The Brutalist Report - culture
- No new articles in the last 24 hours.
- Cannes Toasts AGC Studios’ Bonnie Voland [912d]
- Egypt’s ‘Feathers’ Dominates Critics’ Awards For Arab Films [912d]
- CIA Spy Biopic From ‘Omar’ Director Hany Abu-Assad Boarded by Rocket Science (EXCLUSIVE) [912d]
- New Wave of Iranian Cinema Set to Burst Out in Cannes [912d]
- ‘La Llorona’s’ Jayro Bustamante to Helm WWII Drama ‘Down Wind’ with Panama’s Hypatia Films (EXCLUSIVE) [912d]
- ‘SNL’ Season Finale Lets McKinnon, Bryant, Mooney, Davidson Say Good-Bye [912d]
- Nexo Digital Sells ‘Portait of The Queen’ to U.S., European Territories (EXCLUSIVE) [912d]
- Cannes Title ‘Joyland’ Celebrates Pakistan’s Transgender Culture [912d]
- Lola Arabia, Charisma Unveil First Projects (EXCLUSIVE) [912d]
- SF Studios-Backed FLX to Produce Thriller ‘An Honest Life’ Based on Joakim Zander’s Novel (EXCLUSIVE) [912d]
- The Match Factory Boards Margarethe Von Trotta Biopic Starring Vicky Krieps (EXCLUSIVE) [912d]
- ‘Sister Darkness’ Big-Budget Gothic Horror From Alex Proyas Leads Partnership With 108 Media (EXCLUSIVE) [912d]
- ‘Escobar: Paradise Lost’ Director Andrea di Stefano Set to Make Italian Thriller ‘L’Ultima Notte Di Amore’ (EXCLUSIVE) [912d]
- Elle Driver Launches ‘Kid Snow’ Australian Boxing Drama Film (EXCLUSIVE) [912d]
- Kate McKinnon’s Alien Abductee Returns for ‘Saturday Night Live’ Season Finale Cold Open [912d]
- Motion Picture Academy Member Jeffrey Cooper Found Guilty of Child Molestation [912d]
- Pete Davidson Posts ‘SNL’ Goodbye Message Before Last Episode: ‘I’m So Happy and Sad’ [912d]
- ‘R.M.N.’ Review: Cristian Mungiu’s Nightmarish Naturalism Detonates a Scabrous Social-Division Drama [913d]
- ‘R.M.N.’ Review: Cristian Mungiu’s Nightmarish Naturalism Detonates a Scabrous Social-Division Drama [913d]
- Vomit, Poop and Woody Harrelson: ‘Triangle of Sadness’ Shocks Cannes With Uproarious Eight-Minute Standing Ovation [913d]
- John Mulaney Draws Criticism for Having Dave Chappelle Open, Tell Transphobic Jokes at Ohio Show [913d]
- Mia Hansen-Love on her Lea Seydoux Starrer ‘One Fine Morning;’ Clip Unveiled (EXCLUSIVE) [913d]
- Habanero Film Sales Debuts Carlos Lechuga’s ‘Vicenta B.’ and Alfredo Ureta’s ‘Corrosive’ (EXCLUSIVE) [913d]
- ‘The Beasts,’ Rodrigo Sorogoyen Opens Up – a Little – from Cannes [913d]
- Netflix Swoops In With $50 Million Purchase of Emily Blunt, David Yates Film ‘Pain Hustlers’ [913d]
- ‘Triangle of Sadness’ Review: Ruben Östlund’s Latest Satire Puts Privilege Through the Wringer [913d]
- ‘Triangle of Sadness’ Review: Ruben Östlund’s Latest Satire Puts Privilege Through the Wringer [913d]
- Harry Styles Lights Up New York With His ‘One Night Only’ Performance of ‘Harry’s House’: Concert Review [913d]
- Cannes Docs Discusses Importance for Filmmakers of a Strong Network [913d]
- Scoot McNairy, Kit Harington, Josh Lucas Starring in ‘Blood For Dust’ (EXCLUSIVE) [913d]
- Canada Selects Four Debut Feature Length Films for Cannes Docs-in-Progress Showcase [913d]
- Sequel to ‘Law Abiding Citizen’ Hatched by Village Roadshow Pictures, Rivulet Films [913d]
- Showcase Spotlights Emerging British Talent [913d]
- Box Office: ‘Downton Abbey’ Sequel Set to Debut at No. 2 as ‘Doctor Strange’ Continues Reign [913d]
- Omar Sy Starrer ‘Father & Soldier’ Sells to Major Markets for Gaumont (EXCLUSIVE) [913d]
- Harry Styles Opens Up on First Movie Nude Scenes: ‘There’s No Peen in the Final Cut’ [913d]
- ‘War Pony’ Review: Riley Keough Shows the Everyday Realities of Reservation Life [913d]
- European Film Academy President Agnieszka Holland Slams Cannes for Welcoming a Russian Movie [913d]
- New Audiovisual Event FestCampos Launches in Brazil [913d]
- Campos do Jordao, the Cultural Epicenter of Brazil [913d]
- Brazil’s Incentives on the Uptick [913d]
- U.K. Indies Unite in Challenging Times [913d]
- Riley Keough Cried Watching Baz Luhrmann’s ‘Elvis’ With Mom Lisa Marie and Grandma Priscilla Presley (EXCLUSIVE) [913d]
- George Miller Weighs in on Superhero Movies, Tilda Swinton Demands ‘More Than One Story’ on Screen [913d]
- ‘Aftersun’ Review: Paul Mescal’s Charisma Powers a Summer Vacation Portrait That Isn’t as Sunny as It Seems [913d]
- Swedish King Carl XVI Gustaf to be Portrayed in SF Studio-Based Documentary [913d]
- REinvent Scores Deals on ‘Leave,’ ‘Comedy Queen’ (EXCLUSIVE) [913d]
- Hannah Kent’s ‘The Good People’ Sets Adaptation at Australia’s Aquarius Films, Ireland’s Port Pictures (EXCLUSIVE) [913d]
- Brazil’s Caru Alves de Souza Wins Pop-Up Residency Prize, Backed by Projeto Paradiso (EXCLUSIVE) [913d]
- As Production Booms, Top Hungarian Projects Head to Cannes [913d]
- Amid Rightward Turn Under Viktor Orbán, Hungarian Filmmakers Look to a ‘Heroic Past’ [913d]
- As Local Biz Blossoms, Estonian Producers Take Top Projects to Cannes [913d]
- No new articles in the last 24 hours.
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