The Brutalist Report - culture
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- ‘Stranger Things’ Star David Harbour on Joyce and Hopper’s Future: ‘They Have a Very Complex Love for Each Other’ [1074d]
- Why Was Depp-Heard Trial Televised? Critics Call It ‘Single Worst Decision’ for Sexual Violence Victims [1074d]
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- Asian Americans Are Not a Monolith in Their Stories, Says Filmmaker Sujata Day [1074d]
- NFT Artist Emily Yang on Why the Crypto World Can Be Empowering for Women [1074d]
- Original ‘Top Gun’ Location Is Now a Quaint Pie Shop in Southern California’s Oceanside [1074d]
- Alexis Bledel Exits ‘The Handmaid’s Tale’ Ahead of Season 5 (EXCLUSIVE) [1074d]
- Who’ll Get Elvis Most Wrong — Filmmakers or Critics? Crowning the King on a Throne of Lies (Column) [1074d]
- ABBA’s ‘Voyage’ CGI Extravaganza Is Everything It’s Cracked Up to Be, and More: ‘Concert’ Review [1074d]
- Harry Styles Says ‘End Gun Violence,’ Partners With Nonprofit Everytown for Upcoming Tour [1074d]
- The Best Memorial Day Deals on Amazon: Dyson, Nespresso, Apple and More [1074d]
- ‘Salam’ Co-Director Houda Benyamina on the Privilege of Helping Former French Rapper Diam’s Tell Her Own Story [1074d]
- Joe Keery, Maya Hawke, Natalia Dyer Unpack Their Characters’ Love Lives in ‘Stranger Things’ Season 4 [1074d]
- Peak TV Leads to Peak Emmy Awards Pitches, and They’re All Tripping Over Each Other [1074d]
- Tiffany Haddish, Eva Longoria, Zoe Saldana and David Oyelowo to Speak at Variety’s Changemakers Summit [1074d]
- Animation Guild and AMPTP Reach Tentative Agreement on New Contract [1074d]
- Indigenous Producer Says He Was ‘Treated Like a Criminal’ For Wearing Moccasins on Cannes Red Carpet [1074d]
- Un Certain Regard Awards Presented at Cannes Film Festival (Updating Live) [1074d]
- French Film ‘The Worst Ones’ and Vicky Krieps Win Big in Cannes Un Certain Regard Awards [1074d]
- Music Industry Moves: Epic Records Ups Ayanna Wilks to VP, Adds Natalie Geday to Publicity Team [1074d]
- ‘Mother and Son’ Review: Léonor Serraille’s Softly Shattering Story of Immigrants Finding Themselves and Losing Each Other [1074d]
- New Documentary on Rise of Music Merchandise in the Works From XTR (EXCLUSIVE) [1074d]
- Jurors Asked in Closing Arguments to Decide: Who Is the ‘Real’ Johnny Depp? [1074d]
- ‘Return to Seoul’ Review: A Restless, Graceful Drama About Identity Formed Rather Than Found [1074d]
- Jean Dujardin, Cedric Jimenez on Counter-Terrorism Thriller ‘November’ Screening at Cannes [1074d]
- Disney+’s ‘Obi-Wan Kenobi’ Is a Solid Bridge Between Trilogies, With a Bonus Origin Story for Even the Most Casual ‘Star Wars’ Fans: TV Review [1074d]
- Tate McRae Talks the ‘Rollercoaster of Emotions’ That Went Into Her Debut Album, ‘I Used to Think I Could Fly’ [1074d]
- ‘Lendarys,’ Big-Budget Animation, Scores Pre-Sales at Cannes Market [1074d]
- ‘Showing Up’ Review: Michelle Williams in Kelly Reichardt’s Exquisite Minimalist Drama of Art and Life in Portland [1074d]
- How ‘Top Gun: Maverick’s’ Production Designer Secured Real Fighter Planes and More [1074d]
- ‘The Good Fight’ to End With Season 6 at Paramount+ [1074d]
- How to Watch ‘Fantastic Beasts: The Secrets of Dumbledore’ Online [1074d]
- At the Greek, Olivia Rodrigo’s ‘Sour’ First Anniversary Tour Was Something to Scream About (Column) [1074d]
- Marc Maron Inks Exclusive Deal With Acast for ‘WTF’ Podcast (Podcast News Roundup) [1074d]
- ‘Stranger Things’: Production Design Shines Light on Rainbow Room and the Byers Home in Season Four [1074d]
- MUBI Snaps Up Hot Cannes Title ‘Holy Spider’ for Several Territories [1074d]
- Erykah Badu Talks Her History With Late Jazz/ R&B Great Roy Hargrove, Whose Documentary She Executive-Produced (EXCLUSIVE) [1074d]
- Alice Rohrwacher Unveils Short ‘Pupils’ in Cannes Produced by Alfonso Cuaron – Clip (EXCLUSIVE) [1074d]
- Simu Liu Reveals Co-Star Ncuti Gatwa Didn’t Even Tell ‘Barbie’ Castmates He Was New Doctor Who [1074d]
- Kamal Haasan Talks ‘Vikram,’ ‘Indian’ and Future Projects (EXCLUSIVE) [1074d]
- Magnolia Pictures Buys Mads Mikkelsen Starrer ‘King’s Land’ Directed by ‘A Royal Affair’ Helmer [1074d]
- Pa. Ranjith Reveals Film Slate Featuring Kamal Haasan, Vikram at Cannes (EXCLUSIVE) [1074d]
- Saudi Arabia’s Telfaz11 Studios Pacts With France’s Easy Riders on Saudi Film Slate [1074d]
- ‘Love Island’ Class of 2022 to Receive Extended Duty of Care Protocols, Inclusion Training [1074d]
- Hong Kong Auteur Scud Retires, Sets Two Final Films for North American Release (EXCLUSIVE) [1074d]
- Un Certain Regard’s Japanese Dystopian Title ‘Plan 75’ Sells to Several Territories (EXCLUSIVE) [1074d]
- Cannes: Kore-Eda Hirokazu Says ‘Broker’ Is the Story of a Family of Choice [1074d]
- ‘Pacifiction’ Review: Albert Serra’s Torpid Tahitian Getaway is Cryptic But Curiously Hypnotic [1074d]
- amfAR Cannes Goes Wild for Christina Aguilera, Ricky Martin — and $215,000 Statue of Emma Watson as Mermaid [1075d]
- Daniel Brühl and Macaulay Culkin Join Pandemic Thriller ‘Rich Flu’ [1075d]
- ‘Enys Men’ Review: A Gorgeously Grainy Folk Horror Steeped in Style But Starved of Story [1075d]
- Kevin Spacey Backed by ‘Peter Five Eight’ Producers After U.K. Sexual Assault Charges: ‘A Matter for the Courts to Determine’ [1075d]
- James Corden Directs Harry Styles’ ‘Daylight’ Music Video in Lucky Fans’ New York Apartment [1075d]
- ‘Fauda’ Director Rotem Shamir Makes Indian Debut With Afghan Rescue Film ‘Garud’ (EXCLUSIVE) [1075d]
- ‘Obi-Wan Kenobi’ to Premiere Early on Disney+ [1075d]
- Anthony Anderson Not Returning for ‘Law & Order’ Season 22 [1075d]
- ‘Zero Contact’ Review: The Zoom-Shot Movie Subgenre Dies Yelling [1075d]
- Lee Greenwood Pulls Out of NRA Concert in Houston [1075d]
- A Guide to Pride Month Content on TV: Live Streams of Pride Parades and More [1075d]
- Revisiting Fergie’s ‘Glamorous’ as Jack Harlow’s ‘First Class’ Interpolation Takes the 2006 Hit to New Heights [1075d]
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