The Brutalist Report - culture
- Variety Wins 22 National Arts & Entertainment Journalism Awards, Including Best Entertainment Website [704d]
- ‘Kill the Snowman’: ‘Frozen’ Director Admits She Wanted to Axe Olaf [704d]
- ‘Mystery Road: Origin’ and ‘Elvis’ Dominate AACTA Craft Awards [704d]
- CreatorWorld Identifies Video Consumption Shifts and Industry Responses [704d]
- China Box Office: Japanese Animation ‘One Piece Film Red’ Wins Weekend [704d]
- ‘White Lotus’ Star Sabrina Impacciatore Reveals Deleted Scenes, Celebrates Valentina’s Sexual Awakening: ‘She’s Finally Free’ [704d]
- ‘Yellowstone’ Season 5 Episode 5: Craziest Moments and Burning Questions, From Beth and Summer’s Bloody Brawl to an Unlikely Truce [704d]
- Korea Box Office: ‘Night Owl’ Holds Top Spot Ahead of ‘Men of Plastic’ [704d]
- Helen Mirren Praises Her ‘1923’ Co-Star Harrison Ford at Premiere: ‘He Taught Me a Great Deal About Film Acting’ [704d]
- Kate Winslet Was ‘Impressed’ by Daughter Mia Threapleton’s Performance in Drama ‘I Am Ruth’ [704d]
- Bob McGrath, ‘Sesame Street’ Star, Dies at 90 [704d]
- ‘Aftersun’ Triumphs at British Independent Film Awards 2022 With Seven Wins [704d]
- ‘Emancipation’ Producer Joey McFarland Apologizes for Bringing Photo of Enslaved Man to Premiere [704d]
- Alpi Film Lab Unveils Achievements in Fostering Italian-French Co-Productions, ‘American Heroes’ Wins Post-Production Award [704d]
- In Oscar Music Race, Familiar and Fresh Faces Seek Score Nominations [704d]
- Morton Zarcoff, ‘It Takes a Thief’ Producer and Former USC Film Department Co-Chairman, Dies at 95 [704d]
- Al Strobel, ‘Twin Peaks’ Actor, Dies at 83 [704d]
- Jessica Chastain and Michael Shannon Reveal Secrets of Learning to Sing Like Country’s Royal Couple in ‘George & Tammy’ [704d]
- How Jonathan Kasdan Discovered the Heart of Disney’s New ‘Willow’ Series From Val Kilmer’s 80s ‘Surfer Boy’ Rogue [704d]
- Imagine Dragons Thanks All the Record Labels Who Passed on Their Band at Variety’s Hitmakers Awards [704d]
- Theo James Used a Prosthetic in ‘White Lotus’ Nude Scene: It’s Like It Was ‘Stolen Off a Donkey’ [704d]
- Distributor Andrea Romeo, Producer Eilon Ratzkovsky on Audience Design, Arthouse Distribution, Painful Relationship With Exhibitors [704d]
- The Weeknd Hints at New Music for ‘Avatar: The Way of Water’ Soundtrack [704d]
- Italy’s National Film Museum Reveals Ambitious Restyling Plans Costing Up to $36 Million (EXCLUSIVE) [704d]
- ‘Black Panther: Wakanda Forever’ Tops Box Office for Fourth Weekend, ‘Violent Night’ Debuts at No. 2 [705d]
- Michele Placido on Daniele Vicari’s ‘Orlando’: ‘One of the Most Beautiful Roles I’ve Been Offered’ [705d]
- Omar Apollo Reveals He Had a Crush on ‘Wizards of Waverly’ Place Star David Henrie [705d]
- Spike Lee Discusses Malcolm X, Mecca, Colin Kaepernick at Red Sea Film Festival [705d]
- Saudi Arabia’s Neom Media Hub Lures First Bollywood Movie, ‘Dunki,’ Starring Shah Rukh Khan, Books MBC Soap ‘Exceptional’ [705d]
- Panama’s Culture Minister Giselle Gonzalez: Panama to Build New Film Studio, Pledges More Support for IFF Panama (EXCLUSIVE) [705d]
- Jamie Dack’s Sundance Winner ‘Palm Trees and Power Lines’ Triumphs at Torino Film Festival [705d]
- ‘Autobiography’ Wins Top Prize at Singapore Silver Screen Awards, Laha Mebow Wins Best Director for ‘Gaga’ [705d]
- Japanese Director Takeshi Kogahara on Working With Darkness and Silence in Debut Feature ‘Nagisa’ [705d]
- Japanese Director Kogahara Takeshi on Working With Darkness and Silence in Debut Feature ‘Nagisa’ [705d]
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