The Brutalist Report - culture
- ‘Sopranos’ Star Michael Imperioli ‘Forbids Bigots and Homophobes’ From Watching His Work: Supreme Court Decision ‘Allows Me to Discriminate’ [581d]
- Vivica A. Fox Confesses ‘Independence Day 2’ Didn’t ‘Live Up’ to the First: ‘We Really Missed Out by Not Bringing Will Smith Back’ [582d]
- Twitter Introduces ‘Temporary Limit’ on Number of Posts Users Can Read, Unverified Accounts Get 600 per Day [582d]
- Russell Crowe Says He Should Be ‘F—ing Paid’ for the Amount of Questions He Is Asked About ‘Gladiator 2’: ‘I Am Not Even in It!’ [582d]
- ‘Indiana Jones 5’ Star Shaunette Renée Wilson Asked for Script Changes Over an ‘Offensive and a Bit Problematic’ Scene (EXCLUSIVE) [582d]
- Box Office: ‘Indiana Jones and the Dial of Destiny’ Whips Up $24 Million Opening Day [582d]
- 20 Best Films New to Streaming in July: ‘They Cloned Tyrone,’ ’65,’ ‘Bird Box Barcelona’ and More [582d]
- While Gracious Enough to Let His Co-Stars Shine, Alan Arkin Was Consistently the Most Memorable Character in Any Film [582d]
- Anthony Mackie Forgot His ‘Captain America 4’ Lines Because Harrison Ford Was So Intimidating, Then Ford Said: ‘Let’s Shoot This Piece of S—‘ [582d]
- Serial Killers and Women Who Love Them Targeted in ‘Red Rooms’: ‘It’s Such a Widespread Phenomenon’ [582d]
- In Itsaso Arana’s Directorial Debut ‘Girls Are Alright,’ Actresses Take Over the Film [582d]
- ‘Man in Black’ Review: Wang Bing’s Mid-Length Art Piece is Part Memoir, Part Music, All Mesmerizing [582d]
- ‘Passionate, Innovative and Ambitious’: Future Frames Unveils Exciting New Voices at Karlovy Vary [582d]
- ‘The Bear’s’ Jeremy Allen White Says Syd Wasn’t Jealous of Carmy and Claire, Defends ‘Beautiful’ Platonic Relationship [582d]
- SAG-AFTRA and Studios to Extend Talks to July 12 [582d]
- ‘Lost Soulz’ Review: A Hip-Hop Musical Buoyed by Original Compositions from Its Talented Cast [582d]
- ‘Indiana Jones 5’ Director James Mangold Explains the Fate of Shia LaBeouf’s Character and the ‘Wild Swing’ Ending [582d]
- ‘Between the Rains’ Review: An Immersive and Moving Portrait of a Kenyan Shepherd and His Community [582d]
- ‘Every Body’ Review: A Frank Discussion of Intersex Identity Holds Keys to the Culture Wars [582d]
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