The Brutalist Report - variety
- ‘The Chosen’ Team Sets Biblical Animated Series at Amazon, Paul Walter Hauser and Yvonne Orji Among Cast [16d]
- Son Heung-min Makes L.A. Home Debut: How to Watch Los Angeles FC vs. San Diego FC Live Online [16d]
- ‘Ballad of a Small Player’ Review: A Fully Committed Colin Farrell Bets the House in a Too-Flashy Portrait of Addiction [16d]
- Cate Blanchett Beams as Jim Jarmusch’s Family Tale ‘Father Mother Sister Brother’ Scores 5-Minute Venice Ovation [16d]
- Bruce Springsteen Tells Telluride Why He Gave the Go-Ahead to Exploring His Darker Side in ‘Deliver Me From Nowhere’: ‘Because I’m Old and I Don’t Give a F— Now’ [16d]
- ‘SNL’ Bloodbath? Hardly. Lorne Michaels’ Annual Cast Exits Occur as Regularly as ‘Weekend Update’ [16d]
- How To Watch Leagues Cup Final 2025 Online [16d]
- Jude Law Commands Venice as Putin in ‘The Wizard of the Kremlin,’ Earning 10-Minute Ovation [16d]
- ‘Father Mother Sister Brother’ Review: A Starry Cast Excels in Jim Jarmusch’s Charming Triplicate Portrait of Familial (Mis)Understanding [16d]
- Box Office: ‘Weapons’ Returns to No. 1 as ‘Jaws’ 50th Anniversary Re-Release Beats ‘Caught Stealing’ and ‘The Roses’ [16d]
- ‘Jujutsu Kaisen’ Season 3 Sets Premiere Date, Unveils First Teaser [16d]
- How to Watch WWE Clash in Paris Live Online [16d]
- Variety’s Venice Digital Daily, Day 3: Del Toro & Co. Dissect ‘Frankenstein’ [16d]
- ‘The Wizard of the Kremlin’ Review: Jude Law, as Vladimir Putin, and Paul Dano, as His Right-Hand Shadow, Give Ace Performances in What Is Basically a Glorified TV-Movie [16d]
- Amanda Seyfried on ‘The Testament of Ann Lee’ and Singing on Screen for the First Time Since ‘Mamma Mia 2’: ‘I Had to Release My S—’ [16d]
- Sean Penn to Be Guest of Honor at Thierry Fremaux’s Lumiere Festival [16d]
- ‘Rose of Nevada’ Review: George MacKay and Callum Turner Set Sail on a Bewitching, Time-Surfing Voyage [16d]
- African Union of Broadcasters to Air Pan-African Docuseries ‘Road to LA ’28,’ Ahead of L.A. 2028 Olympics (EXCLUSIVE) [16d]
- Jim Jarmusch Responds to Mubi Taking on Investor With Israeli Military Ties: ‘I’m Disappointed and Disconcerted’ but ‘All Corporate Money Is Dirty’ [16d]
- Jude Law Doesn’t Fear Repercussions for Playing Putin in Venice Thriller ‘Wizard of the Kremlin’: ‘We Weren’t Looking for Controversy for Controversy’s Sake’ [16d]
- ‘The Holy Boy’ Review: A Valley of Smiles Is Really a Vale of Tears in a Clever, Creepy Italian Chiller [16d]
- Doha Film Institute CEO Fatma Hassan Alremaihi Receives Variety’s 2025 Achievement in International Film Award: ‘It’s Not Just About What We Have Achieved, It’s About What We Aspire To’ [16d]
- Jia Zhangke Talks Distribution, AI and the Future of Cinema in Venice Masterclass [16d]
- ‘Preparation for the Next Life’ Review: A Bittersweet Immigrant Love Story Thrives on Two Terrific Performances [17d]
- ‘Do Bigha Zamin’ Preservationist Shivendra Singh Dungarpur Details Venice-Bound Restoration of Bimal Roy Classic [17d]
- Venice Premiere ‘One Woman One Bra’ Takes Aim at ‘Message-Based’ Films Shaping African Narrative [17d]
- Female Filmmakers Lead Large Contingent of Arab Features Unspooling at the Venice Festival [17d]
- Willem Dafoe’s Venice Movie ‘The Souffleur’ Finds Distribution in Italy Ahead of World Premiere (EXCLUSIVE) [17d]
- Venice Days Selections Explore Russia’s ‘Willing Blindness’ During Chechen Wars, Silence Over Ukraine [17d]
- ‘Tuner’ Review: Dustin Hoffman and Leo Woodall Fix Pianos in an Offbeat Indie That’s Far Better Than It Must Sound [17d]
- ‘Ask E. Jean’ Review: Urgent Documentary Sharply Follows the Pioneering Media Personality Who Sued Trump With Sexual Assault and Defamation Allegations — and Won Twice [17d]
- ‘Sentimental Value’ Pushes Renate Reinsve and Stellan Skarsgård Into Oscar Spotlight [17d]
- Mark Knoller, Longtime CBS News White House Correspondent, Dies at 73 [17d]
- Jeremy Strong’s Meme-Bait Monologue Cut From Springsteen Biopic ‘Deliver Me from Nowhere’: No More ‘Hole in the Floor’ [17d]
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