The Brutalist Report - culture

The A.V. Club

Grab your kite and bifocals: Michael Douglas to play Benjamin Franklin on Apple TV Plus series [1109d]
Take a more than skin deep look at how film and TV shows create fake tattoos and hide real ones [1109d]
Jennifer Coolidge is definitely saying "Hiii" to The White Lotus again [1109d]
Greg Daniels says his idea for a reboot of The Office is a bit like The Mandalorian [1109d]
Anthony Mackie’s Twisted Metal show is heading to Peacock [1109d]
Timothy Hutton sues after being cut from Leverage: Redemption series [1109d]
Ukraine's President Volodymyr Zelensky did, in fact, voice Paddington Bear [1109d]
Peacock's terms of service rewards people who actually read terms of service with The Office chili recipe [1109d]
Josh Gad says Beauty And The Beast didn't go "far enough" with LeFou's implied queerness "to warrant accolades" [1109d]
Batman changed how blockbusters look—and how Hollywood sold them [1109d]
CBS’s “unlikely hit” Ghosts wasn’t as unlikely as you think [1109d]
The Batman is a flawed but striking pop-noir blockbuster [1109d]
UPDATE: Amanda Bynes' parents support her move to end conservatorship [1109d]
Andrew Garfield, who is totally credible, says he has "no plans" to don the Spidey suit again [1109d]
Super Pumped co-showrunners say they never considered anyone but Quentin Tarantino to narrate the series [1110d]
Amy Poehler’s Lucy And Desi is a touching tribute to one of Hollywood’s most influential couples [1110d]
The 10 best films on Hulu in March 2022 [1110d]
John Oliver tackles America's ludicrous hypocrisy surrounding sex work on Last Week Tonight [1110d]
The Righteous Gemstones season 2 is over—so who was the least pathetic? [1110d]
It’s the beginning of the end for FX’s remarkable Better Things [1110d]
SAG Awards make history and fulfill expectations with big wins for Squid Game, CODA, and Ted Lasso [1110d]
Second chances abound in the Righteous Gemstones season 2 finale [1110d]
The true endgame begins as The Walking Dead enters a brave new world [1110d]
Killing Eve is now the story of two exes who can’t move on [1110d]
Here are all of the winners from the 2022 SAG Awards [1110d]

Vanity Fair

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TMZ

Variety

The New Yorker

The Latest U.N. Climate Report Paints Another Grim Picture [1109d]
The Oddly Addictive Quality of Google Alerts [1109d]
Hollywood’s Fraught History with Black Audiences [1109d]
Ties with Russia Compromise Israel’s Stance on Ukraine [1109d]
Ten Surprising Signs That She’s Into You [1109d]
How Russia’s Nobel-Winning Newspaper Is Covering Ukraine [1109d]
Putin Starting to Worry About His Strategy After Trump Calls Him Smart [1109d]
Daily Cartoon: Monday, February 28th [1109d]
“Alive at the End of the World,” by Saeed Jones [1110d]
Glaive Is Acing Hyperpop, Failing Math Class [1110d]
Making Way for Faith Ringgold [1110d]
A Journey to the Center of Our Cells [1110d]
Claire Louise-Bennett’s Women Without a Story [1110d]
Briefly Noted Book Reviews [1110d]
Shifting Identities in Sanaz Toossi’s “English” [1110d]
The Mail [1110d]
David Plunkert’s “Putin’s Tracks” [1110d]
In Ukraine, Daily Life in the Face of War [1110d]
David Plunkert’s “Putin’s Tracks” [1110d]
Breathalyze Your Way to a COVID Diagnosis [1110d]
Camille Bordas Reads “One Sun Only” [1110d]
The Crisis That Nearly Cost Charles Dickens His Career [1110d]
“One Sun Only,” by Camille Bordas [1110d]
The Bland Agenda of “Pam & Tommy” [1110d]
“Why Not,” by Jana Prikryl [1110d]
Slide Show: New Yorker Cartoons March 7, 2022 [1110d]
Camille Bordas on How Children Bend Time [1110d]
The Youth Movement Trying to Revolutionize Climate Politics [1110d]
Band Camp on Broadway [1110d]
The Elephant in the Courtroom [1110d]
Executive Orders to Get the World Back on Track [1110d]

Heavy

Esquire

Mashable