The Brutalist Report - culture

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Vanity Fair

TMZ

Variety

How an Absent Father, a Facebook Doppelgänger and Barbie Ferreira’s Baby Pictures Helped Create SXSW Film ‘Bob Trevino Likes It’ [730d]
‘Songs From the Hole’ Review: The Mesmerizing Story of a Rap Album Created Behind Bars That Helped a Convict Find Redemption [730d]
Oscar Final Picks in Every Category, as Debated by Variety’s Awards Circuit Podcast Roundtable [730d]
‘Harry Potter’ Actor Miriam Margolyes Says Adult Fans ‘Should Be Over’ the Franchise by Now: ‘It’s for Children’ [730d]
Jean Smart and ‘Hacks’ Team Tease a ‘Totally Unexpected’ Season 3 Twist at SXSW Premiere [730d]
‘Conan O’Brien Must Go,’ the Host’s Return to TV, Gets a Max Premiere Date [730d]
‘Kung Fu Panda 4’s’ Chameleon Was One of Dreamworks’ Most Complex Creations: ‘Every Little Spike on Her Hand…Was Completely Animatable’ [730d]
Colman Domingo Explains Why He Attended the SXSW Premiere of ‘Sing Sing’ the Same Weekend as the Oscars (EXCLUSIVE) [730d]
‘How to Build a Truth Engine’ Review: A Sobering but Fatally Flawed Doc on Disinformation [730d]
‘I Love You Forever’ Review: A Suffocating Beau Ties Together Genres in a Nifty Millennial Rewrite of Rom-Coms [730d]
Alexander Payne’s ‘The Holdovers’ Accused of Plagiarism by ‘Luca’ Writer (EXCLUSIVE) [730d]
‘Imaginary’ Star Betty Buckley on Embracing Playing Another ‘White-Haired Weirdo’ and Why She’s Unsure About a Return to Broadway [730d]

The New Yorker

Heavy

Esquire

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Mashable

Billboard

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Vox

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