The Brutalist Report - culture
- Singapore’s Nelson Yeo Debuts at Locarno With an Uncanny Love Triangle Inspired by Classic Chinese Cinema [535d]
- Disney+ Hotstar Sets Syria Thriller ‘The Freelancer’ (EXCLUSIVE) [535d]
- ‘Love in Taipei’ Review: Romance and Self-Discovery Take a Holiday In a Flat Coming-of-Age Film [535d]
- China Box Office: ‘No More Bets’ and ‘Meg 2’ Split Meaty Weekend Total [535d]
- ‘Winning Time’ Stars Quincy Isaiah and Solomon Hughes Break Down the Magic-Kareem Rivalry That Kicks Off Season 2 [535d]
- Korea Box Office: ‘Smugglers’ and ‘Ransomed’ Dominate Weekend, Lift Local Films’ Market Share [535d]
- Vince Gill and Paul Franklin on Teaming Up for an Album of Ray Price Classics: Authentic Country Music Is ‘Not Dead — It’s Just Not Real Popular’ [535d]
- Oscars Predictions: Best Supporting Actor – Ryan Gosling and Robert Downey Jr. Could be Next ‘Barbenheimer’ Battle to Watch [535d]
- Box Office: ‘Meg 2’ Swims to $112 Million Overseas, ‘Oppenheimer’ Hits $550 Million Globally [535d]
- Locarno Title ‘The Vanishing Soldier’ Drops Trailer, as Helmer Dani Rosenberg Talks Buster Keaton, Israeli Protests (EXCLUSIVE) [536d]
- Is the ‘Mission: Impossible’ Series Due for a Reckoning? [536d]
- ‘The End of the World’ Director Basil Da Cunha Reveres Cape Verde, Lisbon’s Reboleira in Locarno Title ‘Manga d’Terra’ [536d]
- Sherry Cola on How Randall Park’s Directorial Debut ‘Shortcomings’ Puts ‘the Glasses-Wearing, Chubby, Asian Queer Girl on the Map’ [536d]
- The Future is Female at Locarno Pro as ‘Mother Vera,’ ‘No Ifs or Buts,’ ‘Pas Ta Maman’ Scoop Awards [536d]
- How Tommy Lee Jones’ ‘Fugitive’ Performance Anchored One of the Best Oscar Races of All Time [536d]
- ‘Barbie’ Surpasses $1 Billion Globally After 17 Days of Release [536d]
- ‘Barbie’ Rules Box Office Again With $53 Million, Taking Down ‘Meg 2’ and ‘Teenage Mutant Ninja Turtles’ [536d]
- ‘Exiled’ Producer Juli Films Boards ‘Pantasma,’ a Stop Motion Doc Feature on the Sandinista-Contra Bloodbath (EXCLUSIVE) [536d]
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