The Brutalist Report - culture

The A.V. Club

Every big-screen Batman villain, ranked from worst to best [989d]
Larry David and The Guardians Of Justice battle it out for your Tuesday night [989d]
It’s a walk to remember as Agnes meets Bertha in The Gilded Age [989d]
HBO says Euphoria is now its second biggest show after Game Of Thrones [989d]
Jared Leto’s Morbius still hasn’t come out, so here’s one last trailer [989d]
Grab your kite and bifocals: Michael Douglas to play Benjamin Franklin on Apple TV Plus series [989d]
Take a more than skin deep look at how film and TV shows create fake tattoos and hide real ones [989d]
Jennifer Coolidge is definitely saying "Hiii" to The White Lotus again [989d]
Greg Daniels says his idea for a reboot of The Office is a bit like The Mandalorian [989d]
Anthony Mackie’s Twisted Metal show is heading to Peacock [989d]
Timothy Hutton sues after being cut from Leverage: Redemption series [989d]
Ukraine's President Volodymyr Zelensky did, in fact, voice Paddington Bear [989d]
Peacock's terms of service rewards people who actually read terms of service with The Office chili recipe [989d]
Josh Gad says Beauty And The Beast didn't go "far enough" with LeFou's implied queerness "to warrant accolades" [989d]
Batman changed how blockbusters look—and how Hollywood sold them [989d]
CBS’s “unlikely hit” Ghosts wasn’t as unlikely as you think [989d]
The Batman is a flawed but striking pop-noir blockbuster [990d]
UPDATE: Amanda Bynes' parents support her move to end conservatorship [990d]
Andrew Garfield, who is totally credible, says he has "no plans" to don the Spidey suit again [990d]
Super Pumped co-showrunners say they never considered anyone but Quentin Tarantino to narrate the series [990d]
Amy Poehler’s Lucy And Desi is a touching tribute to one of Hollywood’s most influential couples [990d]
The 10 best films on Hulu in March 2022 [990d]
John Oliver tackles America's ludicrous hypocrisy surrounding sex work on Last Week Tonight [990d]

Vanity Fair

The Points Guy

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TMZ

Variety

The New Yorker

Europe’s Aggressive New Stance Toward Putin’s Regime [989d]
How Vladimir Putin Miscalculated the Economic Cost of Invading Ukraine [989d]
The Latest U.N. Climate Report Paints Another Grim Picture [989d]
The Oddly Addictive Quality of Google Alerts [989d]
Hollywood’s Fraught History with Black Audiences [989d]
Ties with Russia Compromise Israel’s Stance on Ukraine [989d]
Ten Surprising Signs That She’s Into You [989d]
How Russia’s Nobel-Winning Newspaper Is Covering Ukraine [989d]
Putin Starting to Worry About His Strategy After Trump Calls Him Smart [990d]
Daily Cartoon: Monday, February 28th [990d]
“Alive at the End of the World,” by Saeed Jones [990d]
Glaive Is Acing Hyperpop, Failing Math Class [990d]
Making Way for Faith Ringgold [990d]
A Journey to the Center of Our Cells [990d]
Claire Louise-Bennett’s Women Without a Story [990d]
Briefly Noted Book Reviews [990d]
Shifting Identities in Sanaz Toossi’s “English” [990d]
The Mail [990d]
David Plunkert’s “Putin’s Tracks” [990d]
In Ukraine, Daily Life in the Face of War [990d]
David Plunkert’s “Putin’s Tracks” [990d]
Breathalyze Your Way to a COVID Diagnosis [990d]
Camille Bordas Reads “One Sun Only” [990d]
The Crisis That Nearly Cost Charles Dickens His Career [990d]
“One Sun Only,” by Camille Bordas [990d]
The Bland Agenda of “Pam & Tommy” [990d]
“Why Not,” by Jana Prikryl [990d]
Slide Show: New Yorker Cartoons March 7, 2022 [990d]
Camille Bordas on How Children Bend Time [990d]
The Youth Movement Trying to Revolutionize Climate Politics [990d]
Band Camp on Broadway [990d]
The Elephant in the Courtroom [990d]
Executive Orders to Get the World Back on Track [990d]

Heavy

Esquire

Mashable