The Brutalist Report

Natalie Portman and Julianne Moore Sex Scandal Drama ‘May December’ Heats Up Cannes With 6-Minute Standing Ovation [628d]
‘May December’ Review: Natalie Portman and Julianne Moore Play Different Angles on a Tabloid Enigma [628d]
‘Black Flies’ Review: Sean Penn and Tye Sheridan Are Paramedics Cruising Through the Inferno in a Drama That Thinks It’s More Real Than It Is [628d]
How Pete Davidson Wound Up in the Summer’s Biggest Blockbusters [628d]
Leonardo DiCaprio and Lily Gladstone Conquer Cannes With 9-Minute Standing Ovation for ‘Killers of the Flower Moon’ [628d]
‘Killers of the Flower Moon’ Review: Martin Scorsese’s Osage Murders Movie Is Overlong but Never Slow [628d]
‘Zone of Interest’ Author Martin Amis Dies at 73 [628d]
A Clear-Cut Win for Artists or a Stifling Effect on Artistic Creation? How Copyright Law Experts View the Supreme Court’s Warhol Decision [628d]
John Cena Says He Was ‘Short-Sighted and Selfish’ in Dwayne Johnson Feud [628d]
Blink-182’s Reunion Tour Proves That Ageless Punk Rockers Can Make Fans Feel Like Kids Again: Concert Review [628d]
Fantastic Pavilion Discovery ‘The Day is Long and Dark’ Reveals Trailer, First Images (EXCLUSIVE) [628d]
With Star Wars: Visions ‘Sith,’ Spanish Studio El Guiri Looks to Break the Mold [629d]
Peruvian Helmers Gain Global Spotlight [629d]
Peru Aims for More Productions [629d]
‘Yellowjackets’: Simone Kessell on How Lottie’s Caftans Reveal Her Character’s Unraveling [629d]
ITV Stands by Ex-‘This Morning’ Host Phillip Schofield, Promises Him New Primetime Series [629d]
Box Office: ‘Fast X’ Racing to Projected $67 Million Debut [629d]
‘Banel & Adama’ Review: Love Is Challenged By Drought and Superstition in a Dreamlike Debut [629d]
Phillip Schofield Steps Down from ‘This Morning’ [629d]
Cate Blanchett Set a Rule for Hiring Crew After Realizing on Set ‘There Are 62 Men and I’m the Only Woman’: ‘You Must Interview a Woman’ and a ‘Person of Color’ [629d]
France’s Culture Minister Talks About Streamers, #MeToo, Soft Quotas, $378 Million Investment in Film, TV [629d]
AGC Studios’ Stuart Ford Honored as Variety’s Billion Dollar Producer in Cannes [629d]
Lily Gladstone Wouldn’t Let Being Starstruck Over DiCaprio and De Niro Derail ‘Killers of the Flower Moon’: ‘Everybody Was Nervous’ [629d]
‘How to Have Sex’ Review: Molly Manning Walker’s Debut Makes a Hot Neon Splash Before Turning Chillingly Dark [629d]
Tom Cruise (Sort Of) Back at Cannes: How Paramount Is Using the Festival to Promote ‘Mission: Impossible 7’ [629d]
Film Constellation Launches Remake Rights on Spanish Thriller ‘Fatum’ (EXCLUSIVE) [629d]
‘Let the Earth Burn’ by ‘Animalia’s’ Sofia Alaoui, ‘The Bridge’s’ Måns Mårlind’s Joins Pape Boye’s Inaugural Black Mic Mac Roster (EXCLUSIVE) [629d]

The New Yorker

Salman Rushdie Remembers the British Novelist Martin Amis [628d]
Martin Amis’s Comic Music [628d]
Sunday at the Drag Strip [628d]
The Far-Seeing Faith of Tim Keller [629d]
Title 42 Is Gone, But What Are Asylum Seekers Supposed to Do Now? [629d]
Congress Really Wants to Regulate A.I., But No One Seems to Know How [629d]
Undergraduate Excuses, Used in Other Contexts [629d]
Upstaged by Marlon Brando [629d]

Heavy

Esquire

Canada Is On Fire And You Can Smell the Smoke From Nebraska [629d]

The Brutalist Report

The A.V. Club

Vanity Fair

The Points Guy

TMZ

Variety

The New Yorker

Heavy

Esquire

Mashable