The Brutalist Report - culture
- ‘All Happy Families’ Review: Not All Indie Family Dramedies Are Alike [186d]
- Biden’s ABC Interview Was a Necessary Appointment With the Public — and a Botched One [186d]
- Luminate Streaming Ratings: ‘Beverly Hills Cop: Axel F,’ ‘The Bear,’ ‘Family Affair’ and ‘Worst Roommate Ever’ Drive Holiday Week Viewing [186d]
- President Biden Fights Critics Calling for Him to Drop Out, Asserts He’s ‘Most Qualified’ to Beat Trump in High-Stakes ABC News Interview [186d]
- ‘A Quiet Place: Day One’ Director Explains the Ending, What Characters Are Still Alive and Says a Sequel Is ‘Absolutely’ Happening [186d]
- Cardi B Sued by Producers Claiming ‘Enough (Miami)’ Infringed on Their ‘Reservation Dogs’ Song [186d]
- Lawrence Rothman on Being Genre Fluid, Gender Fluid and Finding a New Home in the Americana World With Their Revealing New Album [186d]
- Gwyneth Paltrow, Derek Blasberg and the Price of Bulls— [186d]
- Arkham Asylum TV Series Not Moving Forward at Max (EXCLUSIVE) [186d]
- ‘Our Lovely Pig Slaughter’ Review: A Rowdily Tragicomic Ode to Family Feuds and Disappearing Traditions [186d]
- Casting Director Francine Maisler on Why Actors Need Someone Like Her on Their Side [186d]
- How Warner Bros. Discovery Brings All Its Brands Aboard for ‘Shark Week,’ From ‘House of the Dragon’ to ‘Beetlejuice Beetlejuice’ to DC Studios [186d]
- Martina Buchelová’s ‘Lover, Not a Fighter’ Looks for Hope Amidst Chaos, Debuts First-Look Stills: ‘This Film Will Caress You’ (EXCLUSIVE) [186d]
- How to Watch President Biden’s ABC Interview with George Stephanopoulos [186d]
- Future Frames Organizers, Backers Explain How the Program for Young Talent Transforms Lives [186d]
- Lisa Nandy Named New U.K. Culture Minister [186d]
- Clive Owen Says David Bowie ‘Has More to Do With Me Being an Actor’ Than Anyone Else: ‘He Showed Me You Can Create Worlds’ [186d]
- ‘Despicable Me 4’ Tops July 4th Box Office With $20.4 Million, ‘Inside Out 2’ Crosses $500 Million Domestically [186d]
- ‘Kill’ Star Lakshya Defends Film’s ‘Hardcore’ Violence and Gore, Insists Movie Was Made With ‘Honesty’ and ‘Sincerity’ [186d]
- Why Ireland’s Galway Film Fleadh Has Made Palestine Its Country of Focus: ‘Solidarity’ and the ‘Quality of the Work’ [186d]
- Kevin Bacon Hired a Makeup Artist to Disguise Him in Public With Fake Teeth and More, but He Hated It: ‘This Sucks. I Want to Go Back to Being Famous’ [186d]
- Vanessa Hudgens Slams Paparazzi for Taking Photos of Her Newborn Baby: ‘Disrespected and Exploited’ by the ‘Greed of a Camera Feeding the Media’ [186d]
- ‘MaXXXine’ Director Ti West on How ‘Body Double,’ the Moral Majority and Mia Goth’s Leading Lady Aspirations Inspired His ‘Self-Actualization’ Slasher Movie [186d]
- Pedro Costa to Host 2024 Creators Lab in Mexico’s Yucatán Jungle [186d]
- ‘P-Valley’ Spinoff Docuseries ‘Down in the Valley’ Is a Glimpse Into the Unseen Deep South: TV Review [186d]
- Abigail Disney Says She’s Halting Donations to Democrats ‘Unless and Until’ President Biden Drops Out: ‘The Stakes Are Far Too High’ [186d]
- Daniel Brühl Talks Giving Jude Law a ‘Hard Time’ in Ron Howard’s ‘Eden,’ Working With ‘Maniac’ Ruben Östlund and ‘Crazy as Hell’ Tarantino: ‘I Don’t Want to Be Safe’ [186d]
- France’s Oscar Committee Increases Size and Term Length After Last Year’s ‘Anatomy of a Fall’ Snub [186d]
- U.K. Entertainment Industry Welcomes Labour Government but Lays Out ‘Pressing Issues’ to Be Addressed, With Film and TV Workforce at Forefront [186d]
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