The Brutalist Report - culture
- Tom Hanks Warns Fans About ‘AI Version of Me’ Promoting Dental Plan: ‘I Have Nothing to Do With It’ [572d]
- Roger Corman Gets a Hero’s Welcome at Beyond Fest With Protégés Ron Howard, Joe Dante and More Reliving Big Breaks and Disastrous Test Screenings [572d]
- Zurich Summit Takeaway: Streamers’ Increasing Flexibility Creating More Opportunities for Distributors [572d]
- Erin Lee Carr Talks ‘The Ringleader: The Case of Bling Ring’ and Finding ‘WTF’ Docs [572d]
- Richard Gere Didn’t Want to Be Called a ‘Sex Symbol,’ Threatened Legal Action if Talk Show Didn’t Remove Label, Says Michael Aspel: ‘He Took Himself Very Seriously’ [572d]
- Terry Crews Recalls Experiencing Financial Insecurity After Retiring From the NFL: ‘My Pride Left Me Feeling Devastated’ [572d]
- Box Office: ‘PAW Patrol’ Sequel Wins Weekend With $23 Million Debut, ‘Dumb Money’ Flops With $3.5 Million [572d]
- 22 Best Movies New to Streaming in October: ‘Fair Play,’ ‘Haunted Mansion,’ ‘Pain Hustlers’ and More [572d]
- ‘Dance First’ Review: A Staid, Respectable Samuel Beckett Biopic That Misses Its Subject’s Sense of Mischief [572d]
- Newsom Vetoes Bill Giving Unemployment Benefits to Workers on Strike [572d]
- ‘Close Your Eyes’ Review: Victor Erice Returns From a 30-Year Absence With an Aching Ode to Film, Time and Memory [573d]
- Ethan Hawke Talks ‘Wildcat’ at Zurich, Working With Maya: ‘It’s Extremely Easy to Direct Your Own Daughter, Because the Love Is There’ [573d]
- Nicole Scherzinger on Playing ‘Old Relic’ Norma Desmond in ‘Sunset Boulevard’ and Ageism in Hollywood: ‘It’s Still Very Brutal’ [573d]
- ‘Foe’ Review: Saoirse Ronan and Paul Mescal Star in a Muddled Dystopian Replicant Love Triangle [573d]
- Oscar Hopeful ‘Beyond Utopia’ Takes Top Honors at Woodstock Film Festival 2023 [573d]
- Nadine Lustre in Mikhail Red’s Philippines Folklore Horror ‘Nokturno,’ Teaser Unveiled (EXCLUSIVE) [573d]
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