The Brutalist Report

M. Night Shyamalan on Acting Fear and the One Thing He Won’t Allow Actors to Do [752d]
Disney Will Not Fight DeSantis Takeover of Special District in Orlando [752d]
How The Academy Awards, and Their Iconic Oscar, Came To Be [752d]
Documentary Nominees ‘Navalny,’ ‘All the Beauty and the Bloodshed’ and More Send Powerful Messages About the State of the World [752d]
Studio Ramsay Creative Chief on ‘Next Level Chef’s’ Post-Super Bowl Surprises and the ‘Exciting Experiment’ of Tubi’s Gordon-Less ‘Kitchen Commando’ [752d]
Box Office: ‘Magic Mike’s Last Dance’ Tearing Off $8 Million Opening in Quiet Super Bowl Weekend [752d]
‘Headed for the Big Time’: How Burt Bacharach Built His Career in Music and Film [752d]
Sharmila Tagore, Manoj Bajpayee in Disney+ Hotstar Film ‘Gulmohar’: Watch First Trailer (EXCLUSIVE) [752d]
‘Consecration’ Review: Jena Malone in a Convent Thriller With Scattershot Demons [752d]
Making the Bloater: ‘The Last of Us’ Prosthetics Designer Used a Slimy, 80-Pound Suit and Massive Stuntman to Create the Deadly Monster [753d]
A Bloodbath and a Bloater: ‘The Last of Us’ Actors Break Down Henry and Sam’s Terrifying Episode [753d]
How ‘Wakanda Forever’ Hair Department Head Camille Friend Crafted Over 300 Wigs for ‘Black Panther’ Sequel [753d]
Vin Diesel to Return for ‘Riddick: Furya,’ Reuniting with Filmmaker David Twohy [753d]
CBS Chief George Cheeks Says Network Will Review Closed Captioning for Live Events After Grammys Bad Bunny Controversy [753d]
Cody Longo, ‘Days of Our Lives’ Actor, Dies at 34 [753d]
Evangeline Lilly Wants Marvel to Make a ‘Wasp’ Spinoff: ‘There’s More to Her Than Just Competence’ [753d]

The Brutalist Report

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