The Brutalist Report

Variety

Jordan Peele and Hoyte van Hoytema Reveal the Innovative ‘Nope’ Tech That Could Change the Film Industry — TIFF [1027d]
Ramsey Lewis, Legendary Jazz Pianist Known for ‘The In Crowd,’ Dies at 87 [1027d]
Emmy Staffers Are Spraying This Scent All Over the 2022 Red Carpet [1027d]
Starz Orders Pilot of Fat Joe-Hosted Interview Series Produced by Sean ‘Diddy’ Combs and LeBron James’ SpringHill [1027d]
‘The Crown’ Reigns on Twitter Following Queen Elizabeth’s Death [1027d]
‘The Crown’ Viewing on Netflix Surges After Queen Elizabeth II’s Death [1027d]
Yellow Veil Pictures Nabs U.S. Rights to ‘Ashkal’ Following TIFF Premiere (EXCLUSIVE) [1027d]
Bad Bunny, Harry Styles Top Charts Again; Morgan Wallen Sets a Longevity Record in Album Top 10 [1027d]
Music Industry Moves: Hit-Boy and James Fauntleroy Named Kingship Co-Executive Producers and Songwriters [1027d]
TV Ratings: NFL Lead-In Helps ‘Monarch’ Draw Fox’s Most-Watched Fall Scripted Debut Since ‘Prodigal Son’ [1027d]
Use of Production Music on Broadcast and Cable TV Reaches New Heights: Study [1027d]
Damien Chazelle Teases ‘Big, Boisterous, Loud’ Hollywood Epic ‘Babylon’ With Wild, Cocaine-Fueled Trailer [1027d]
Brendan Fraser Reacts to ‘The Whale’ Oscar Buzz and ‘Disappointing’ ‘Batgirl’ Cancellation [1027d]
‘Abbott Elementary’ Star Sheryl Lee Ralph Brings Crowd to Its Feet Singing at Creative Coalition’s TV Humanitarian Awards [1027d]
Yalitza Aparicio Forges Ahead With Luis Mandoki’s ‘Presencias,’ Apple TV+’s ‘Midnight Family’ [1027d]
Estrella Media Hires NBCUniversal’s Enrique Guillen As New Chief Content Officer [1027d]
Variety Tech Summit Tackles Ways to Attract Audiences [1027d]
Natasha Lyonne, Rian Johnson Peacock Series ‘Poker Face’ Adds Brandon Micheal Hall, Colton Ryan, Megan Suri (EXCLUSIVE) [1027d]
YouTube’s Music-Royalty System Is ‘Ripe for Abuse,’ Report Claims [1027d]
Laika Studios Announces New Series Exploring Props, Costumes and Sets From Iconic Films [1027d]
‘The Little Mermaid’ Teaser With Halle Bailey Scores Over 104 Million Views (EXCLUSIVE) [1027d]
France’s Pathé Aims to Enter Paris Stock Exchange in 2024 [1027d]
TIFF: Focus Features Nabs Worldwide Rights to Alexander Payne’s ‘The Holdovers’ [1027d]
George Clooney, Julia Roberts’ ‘Ticket to Paradise’ U.K. Release Postponed, as Mark of Respect to Late Queen Elizabeth II [1027d]
‘Rap Sh!t’ Renewed for Season 2 at HBO Max [1027d]
Jacob Elordi to Play Elvis, Cailee Spaeny Is Priscilla Presley in Sofia Coppola’s Film ‘Priscilla’ [1027d]
Brett Hansen Joins Paradigm Talent Agency as Senior Content Agent [1027d]
Neon, Double Agent, Film4 Team for Asif Kapadia Documentary Thriller ‘2073’ [1027d]
Macro Television to Produce Baker Brothers Fantasy Series with Glen Mazzara as Showrunner [1027d]
‘House of the Dragon’ Star Emily Carey Was ‘Scared’ of Sex Scenes Due to ‘Violence Upon Women’ in ‘Game of Thrones’ [1027d]
Showtime Announces ‘The Lincoln Project’ Docuseries [1027d]
Joe Trohman Opens Up About Fall Out Boy and Mental Illness in New Memoir, ‘None of this Rocks’ [1027d]
Ignacio Meyer Named President U.S. Networks at TelevisaUnivision [1027d]
MUBI Founder on Evolving Into a Studio, Building Global Cinemas and Outbidding Competitors: ‘We Paid an Irrational Amount for ‘Decision to Leave” [1027d]
A+E Networks Taps Teri Kennedy as Head of Lifestyle Programming and Daytime Originals [1027d]
Canada’s Black Filmmakers Ride Wave of Storytelling Momentum at Toronto Festival [1027d]
Guy Davidi’s ‘Innocence’ Evokes Young Lives Lost to Military Mentality [1027d]
Toronto Doc ‘Casa Susanna’ Opens Doors on Early Postwar Trans and Cross-Dressing Community [1027d]
Toronto Doc ‘Casa Susanna’ Opens Doors on Early Postwar Trans and Cross-Dressing Community [1027d]
Stagecoach Festival Announces 2023 Lineup With Luke Bryan, Kane Brown, Chris Stapleton Headlining [1027d]
Karen Bass Rolls Out More Celebrity Endorsers in Race for L.A. Mayor [1028d]
Sanaa Lathan’s Paramount+ Movie ‘On the Come Up’ Gets Theatrical Release After TIFF Debut [1028d]
Venice Juror and ‘A Separation’ Star Leila Hatami on Her Role in Director Mehdi Norowzian’s Upcoming ‘A Time in Eternity’ [1028d]
How to Watch the 2022 Emmys Online [1028d]
Britney Spears Says She’ll ‘Probably Never Perform Again’ [1028d]
Dark Comedy ‘My Neighbor Adolf,’ Starring Udo Kier, Secures Distribution for Australia, New Zealand (EXCLUSIVE) [1028d]
Magnolia Network PR Chief John Marsicano Joins Endeavor as VP of Internal Comms (EXCLUSIVE) [1028d]
Debbie Allen, Amber Riley Join ‘The Lower Bottoms’ Season 2 Podcast Series From iHeartMedia and Will Packer Media [1028d]
Cannes Winners Vimukthi Jayasundara, César Díaz Among Rotterdam’s HBF+Europe Funding Recipients – Global Bulletin [1028d]
Roku to Launch ‘The Buzz’ Short-Form Content Hub on Home Screen, Refreshes $30 Streaming Device [1028d]
The Bar Is Open: Abrams Media Opens New Sites Devoted to Tequila, Rum, Gin [1028d]
‘All Quiet on the Western Front’ Director Edward Berger, Producer Malte Grunert Reteaming on ‘The Last Adventure’ Remake [1028d]
‘Good Night Oppy’ Director Ryan White Talks NASA, Robots and Mars [1028d]
‘Brahmāstra Part One: Shiva’ Powers to $28 Million Global Opening Weekend, Bringing Temporary Relief to Beleaguered Bollywood Box Office [1028d]
A ‘Sense of Hope’ Fuels American Indie Filmmakers Trying to Crack the European Market [1028d]
Movistar+ Builds Spanish Talent Hub With ‘Offworld’ [1028d]
Starring ‘Prison 77,’ A Future Model for Spanish Cinema [1028d]
San Sebastian Gala ‘Simple’ Tackles Complex Issues [1028d]
At Toronto Film Festival, Queen Elizabeth II’s Death Looms Large [1028d]
Prime Video Pacts With Writer-Director Antonio Dikele Distefano, Launches His Film Debut ‘Autumn Beat’ About Second Generation Black Italians – Clip (EXCLUSIVE) [1028d]
Sitges Fanpitch Sets ‘The Hour of the Sorcerer,’ ‘Zombie Meteor,’ ‘Bloody Mary’ (EXCLUSIVE) [1028d]
Pioneering Film Forest Program Launched by Spain’s Morena Films, Santander Government (EXCLUSIVE) [1028d]
‘The Witcher’ Proves Magical Showcase for Poland’s Rising Post-Production and VFX Industry [1028d]
Groundbreaking Atlantis Doc Teams Seattle-Based MindRiot Entertainment, Panama’s Hypatia Films (EXCLUSIVE) [1028d]
Nicaraguan Director Laura Baumeister Breaks Down Toronto Discovery Title ‘Daughter of Rage’ [1028d]
Prince Harry Pays Tribute To Queen Elizabeth II [1028d]
Netflix Partners With Ubisoft on ‘Assassin’s Creed’ Mobile Game and Two Other Mobile Titles [1028d]
Japanese Blockbuster ‘Shin Ultraman’ to Be Sold by The Exchange (EXCLUSIVE) [1028d]
India’s MX Player Teams With Lionsgate for Hollywood Content [1028d]
‘The Hanging Sun’ Review: A Dour, Carefully Generic Scandi-Noir With Few Surprises Bar the Accents [1028d]
Long Queues, Airport-Style Security to View Queen Elizabeth II Lying-in-State, U.K. Culture Department Warns [1028d]
Robbie Williams on Second Take That Reunion, Biopic ‘Better Man’: ‘What I Don’t Want To Do is Open Up Old Wounds’ [1028d]
‘Sanctuary’ Review: Nothing Is Sacred in Margaret Qualley and Christopher Abbott’s Ferocious Two-Hander [1028d]
‘The Good Nurse’ Review: Jessica Chastain and Eddie Redmayne Lead a Soulful and Devastating True-Crime Drama [1028d]
Brendan Fraser is Back: Believe the Hype About His Oscar Chances for ‘The Whale’ [1028d]
‘Causeway’ Review: Jennifer Lawrence, as a U.S. Army Soldier, Goes Back to Her Indie Roots in a Downbeat Tale of Trauma and Recovery [1028d]
Harry Styles’ Body- and Soul-Baring Performance in ‘My Policeman’ Seduces Toronto, Draws Standing Ovation [1028d]
‘Monarch’ Producers, Fox Boss Promise Premiere Shocker Is ‘Not a Bait and Switch’ [1028d]
‘My Policeman’ Review: Harry Styles Swings Both Ways as a Bisexual Bobby [1028d]
Can Harry Styles Really Get an Oscar Nomination for Acting? [1028d]
Harry Styles Accepts His First Acting Award of Oscar Season [1028d]
Brendan Fraser’s Comeback Surges: ‘The Whale’ Gets Five-Minute TIFF Ovation, Actor Fights Back Tears [1028d]
Lady Gaga’s Chromatica Ball Brings the Spectacle to Dodger Stadium But Really Soars With Solo Segment: Concert Review [1028d]
Zeze Takahisa’s ‘Fragments of the Last Will’ Set as Tokyo Film Festival Opener [1028d]