The Brutalist Report - culture
- Epicmedia, Volos, Huang Junxiang Reunite for Genre Films ‘Molder,’ ‘Hold My Gaze’ (EXCLUSIVE) [463d]
- Kashmir the Focal Point in ‘Eeb Allay Ooo!’ Filmmaker Prateek Vats’ Busan APM Project ‘Chronicles of a Confession’ [463d]
- Busan Selection ‘Salli’ Sees Sales Rights Picked up by ArtHood Entertainment (EXCLUSIVE) [463d]
- Diversity, Women’s Perspectives and Empowerment Are Driving the Film Boom in Indonesia, Says Culture Director General Hilmar Farid (EXCLUSIVE) [463d]
- Vietnam’s Skyline Media Launching Five Titles at Busan Market [463d]
- ‘Secret: Untold Melody’ Resonates With Busan Buyers [463d]
- Busan Film School Alumnus Aakash Chhabra Teams With Indie Powerhouses Akanga, Crawling Angel on APM Project ‘I’ll Smile In September’ [463d]
- Nepal’s Asian Cinema Fund-Winning Busan APM Project ‘Where The Rivers Run South’ Tackles Themes of Migrant Labor, Patriarchy [463d]
- India’s Rima Das Unveils Busan APM Project ‘Malati, My Love’: ‘Atmospheres That Intricately Unravel Emotions’ [463d]
- Pink Regrets Releasing ‘SpongeBob SquarePants’ Song: ‘We’ve Got Scurvy’ Was ‘a Real Mistake’ [463d]
- ‘Inshallah a Boy’ Review: A Gripping Social Drama About Systemic Oppression That Morphs into a Masterful Thriller [463d]
- Darren Aronofsky on His Sphere Film, ‘Postcard From Earth’: ‘I Had No Idea What an 18K Image Would Look Like, Four Football Fields Large’ [463d]
- Robert Redford Initially Passed on ‘The Way We Were’ Role, Called His Character ‘Shallow’ and ‘an Object,’ Says Barbra Streisand: ‘I Was Heartbroken’ [463d]
- ‘Hesitation Wound,’ ‘Hollywoodgate’ and ‘In the Rearview’ Win at Zurich Film Festival [463d]
- ‘Oppenheimer’s’ Secret Weapon: It Dares to Look Dramatically Askance at Its Hero [463d]
- John Cena Returns to the Ring for WWE Fastlane: Here’s Where to Stream Tonight’s Premium Live Event Online [463d]
- Israel Attacks Condemned by President Biden as TV News Plans Special Reports: ‘Terrorism Is Never Justified’ [463d]
- ‘The Monk and the Gun’ Review: Bhutanese Oscar Contender Offers Sly Critique of Western Influence [463d]
- ‘Davos 1917’ Head Writer Adrian Illien Talks Real-Life Inspirations Behind Swiss Spy Drama: ‘Neutral Countries Were Hotspots for Espionage’ [463d]
- ‘The Stranger’ Review: A Quietly Fraught Rural Childhood Comes Alive in a Miniaturist Bangladeshi Drama [463d]
- ‘The Changeling’ Production Designer Breaks Down His Favorite Easter Eggs and How He Built the Elk Hotel [463d]
- Terence Davies, Esteemed British Director of ‘Distant Voices, Still Lives,’ Dies at 77 [463d]
- Inside the Media Frenzy Surrounding Taylor Swift’s NFL Appearances: ‘This Is a Dream for Everybody Involved’ [463d]
- Inside the Media Frenzy Surrounding Taylor Swift’s NFL Appearances: ‘This Is a Dream for Everybody Involved’ [463d]
- Martin Scorsese Urges Young Filmmakers to Reinvent Cinema in Streaming Age: ‘Content Is Something You Eat and Throw Away’ [463d]
- How to Watch the Chiefs vs. Vikings Online [463d]
- Box Office: ‘The Exorcist: Believer’ Crosses Off $11.9 Million Opening Day [463d]
- Mads Mikkelsen Talks Losing the Script for ‘Casino Royale’ on a Plane and Working With ‘Partner in Crime’ Daniel Craig: ‘I Tickled His B—s With a Rope’ [463d]
- CJ ENM Poised to Reveal Indonesia Slate – Busan ACFM [464d]
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