The Brutalist Report

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TMZ

Variety

Zeze Takahisa’s ‘Fragments of the Last Will’ Set as Tokyo Film Festival Opener [952d]
Olivia Colman on Queen Elizabeth’s Legacy and Why She Didn’t Give Imelda Staunton Advice for ‘The Crown’ Season 5 [952d]
Investor Daniel Loeb Backs Off Disney-ESPN Sale Proposal, Citing ‘Better Understanding’ of Company’s ‘Growth and Innovation’ Plan [952d]
‘Catherine Called Birdy’ Review: Lena Dunham Gleefully Liberates a 13th-Century 14-Year-Old [952d]
Harry Styles on Understanding the Mind of a Closeted Gay Man for ‘My Policeman’ — TIFF [952d]
‘Multiverse’ Avengers Campus Ride Announced for Disneyland [952d]
Jennifer Lawrence Breaks Down This Season of ‘Real Housewives of Beverly Hills,’ Including ‘Evil’ Erika Jayne [952d]
‘Wendell and Wild’ Places Jordan Peele and Henry Selick at the Forefront of Animated Oscar Race [952d]
Tilda Swinton, Gina Prince-Bythewood, Darren Aronofsky Attend Variety & Chanel’s Female Filmmakers’ Dinner [952d]
Revamped Capstone in Toronto With ‘Prisoner’s Daughter’ and New Slate of Pics [952d]
Magnolia Pictures Buys Venice Hit ‘Blue Jean’ for North America [952d]
Ben Kingsley Hopes His MCU Return in Wonder Man Series Is a ‘Surprise’ and ‘Refresh’ [952d]
Steven Spielberg: Mining Personal History for ‘The Fabelmans’ Was ‘Very, Very Hard to Get Through’ [952d]
Box Office Doldrums Continue as ‘Barbarian’ Debuts With $10 Million [953d]
Pearl Jam Takes the Apollo Stage for Powerful Pandemic-Postponed SiriusXM Underplay [953d]
Steven Spielberg’s ‘The Fabelmans’ Trailer Debuts Following Rapturous Toronto Film Festival Premiere [953d]
‘Allelujah’ Director Richard Eyre on Grappling With Old Age on Screen: ‘I Wanted to Avoid Any Patronizing Sentimentality’ [953d]
Independent Entertainment, Producers Behind Harry Styles Film ‘My Policeman,’ on Company Ambitions, Future of Cinema [953d]
From ‘The Inspection’ to ‘Bros,’ Underrepresented Artists Are Telling Their Own Stories — But Is Hollywood Changing Fast Enough? [953d]
Family Animation ‘Yuku and the Himalayan Flower’ Sells Wide for New Europe (EXCLUSIVE) [953d]
Hosting ‘The Witcher’ S2, ‘House of the Dragon,’ Spain Film Commission’s Exponential Growth, and its Future Goals [953d]
James Costos, Javier Aguirresarobe on Why Commissions Count [953d]
‘The Fabelmans’ Review: Steven Spielberg Takes a Sweet, Heavily Filtered Selfie of His Formative Years [953d]
Steven Spielberg’s ‘The Fabelmans’ Could be the Oscar Frontrunner for Best Picture [953d]
‘Glass Onion: A Knives Out Mystery’ Review: As Sharp as the First One, But in a Go-Big-or-Go-Home Way, and Daniel Craig Once Again Rules [953d]
Steven Spielberg’s ‘The Fabelmans’ Scores Lengthy TIFF Standing Ovation, Director Insists He’s Not Retiring [953d]
‘The Menu’ TIFF Premiere Draws Squirms, Squeals and Big Laughs From ‘Succession’-Meets-‘Saw’ Horror Feast [953d]
Mystery Solved! ‘Glass Onion’ Kills at TIFF and Should Be Netflix’s Leading Best Picture Pony [953d]
Emmys 2022: Inside the Parties [953d]
Daniel Craig and Rian Johnson Tease More ‘Knives Out’ After Twisty, Fun ‘Glass Onion’ Slays Toronto Film Festival [953d]
‘Aftersun,’ ‘War Pony,’ ‘Palm Trees and Power Lines’ Win Top Prizes at Deauville Festival [953d]
‘Percy Jackson and the Olympians’ Series Gets First Look at D23 Expo [953d]
Marsha Hunt, 1917-2022: An Appreciation of One of Hollywood’s Genuine Heroines [953d]

The New Yorker

Mind Games at the U.S. Open Women’s Final [952d]
The Cryptic Crossword: Sunday, September 11, 2022 [953d]
When the Anglophiles (and Angloskeptics) of New York Heard About the Queen’s Death [953d]
Key Elements of Straight Culture [953d]
Karen O Has Found a More Joyful Kind of Wildness [953d]
Getting Brittney Griner Home [953d]

Heavy

Esquire

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