The Brutalist Report - culture
- Woody Allen Considers Retirement After Latest Film, Still Maintains Innocence and Calls Cancel Culture ‘Silly’ (EXCLUSIVE) [503d]
- Michel Franco on Jessica Chastain, Peter Sarsgaard Venice Competition Film ‘Memory’: ‘I’ve Always Been Interested in Broken People’ [503d]
- China Box Office: ‘Oppenheimer’ Enjoys $30 Million Five-Day Opening as ‘Gran Turismo’ Stalls [503d]
- Venice Competition Entry ‘Woman Of’ Paints Decades-Spanning Portrait of a Polish Trans Woman’s Struggle to Be Free [503d]
- Akshay Kumar, Kartik Aaryan Projects in the Mix as Indian Producer Sajid Nadiadwala Reveals $120 Million U.K. Investment (EXCLUSIVE) [503d]
- Agnieszka Holland’s Venice Competition Entry Explores ‘Border’ Between Good and Evil Amid Europe’s Refugee Crisis [503d]
- ‘Daddio’ Review: Sean Penn Takes Dakota Johnson for a Ride in Bold, Conversation-Igniting Debut [503d]
- Korea Box Office: ‘Oppenheimer’ Takes Third Weekend Win as Revenues Slow [503d]
- Adrien Brody and Jason Segel Unpack Pat Riley’s Coaching Coup and Paul Westhead’s Downfall on ‘Winning Time’ [503d]
- Damien Chazelle Pays Tribute to William Friedkin in Moving Speech at ‘The Caine Mutiny Court-Martial’ Venice Premiere: ‘He Was Fearless’ [503d]
- ‘Rustin’ Review: Colman Domingo’s Charismatic Turn Will Define Not Only His Career, but Bayard Rustin’s as Well [503d]
- Ncuti Gatwa Says Playing Eric on ‘Sex Education’ Was ‘Healing’ for Him: ‘It Undid a Lot of the Internalized Hate I Had’ [503d]
- ‘Succession’ Creator Jesse Armstrong Reveals Answer to Whether Kendall Roy’s Name Was Crossed Out or Underlined [503d]
- ‘What Is This?’: David Fincher Puzzled by 5-Minute Venice Standing Ovation for ‘The Killer’ [503d]
- ‘Pet Shop Days’ Review: Two Men With Daddy Issues Attract One Another, and Trouble, in Promising Nepo Debut [503d]
- Olivia Rodrigo Was ‘Surprised’ Fans Thought ‘Vampire’ Was About Taylor Swift: ‘I Never Say Who Any of My Songs Are About’ [503d]
- ‘The Killer’ Review: David Fincher’s Hitman Thriller Is as Cold and Obessed with Methodology as Michael Fassbender’s Assassin-for-Hire Is [503d]
- Spanish Actor Gabriel Guevara Arrested on Alleged Sexual Assault Charges During Venice Film Festival [503d]
- French Actor-Producer Elsa Zylberstein Prepares Christian Dior Biopic Movie (EXCLUSIVE) [503d]
- ‘Tatami’ Review: Guy Nattiv and ‘Holy Spider’ Star Zar Amir Ebrahimi Co-Direct Potent Political Sport Thriller [503d]
- Diplo and Chris Rock Escape Burning Man Flooding By Catching a Ride in Fan’s Pickup Truck [503d]
- Christopher Nolan’s ‘Oppenheimer’ Crosses $850 Million Globally [503d]
- Director Bertrand Bonello Explains the Shocking, Incel Inspiration for ‘The Beast,’ Starring Lea Seydoux, George MacKay (EXCLUSIVE) [503d]
- Summer Box Office Hits $4 Billion After All, Thanks to ‘Barbie’ and ‘Oppenheimer’ [503d]
- Conway Twitty’s Country Career Remembered By His Biographer and Fan: ‘He Was Loved and Respected’ [503d]
- Box Office: Denzel Washington’s ‘Equalizer 3’ Opens to $34 Million, Aims for Strong $43 Million Through Labor Day [503d]
- Charter’s Demands On Disney Could Soon Pressure Rivals Like Fox, NBCU, Paramount, Warner [503d]
- Four Generations of Palestinian Women Live, Love and Persevere in Lina Soualem’s Venice Premiere ‘Bye Bye Tiberias’ [503d]
- ‘The Beast’ Review: Léa Seydoux and George MacKay Circle Each Other Through Time in Bertrand Bonello’s Languid Sci-Fi [503d]
- The Creatives, an Alliance of Top Indie Producers, Open Up About Providing Writers With ‘Safe Space’: ‘Where Would We Be Without Scripts?’ [504d]
- Ethan Hawke on Deciding to Direct Flannery O’Connor Biopic ‘Wildcat,’ Portrait of an ‘Immensely Complex Human Being’ [504d]
- David Fincher Wants ‘The Killer’ to Make Viewers ‘Very Nervous About the Person Behind Them at Home Depot’ [504d]
- ‘Poor Things’ Could Win Emma Stone Her Second (and Third) Oscars, and First for Mark Ruffalo and Yorgos Lanthimos [504d]
- ‘Tomb Raider’ Director Simon West to Direct Saudi Arabia-Set Epic ‘Antara’ at Neom’s Bajdah Studios [504d]
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