The Brutalist Report - culture
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- Nicolas Winding Refn on His Cathartic Experience Filming ‘Copenhagen Cowboy,’ Netflix Drops Trailer (EXCLUSIVE) [790d]
- ‘If These Walls Could Sing’ Review: Mary McCartney Takes Her Own Crosswalk to Abbey Road [790d]
- Venice Critics’ Week Body-Swap Drama ‘Skin Deep’ Bows Trailer (EXCLUSIVE) [790d]
- The Weeknd Cuts Short Los Angeles Concert: ‘I Lost My Voice… I’m Sorry’ [790d]
- Step-Motherhood Gets the Spotlight in Rebecca Zlotowski’s ‘Other People’s Children’ [790d]
- ‘Palimpsest’ Helmer Hanna Västinsalo Readies ‘Space Hobos,’ New Series ‘Heaven’ (EXCLUSIVE) [790d]
- ‘Full Frontal With Samantha Bee’ Producers Hint at Canceled Show’s Future After ‘Bittersweet’ Emmy Win [790d]
- Eminem Is Just One Award Shy of an EGOT, Following Super Bowl Emmy Win [790d]
- Chadwick Boseman Wins Posthumous Emmy Award [790d]
- Barack Obama Wins Emmy for Narration, Inches Closer to EGOT [790d]
- ‘Women Talking’ Soars at Telluride, Sarah Polley Could Be Third Consecutive Female Director Oscar Winner [790d]
- ‘Empire of Light’ Review: Do Yourself a Favor and See Sam Mendes’ Ode to Movies on the Big Screen [790d]
- With Emmy Win, Adele Just Needs Tony Award to EGOT [790d]
- 2022 Creative Arts Emmys Winners List, Night 1: ‘Adele: One Night Only,’ Super Bowl Halftime, ‘The Beatles: Get Back’ Dominate [790d]
- Foo Fighters Play Emotional Tribute Concert for Taylor Hawkins With Paul McCartney, Travis Barker, Members of Queen, Metallica, AC/DC, Many More [790d]
- ‘Pearl’ Review: In ‘X’ Prequel, Mia Goth Shows Where Her Repressed Antihero Went off the Rails [790d]
- Top News Agencies Up in Arms Against Venice Film Festival Over New Red Carpet Footage Restrictions — Will The Festival Budge? [790d]
- ‘The Lord of the Rings: The Rings of Power’ Premiere Draws 25 Million Global Viewers in First Day, Amazon Says [790d]
- ‘NCIS’ Alum Pauley Perrette Updates Fans One Year After Stroke: ‘Yes, I’m Still Here’ [790d]
- Instagram Removes Pornhub’s Account [790d]
- Ari Folman, Nadav Lapid, Hagai Levi Among 250 Israeli Filmmakers Protesting New Shomron Fund for the ‘Oppression of the Palestinian People’ [790d]
- ‘Argentina, 1985’ Review: The Mournful Weight of History Deepens an Old-Fashioned Courtroom Crowdpleaser [790d]
- Creative Arts Emmys Producer Explains Why Having No Host Is Key to Keeping the Ceremonies Short [790d]
- ‘House of Hammer’: See the Most Shocking Messages Armie Hammer Allegedly Sent to Women [790d]
- How ‘Immaculate Room’ DP Navigated Shooting That Large White Room [790d]
- India in Discussions for Local Offshoot of Annecy Animation Festival [790d]
- ‘Bardo’ or Alejandro G. Iñárritu’s Bleak Outlook on Life That Awards Voters Won’t Understand [790d]
- Paul Schrader Accused of Lifting Idea for ‘The Card Counter’ From Aspiring Screenwriter [790d]
- Kabir Bedi Receives Lifetime Achievement Award at Venice [790d]
- Box Office: ‘Spider-Man: No Way Home’ Threatens to Top Summer Holdovers in Sluggish Labor Day Weekend [790d]
- Jazz Documentary ‘Music for Black Pigeons’ Debuts Trailer Ahead of Venice Premiere (EXCLUSIVE) [790d]
- Sigourney Weaver, Joel Edgerton Discuss Working With Paul Schrader in Venice Title ‘Master Gardener’ [790d]
- ‘Monica’ Review: Andrea Pallaoro Finds a Fresh Angle on the Trans Experience [791d]
- Imprisoned Iranian Filmmakers Jafar Panahi, Mohammad Rasoulof Say ‘Hope of Creating Again’ Has Become a ‘Reason for Existence’ [791d]
- My 14-Year-Old Daughter Snapped a Venice Selfie With Timothée Chalamet: ‘I Went Crazy — My Heart Was Pounding’ [791d]
- Arab Distributor MAD Solutions Snaps Up Venice Competition Title ‘The Ties’ (EXCLUSIVE) [791d]
- ‘All the Beauty and the Bloodshed’ Review: Laura Poitras’s Film About How Nan Goldin Turned Her Art of Transgression Against the Sackler Family [791d]
- Carolina Cavalli’s ‘Amanda’ Debuts First-Look Clip Ahead of Venice Premiere (EXCLUSIVE) [791d]
- Trailer Unveiled for Sébastien Lifshitz’s Venice-Bound ‘Casa Susanna’ (EXCLUSIVE) [791d]
- ‘He Was a Disrupter, a Rule Breaker’: Jared Harris and Director Adrian Sibley on Venice Documentary ‘The Ghost of Richard Harris’ [791d]
- Netflix, European Producers Club Reveal Series Pitch Contest Winners at Venice [791d]
- ‘Women Talking’ Review: Sarah Polley Takes on the Patriarchy in This Powerful Act of Nonviolent Protest [791d]
- No new articles in the last 24 hours.
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