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The Points Guy

Chase Sapphire Reserve vs. Ink Business Preferred: Which Ultimate Rewards-earning card is better for you? [150d]
Which airports will welcome you into the terminal without a plane ticket? [150d]

Vanity Fair

Riley Keough Dons A Stunning Cartier Necklace For The Venice Film Festival Red Carpet [151d]

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Variety

Emma Stone Is Becoming Our Modern-Day Katharine Hepburn and ‘Bugonia’ Proves It [150d]
Emma Stone Finds ‘Terrifying’ Parallels Between ‘Bugonia’ and Alleged CEO Killer Luigi Mangione [150d]
‘Ice Age 6’ Titled ‘Ice Age: Boiling Point,’ Sets 2027 Release [150d]
Disney Unveils New Animated Film ‘Hexed,’ Sets 2026 Release Date [150d]
Oscar Isaac and Jacob Elordi Shed Tears as Guillermo del Toro’s ‘Frankenstein’ Brings Venice to Life With Monstrous 13-Minute Ovation [150d]
Julia Roberts Delivers Her Best Performance Since ‘Erin Brockovich’ in ‘After the Hunt’ [151d]
E. Jean Carroll Hopes Her Explosive Telluride Doc Will ‘Finish Off’ Donald Trump – and That Potential Buyers Won’t Fear President’s Wrath [151d]
Original Director Chris Columbus Says It’s ‘Impossible’ to Return to ‘Harry Potter’ Because ‘It’s Gotten So Complicated With All the Political Stuff’: ‘Never Going to Happen’ [151d]
‘Caught Stealing’: How Darren Aronofsky Pulled Off the Film’s Epic Car Chase Through Flushing Meadows [151d]
‘Hamlet’ Review: Riz Ahmed Can’t Save a London-Set Take on Shakespeare’s Tragedy With No Reason to Be [151d]
‘Run’ Star Marques Houston on His Character’s Sacrifice, Possible Sequel and What His New Thriller ‘Leave’ Will Uncover [151d]
Lady Gaga to Perform at MTV Video Music Awards 2025 [151d]
‘Frankenstein’ Review: Guillermo del Toro’s Dream Project Has Been Gestating So Long, the Master’s Creation Arrives Overstuffed and Unwieldy [151d]
Huge Gaza Protest Marches Toward Venice Film Festival as Thousands Attend Rally [151d]
‘Late Fame’ Review: Willem Dafoe Is a Lost Poet Who Gets Rediscovered in Kent Jones’s Enchanting Drama of Bohemia Then and Now [151d]
Mads Mikkelsen Delivers Another Wild Look in Anders Thomas Jensen’s Boundary-Pushing ‘The Last Viking’: ‘Part of Him Wants to Be Ugly’ [151d]
Box Office: ‘Caught Stealing’ Grounds Into $3.2 Million Opening Day, ‘Weapons’ Winning Yet Again [151d]
Variety’s Venice Digital Daily, Day 2: Julia Roberts Plays Defense at Press Conference [151d]
‘Below the Clouds’ Review: Nothing Erupts in Gianfranco Rosi’s Lyrical Vesuvius Portrait, But It Brims With Life and Contrast [151d]
‘Late Fame’ Director Kent Jones and Writer Samy Burch on Casting Willem Dafoe as a Forgotten Poet and Paying Homage to a Lost New York Art Scene: ‘It’s a World That Was There, and Then It Was Gone’ [151d]
Noomi Rapace’s Turn as Mother Teresa Lures International Buyers for Kinology (EXCLUSIVE) [151d]
Lee Corso Signs Off ESPN’s ‘College Game Day’ After 38 Years [151d]
Mohamed Hefzy, Valérie Garcia Team on French-Lebanese Dramedy Series ‘Nadine’ Set in Parisian Fashion World (EXCLUSIVE) [151d]
‘Hamnet’ Review: Jessie Buckley Delivers a Devastating Performance in Chloé Zhao’s Radically Feminine Take on Shakespeare’s Family Life [151d]
Guillermo del Toro Says ‘Frankenstein’ Isn’t a Metaphor for AI: ‘I’m Not Afraid of Artificial Intelligence. I’m Afraid of Natural Stupidity’ [151d]
‘Broken English’ Review: An Adoring Hybrid Ode to Marianne Faithfull That Gives Her the Last Salty Word [151d]

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