The Brutalist Report - culture
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- Steven Spielberg’s ‘The Fabelmans’ Could be the Oscar Frontrunner for Best Picture [782d]
- ‘Glass Onion: A Knives Out Mystery’ Review: As Sharp as the First One, But in a Go-Big-or-Go-Home Way, and Daniel Craig Once Again Rules [782d]
- Steven Spielberg’s ‘The Fabelmans’ Scores Lengthy TIFF Standing Ovation, Director Insists He’s Not Retiring [782d]
- ‘The Menu’ TIFF Premiere Draws Squirms, Squeals and Big Laughs From ‘Succession’-Meets-‘Saw’ Horror Feast [782d]
- Mystery Solved! ‘Glass Onion’ Kills at TIFF and Should Be Netflix’s Leading Best Picture Pony [782d]
- Emmys 2022: Inside the Parties [782d]
- Daniel Craig and Rian Johnson Tease More ‘Knives Out’ After Twisty, Fun ‘Glass Onion’ Slays Toronto Film Festival [782d]
- ‘Aftersun,’ ‘War Pony,’ ‘Palm Trees and Power Lines’ Win Top Prizes at Deauville Festival [783d]
- ‘Percy Jackson and the Olympians’ Series Gets First Look at D23 Expo [783d]
- Marsha Hunt, 1917-2022: An Appreciation of One of Hollywood’s Genuine Heroines [783d]
- Jennifer Lawrence Reveals That Leaving Home At 14 Inspired Her Powerful Performance in ‘Causeway’ [783d]
- ‘Victim’ Review: A Mother’s Love and a Son’s Lie Expose a Community Corroded by Hate and Politics [783d]
- Bob Chapek Talks Disney+, ESPN and Hulu Future and Hints at ‘Hard Bundle’ Integration to Come [783d]
- Disney, If You’re Listening, Michael Moscovitz Would Return for a ‘Princess Diaries’ Reboot [783d]
- ‘The Santa Clauses’ Teaser: Tim Allen Is Ready to Retire as Santa, and Peyton Manning Wants the Job [783d]
- Ralph Fiennes Prepped for ‘The Menu’ by Watching ‘Chef’s Table’ and Meeting a Real Michelin-Starred Chef [783d]
- Hillary Clinton Blasts Senseless Deaths From U.S. Shootings: ‘Gun Violence Is Out of Control’ [783d]
- ‘Avatar: The Way of Water’ Previews 3-D Footage to Close Out D23 Panel [783d]
- Children’s Books and Graphic Novels Lead the Pack at Venice’s Book Adaptation Rights Market [783d]
- ‘The Marvels’ Shows First Footage With Brie Larson, Teyonah Parris, Iman Vellani at D23 [783d]
- Marvel’s ‘Thunderbolts’ Recruits Florence Pugh, Sebastian Stan, David Harbour, Julia Louis-Dreyfus and More [783d]
- ‘Captain America: New World Order’ Casts Shira Haas as Sabra and Tim Blake Nelson as The Leader [783d]
- Venice Prizewinner Alice Diop on the Haunting Nature of ‘Saint Omer’ [783d]
- Ke Huy Quan Joins ‘Loki’ Season 2 [783d]
- Marvel’s ‘Echo’ Trailer Revealed at D23, With Kingpin Returning [783d]
- ‘The Woman King’ Reigns Over TIFF and Hopefully the Oscars Will Notice [783d]
- Kate del Castillo Takes Flight Again With ‘La Reina del Sur,’ Tolstoy and Tequila [783d]
- ‘Indiana Jones 5’: Emotional Harrison Ford Shows New Footage at D23 [783d]
- Bo Brundin, Swedish Actor in ‘The Great Waldo Pepper,’ Dies at 85 [783d]
- ‘The Mandalorian’ Season 3 Trailer Teases New Battles and Planets for Pedro Pascal [783d]
- From ‘Laurence of Arabia’ to ‘House of the Dragon,’ the Spanish Commissions Handling Some of History’s Most Cherished Locations [783d]
- John Legend and Kane Brown Stay True to Their Paths, With Key Tweaks, in ‘Legend’ and ‘Different Man’: Album Review [783d]
- ‘Tales of the Jedi’ Trailer Traces History of Famous ‘Star Wars’ Heroes and Villains [783d]
- Christian Slater Joins ‘Willow’ Cast as Madmartigan Friend, New Trailer Teases Epic Disney+ Series [783d]
- ‘Allelujah’ Review: A Sticky Dedication to Various British National Treasures, From Judi Dench to the NHS [783d]
- Lea Michele Drops Out of Saturday’s ‘Funny Girl’ Performances Due to ‘Early Signs and Symptoms’ of COVID [783d]
- Venice Film Festival Awards Ceremony (Updating Winners Live) [783d]
- Broncos’ Fumbled Handoff Reveals Perils of NFL Estate Planning [783d]
- ‘Barbarian’ Director Breaks Down the Film’s Most Shocking Twists and Discusses Sequel Possibilities [783d]
- Marsha Hunt, Blacklisted Actress Known for Activism, Dies at 104 [783d]
- Salomé Villeneuve Explores Childhood Memories in Nature in Venice Selected Short ‘III’ [783d]
- Box Office: ‘The Barbarian’ Takes a Stab at No. 1 in Quiet Week [783d]
- EbonyLife’s Mo Abudu on Toronto Premiere ‘The King’s Horseman’ and Legacy of Late Director Biyi Bandele [783d]
- Director Paolo Virzì on How the Pandemic Permeates Dystopic Dramedy ‘Siccità’ in Which a Long Drought in Rome Has Dried Up the Tiber [783d]
- Mary Nighy Hits Toronto With ‘Alice, Darling,’ Shares Festival Experience With Dad Bill [783d]
- Shazad Latif on Lily James, Lead Role in Toronto Fest Romantic Comedy ‘What’s Love Got to Do With It’ [783d]
- New Class of Canadian Filmmakers Seeks to Transform the Industry [783d]
- Hudlin’s Toronto Doc ‘Sidney’ Digs Into Life, Legacy of the Great Sidney Poitier [783d]
- Inside Robert Schwartzman’s Utopia: U.S. Distributor Gears Up for Next Chapter [783d]
- Ulrich Seidl’s ‘Sparta’ Will Premiere at San Sebastian Despite Child Exploitation Allegations (EXCLUSIVE) [783d]
- The Big Pivot: Indie Films Shake-Up Sales Strategies as Streaming Giants Change Course [783d]
- ‘They Were Like Flower Children’: Susanna Nicchiarelli on ‘Chiara,’ With ‘My Brilliant Friend’ Star Margherita Mazzucco as Saint Clare [783d]
- ‘The Good Nurse’ Director Tobias Lindholm on Exploring the Heroic Effort to Stop Serial Killer Charles Cullen [783d]
- Ana de Armas Receives Deauville Fest’s Young Hollywood Award, Pays Homage to ‘Cinephile Grandfather’ Who Gave Her ‘Big Dreams’ [783d]
- Toronto Regular Rima Das on Platform Selection ‘Tora’s Husband’: ‘Love Is Important for Me’ [783d]
- Film Factory Boards Colombian Juan Sebastian Quebrada’s Debut Pic ‘El Otro Hijo’ (EXCLUSIVE) [783d]
- Bendita Films Swoops On Chilling Croatian Thriller ‘The Uncle’ (EXCLUSIVE) [783d]
- Charles III Officially Proclaimed King In First-Ever Televised Accession Council Ceremony [783d]
- ‘Bros’ Review: Billy Eichner Wants You to Believe He’s Making History in Mainstream Gay Romcom [783d]
- Homemade Films Brings New Projects to Venice, Boards Mahdi Fleifel’s ‘Men in the Sun’ (EXCLUSIVE) [783d]
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