Fan Experience’ [9d]
- How to Watch NBA All-Star Weekend Live Online [9d]
- TIFF Content Market Starts to Take Shape, Unveils Committee Including CAA’s Roeg Sutherland [9d]
- How to Watch CBS, Comedy Central, MTV and Other Paramount Channels Without YouTube TV [9d]
- ‘You, Me & Her’ Review: A Married Couple Admits a Plus-One in Deft Relationship Tale [9d]
- ‘Rounding’ Review: Modest Thriller Conjures Atmospheric but Convoluted Suspense in a Rural Hospital [9d]
- ‘A Mouse Hunt for Christmas’ Captures Multiple Deals as Sola Presents New Footage at EFM (EXCLUSIVE) [9d]
- AMC Networks Takes $269 Million Balance-Sheet Hit for Drop in U.S. Cable Channel Values as Streaming Subscribers Cross 12 Million [9d]
- ‘Yellowjackets’ Season 3 Is More Lopsided Than Ever: TV Review [9d]
- Vibeke Løkkeberg’s Berlinale Forum Opener ‘The Long Road to the Director’s Chair’ Expands Into Four-Part Series (EXCLUSIVE) [9d]
- ‘Leo & Lou,’ From ‘Elite’s’ Zeta Studios, Acquired by Filmax (EXCLUSIVE) [9d]
- Director of Berlin Film ‘Little Trouble Girls’ Lines Up Witch Trial Drama ‘Veronika of Desenice’ and ‘Wild Woman,’ About the Acting Process (EXCLUSIVE) [9d]
- Arte/ZDF, Port au Prince Board ‘Ivan & Hadoum’ (EXCLUSIVE) [9d]
- Alejandro Amenábar’s Historical Epic ‘The Captive’ Captures Pre-Sales as Disney Dates Spanish Release (EXCLUSIVE) [9d]
- Jünglinge Film Set for Next Feature as it Preps First English-Language Film, New Series Projects and ‘Lesbian-Demon-Horror’ Pic [9d]
- Mike Downey, European Film Academy Chair, Unveils Slate of Projects Under Downey Ink Banner (EXCLUSIVE) [9d]
- YouTube TV, Paramount Agree to Deal Extension to Avoid Blackout of CBS, Other Networks While Talks Continue [9d]
- Netflix Is ‘Reevaluating’ Vetting Social Media Accounts After Karla Sofía Gascón Backlash ‘Distracted’ From ‘Emilia Pérez’ Campaign [9d]
- TikTok Returns to Apple, Google App Stores [9d]
- Rafi Gavron and Shiloh Fernandez Join Christopher Nolan’s ‘The Odyssey’ Ensemble (EXCLUSIVE) [9d]
- Julia Roberts, Luca Guadagnino Thriller ‘After the Hunt’ Sets October Release Date (EXCLUSIVE) [9d]
- ‘The Substance’ Director Coralie Fargeat Remembers the Worst Studio Notes She Got: ‘Come on, Calm Down With the Shrimp’ [9d]
- ‘The Chosen’ Season 5 Reveals Posters Photographed by Annie Leibovitz, Tickets Go On Sale for Theatrical Release [9d]
- Maya Hawke: Hollywood Producer Told Me ‘I Looked Prettier With My Mouth Closed and I Should Close My Mouth After I Speak … I Was Really Upset’ [9d]
- India’s JioStar Launches Unified Streaming Platform JioHotstar, Eyes Billion-Screen Reach [9d]
- Rahm Emanuel Joins CNN as Political Commentator [9d]
- ‘Sex’ Review: Masculinity Loosens Up in the First Chapter of Dag Johan Haugerud’s Arthouse Trilogy [9d]
- Selena Gomez and Benny Blanco to Release Collaborative Album, ‘I Said I Love You First’ [9d]
- Goodbye, ‘Cobra Kai’: Creators Explain Johnny’s Full-Circle Ending, How AI Helped Bring Back Mr. Miyagi and Expanding the ‘Karate Kid’ Universe [9d]
- ‘My Fault: London’ Review: A Tasteless English-Language Adaptation of Tawdry Teen Lit [9d]
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