The Brutalist Report

The A.V. Club

Welcome To Chippendales puts Steve Banerjee's killer plan into motion [680d]
Welcome To Chippendales puts Steve Banerjee's killer plan into motion [680d]
Broker film review: a family that preys together may not stay together [680d]
Broker film review: a family that preys together may not stay together [680d]
How they did it: the visual effects team on Avatar: The Way Of Water gives us the 101 [680d]
How they did it: the visual effects team on Avatar: The Way Of Water gives us the 101 [680d]
19 albums you need to hear in January, including new works by Iggy Pop, Kimbra, and Sam Smith [681d]
19 albums you need to hear in January, including new works by Iggy Pop, Kimbra, and Sam Smith [681d]
Year in review: Remembering the stars we lost in 2022 [681d]

Vanity Fair

The Points Guy

TMZ

Variety

The New Yorker

A Dangerous Moment in the Hollywood Economy [680d]
As Poet Laureate, Tracy K. Smith Hit the Road [680d]
A Year of Dominance and Defiance at the Supreme Court [680d]
A Jazz Album Made to Last [680d]
Ayşegül Savaş Reads “Notions of the Sacred” [681d]
Kari Lake Flips Out at 7-Eleven After Buying Losing Lottery Ticket [681d]
How “Fleishman Is in Trouble” Ditches the Clichés of the Female Midlife Crisis [681d]
Coffee, with a Side of Deadline Hectoring [681d]
An Emmy-Winning Year in New Yorker Video [681d]
And the Lord Said, “You’ve Got a Time-Out, Mister” [681d]
A Media Mogul Pivots to Paper [681d]
Hell on Two Wheels, Until the E-Bike’s Battery Runs Out [681d]
Todd Rundgren, Renaissance Rocker [681d]
Seventy-five Years After Indian Partition, Who Owns the Narrative? [681d]
“Eshu or Ambition,” by Kwame Dawes [681d]
Denis Johnson and Stephen Adly Guirgis’s Drinking Games [681d]
Can “The Last of Us” Break the Curse of Bad Video-Game Adaptations? [681d]
How to Apply the Seven Principles of Kwanzaa to Millennial Life [681d]
“Notions of the Sacred,” by Ayşegül Savaş [681d]
Ryo Takemasa’s “New Tracks” [681d]
A Hawaiian Volcano vs. the Keeling Curve [681d]
Trapped in the Trenches in Ukraine [681d]
Daily Cartoon: Monday, December 26th [681d]
Briefly Noted Book Reviews [681d]
John Ahearn and Rigoberto Torres’s Portraits of the South Bronx [681d]
The Mail [681d]
How the Artist Kehinde Wiley Went from Picturing Power to Building It [681d]
Slide Show: New Yorker Cartoons January 2 & 9, 2023 [681d]
“The Days,” by Adrienne Su [681d]
Ayşegül Savaş on the Mystery of Pregnancy [681d]

Heavy

Esquire

Glass Onion Is the Rare, Better-Than-The-First-Movie Sequel [681d]