The Brutalist Report - culture

The A.V. Club

Vanity Fair

Best Black Friday Beauty and Wellness Deals for Early Cyber Week Shopping [883d]
Donald Trump, Sadly, Can’t Be Counted Out [883d]
Brandy, the Best Cinderella, Will Reprise Her Iconic Role [883d]
Report: Trump Is Not Reacting Well to GOP Pleas for Him to Stay Away From the Georgia Runoff [883d]
We’re Officially in the Elon Musk Era of Content Moderation [883d]
Pioneer Works Celebrates 10 Years in Psychedelic Fashion [883d]
Princess Charlene Makes a Triumphant Return to Monaco National Day Celebration [883d]
Republicans Lost Big on Abortion Ballot Measures. Now They’re Trying to Change the Rules [883d]
Prince Harry and Meghan Markle Thank Elton John for Being a “Friend to Our Kids” [883d]
Jennifer Lopez Welcomes Ben Affleck to Her TikTok Page [883d]
The Samuel Alito Leak Allegations Put the Supreme Court's Accountability Problem on Full Display [883d]
‘Dead to Me’ Was Never Getting a Fairytale Ending, But Creator Liz Feldman Did [883d]
Susie Essman Says Jeff Garlin Is “Working Hard to Manage” His Bipolar Disorder After Recent Diagnosis [883d]
Billie Eilish Looks Back on Six Years—And Teases a Few Updates for Her 2022 Interview [883d]
Iranian Officials Arrest Two Prominent Actors For Protesting Without Headscarves [883d]
Blythe Danner Is in Remission After Battle with Oral Cancer [883d]
The White Lotus: Haley Lu Richardson Thinks Portia is a Taylor Swift-Worthy Anti-Hero [883d]
Inside Antwaun Sargent’s Hyperspeed Art-World Ascent [883d]
Norman Reedus Unpacks the 'Walking Dead' Finale and His ‘F*cking Great’ Spinoff [883d]
‘Willow’ Resurrected: The Hard-Fought Story of an Epic Comeback [883d]
What Scared Steven Spielberg About ‘The Fabelmans’—And How Tony Kushner Pushed Him Past It [883d]
Disney Bombshell: Robert Iger Returns as CEO, and Bob Chapek “Steps Down” [884d]
The End of 'The Walking Dead'—And the Beginning of a New Universe [884d]

The Points Guy

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TMZ

Variety

The New Yorker

Raising Felix: Bodies, Bodies, Bodies (The Toddler Version) [883d]
New Items Are on Sale All Week in The New Yorker Store [883d]
It’s Going to Be a Weird World Cup [883d]
Daily Cartoon: Monday, November 21st [883d]
What Going Off the Grid Really Looks Like [883d]
If You Lived Here, You’d Never Have to Leave [883d]
Climate Change from A to Z [883d]
Where Walruses Go When Sea Ice Is Gone [883d]
“The Old Painter on a Walk,” by Adam Zagajewski [883d]
The Blade Runners Powering a Wind Farm [883d]
“Evanston Salt Costs Climbing,” a Pitch-Dark Comedy About Municipal Workers on the Brink [883d]
Birgit Schössow’s “The Future Is Here” [883d]
Journey to the Doomsday Glacier [883d]
The Four-Valve Trumpeter Who Uses Sharon Stone and Charlie Chaplin to Make Jazz [883d]
Louise Erdrich Reads “The Hollow Children” [883d]
An Alaskan Town Is Losing Ground—and a Way of Life [883d]
“To the Realization of Perfect Helplessness,” by Robin Coste Lewis [883d]
“The Hollow Children,” by Louise Erdrich [883d]
The Mail [883d]
Live from the Brooklyn Museum—Today’s Top Stories! [883d]
Portrait of the Artists as Young Weirdos [883d]
Louise Erdrich on Blizzards and Vulnerability [883d]
How the Huxleys Electrified Evolution [883d]
Briefly Noted Book Reviews [883d]
Slide Show: New Yorker Cartoons November 28, 2022 [883d]
Cartoon Caption Contest [884d]

Heavy

Esquire

Mashable