The Brutalist Report - culture
- Damien Chazelle Pays Tribute to William Friedkin in Moving Speech at ‘The Caine Mutiny Court-Martial’ Venice Premiere: ‘He Was Fearless’ [600d]
- ‘Rustin’ Review: Colman Domingo’s Charismatic Turn Will Define Not Only His Career, but Bayard Rustin’s as Well [600d]
- Ncuti Gatwa Says Playing Eric on ‘Sex Education’ Was ‘Healing’ for Him: ‘It Undid a Lot of the Internalized Hate I Had’ [600d]
- ‘Succession’ Creator Jesse Armstrong Reveals Answer to Whether Kendall Roy’s Name Was Crossed Out or Underlined [600d]
- ‘What Is This?’: David Fincher Puzzled by 5-Minute Venice Standing Ovation for ‘The Killer’ [600d]
- ‘Pet Shop Days’ Review: Two Men With Daddy Issues Attract One Another, and Trouble, in Promising Nepo Debut [600d]
- Olivia Rodrigo Was ‘Surprised’ Fans Thought ‘Vampire’ Was About Taylor Swift: ‘I Never Say Who Any of My Songs Are About’ [600d]
- ‘The Killer’ Review: David Fincher’s Hitman Thriller Is as Cold and Obessed with Methodology as Michael Fassbender’s Assassin-for-Hire Is [600d]
- Spanish Actor Gabriel Guevara Arrested on Alleged Sexual Assault Charges During Venice Film Festival [600d]
- French Actor-Producer Elsa Zylberstein Prepares Christian Dior Biopic Movie (EXCLUSIVE) [600d]
- ‘Tatami’ Review: Guy Nattiv and ‘Holy Spider’ Star Zar Amir Ebrahimi Co-Direct Potent Political Sport Thriller [600d]
- Diplo and Chris Rock Escape Burning Man Flooding By Catching a Ride in Fan’s Pickup Truck [600d]
- Christopher Nolan’s ‘Oppenheimer’ Crosses $850 Million Globally [600d]
- Director Bertrand Bonello Explains the Shocking, Incel Inspiration for ‘The Beast,’ Starring Lea Seydoux, George MacKay (EXCLUSIVE) [600d]
- Summer Box Office Hits $4 Billion After All, Thanks to ‘Barbie’ and ‘Oppenheimer’ [600d]
- Conway Twitty’s Country Career Remembered By His Biographer and Fan: ‘He Was Loved and Respected’ [600d]
- Box Office: Denzel Washington’s ‘Equalizer 3’ Opens to $34 Million, Aims for Strong $43 Million Through Labor Day [600d]
- Charter’s Demands On Disney Could Soon Pressure Rivals Like Fox, NBCU, Paramount, Warner [600d]
- Four Generations of Palestinian Women Live, Love and Persevere in Lina Soualem’s Venice Premiere ‘Bye Bye Tiberias’ [600d]
- ‘The Beast’ Review: Léa Seydoux and George MacKay Circle Each Other Through Time in Bertrand Bonello’s Languid Sci-Fi [600d]
- The Creatives, an Alliance of Top Indie Producers, Open Up About Providing Writers With ‘Safe Space’: ‘Where Would We Be Without Scripts?’ [601d]
- Ethan Hawke on Deciding to Direct Flannery O’Connor Biopic ‘Wildcat,’ Portrait of an ‘Immensely Complex Human Being’ [601d]
- David Fincher Wants ‘The Killer’ to Make Viewers ‘Very Nervous About the Person Behind Them at Home Depot’ [601d]
- ‘Poor Things’ Could Win Emma Stone Her Second (and Third) Oscars, and First for Mark Ruffalo and Yorgos Lanthimos [601d]
- ‘Tomb Raider’ Director Simon West to Direct Saudi Arabia-Set Epic ‘Antara’ at Neom’s Bajdah Studios [601d]
- Venice Fresh Faces: ‘Sky Peals’ Star Faraz Ayub [601d]
- Whoopi Goldberg and Jeremy Irvine to Star in Italian Comedy ‘Leopardi & Co’ Produced by Tarak Ben Ammar [601d]
- ‘Corsage’ Star Vicky Krieps to Play Murdered Film and TV Producer Sophie Toscan du Plantier in Jim Sheridan Docu-Drama ‘Re-creation’ (EXCLUSIVE) [601d]
- Judge Tosses Conviction of Ex-Fox Exec Hernan Lopez in Soccer Bribery Case [601d]
- ‘All of Us Strangers’ Makes Andrew Scott an Oscar-Worthy Leading Man [601d]
- Twerking, Satan and Travis Scott: Harmony Korine’s ‘Aggro Dr1ft’ Earns 10-Minute Standing Ovation at Venice, Despite Walkouts [601d]
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