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Vanity Fair

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TMZ

Variety

Ajay Devgn’s NY VFXWaala Acquires Stake in Sweden’s Goodbye Kansas, Launches Joint Venture Studio in India [227d]
IATSE Back at the Bargaining Table With a Focus on Cinematographer Issues [227d]
Geno Michellini, Familiar Voice to L.A. Rock Fans as KLOS Drive-Time DJ in ’80s and ’90s, Dies at 77 [227d]
‘An Enemy of the People’ Review: An Actorly, Broadway Face-Off Between Jeremy Strong and Michael Imperioli [227d]
In Beverly Hills, the Mandarin Oriental Residences Emerge As a Sanctuary for the Stars [227d]
Oprah’s ‘Weight Loss Revolution’ Is a Brief, Surface-Level Overview of Obesity Drugs: TV Review [227d]
Why Dua Lipa Challenged Herself to Write Positive Songs on New Album ‘Radical Optimism’: ‘It’s Probably the Most Daring Thing We Can Do’ [227d]
How to Watch ‘Quiet on Set: The Dark Side of Kids TV’ Online [227d]
Beth Peters, Actor on ‘General Hospital,’ Dies at 92 [227d]
‘She Looks Like Me’ Review: Family Secrets and Public Scandals Brush Shoulders In a Scattered Documentary [227d]
Wordle Celebrates Its 1000th Puzzle – And Now You Can Play the Popular Spelling Game Offline [227d]
MGM Denies Claims Bruno Mars Has Debt With Casino: ‘Any Speculation Otherwise Is Completely False’ [227d]
‘Knives Out’ Team Rian Johnson and Ram Bergman Sign Two-Picture Deal With Warner Bros. [227d]
Elizabeth Chai Vasarhelyi and Jimmy Chin Play Matchmakers With Nat Geo Series Pairing Doc Filmmakers With Photographers [227d]
Original ‘The Crow’ Director Disavows Remake: ‘Brandon Lee Died Making’ the Film and It ‘Should Remain’ His ‘Legacy’ [227d]
Starz Drama ‘Hunting Wives’ Casts Chrissy Metz, Jaime Ray Newman, Katie Lowes and George Ferrier [227d]
How to Watch Oprah’s Weight Loss Special Online [227d]
Over 450 Jewish Creatives and Professionals Denounce Jonathan Glazer’s ‘Zone of Interest’ Oscars Speech in Open Letter (EXCLUSIVE) [227d]
Ariana Grande Scores Sixth No. 1 Album and Launches ‘We Can’t Be Friends (Wait for Your Love)’ to Top of Hot 100 [227d]
Sydney Sweeney on ‘Immaculate,’ a Rom-Com Reunion With Glen Powell and the ‘Weird’ Way People Talk About Her Body: ‘They Believe I’ve Signed My Life Away’ [227d]
Ben Platt Announces New Album ‘Honeymind’ and Surprise 18-Show Residency on Broadway [227d]
‘Champions,’ ‘The Witcher: Blood Origin,’ ‘All the Light We Cannot See’ Among Ruderman Family Foundation Awardees for Inclusion [227d]
Variety Announces Additional Speakers and Programming for Entertainment Marketing Summit [227d]
CNN Brings Bill Maher’s ‘Real Time’ to Saturday Nights [227d]
‘The Bones’ Review: It’s Paleontologists vs. Profit in Entertaining Look at the Fossil Trade [227d]
Director Raoul Peck’s Next Documentary Will Investigate 2021 Assassination of Haitian President [227d]
All the Godzilla Movies Ranked [227d]
‘We Can Choose to Love Rather Than Hate’: Led by Harvey Keitel and Melanie Lynskey, ‘The Tattooist of Auschwitz’ Finds Love in a Hopeless Place [227d]
GKIDS Acquires Mamoru Hosoda’s Complete Film Catalog (EXCLUSIVE) [227d]
Bill Hader, Quinta Brunson, Bowen Yang to Star in Animated ‘Cat in the Hat’ Remake [227d]
Bray Wyatt Documentary Set to Debut in April on Peacock [227d]
‘Balomania,’ ‘KIX’ Filmmakers on Ethics of Filming Protagonists on Society’s Margins [227d]
‘Star Wars’ Series ‘The Acolyte’ Sets Disney+ Premiere Date [227d]
Prince Andrew’s BBC Interview About Sexual Assault Allegations and Epstein Connections Gets Recreated in Netflix’s ‘Scoop’ Trailer [228d]
Markus Breitenecker Joins Executive Board of ProSiebenSat.1 Media SE as COO, Christine Scheffler Departs [228d]
Inside GDC 2024: How Annual Video Game Conference Has Pivoted Programming Amid Industrywide Layoffs [228d]
Robert Schildhouse Upped at BritBox International [228d]
Netflix Unveils Nordic Slate, Including Jo Nesbø’s ‘Harry Hole,’ ‘Diary of a Ditched Girl’ From ‘Solsidan’ Screenwriters, Period Series ‘The New Force’ [228d]
Studiocanal Signs Partnership With French Company WTFilms to Co-Produce, Distribute Genre Movies [228d]
BTS’s V to Boost ‘FRI(END)S’ Hit Single With Cartier Fashion Video [228d]
Cannes Genre Hub Fantastic Pavilion Returns for 2nd Edition (EXCLUSIVE) [228d]
Madrid Film School ECAM Launches Co-Production Forum, Call for Participants [228d]
Beverley McGarvey Adds Network 10 to Paramount+ Role in Australia – Global Bulletin [228d]
‘Tack’ Takes Intimate and Powerful Journey Into Charges of Sexual Abuse That Sparked Greece’s #MeToo Movement [228d]
Kristen Wiig’s 1960s-Set ‘Palm Royale’ Is Unserious In All the Best Ways: TV Review [228d]

The New Yorker

A Musical for—and About—Grammar Sticklers [227d]
Daily Cartoon: Monday, March 18th [228d]
Briefly Noted Book Reviews [228d]
Who Are Latino Americans Today? [228d]
A Matisse By the Tool Drawer [228d]
“Edward Hopper (Yellow and Red),” by W. S. Di Piero [228d]
Zach Williams Reads “Neighbors” [228d]
Kafta as a Tool for Palestinian Diplomacy [228d]
The Affair with My Chair [228d]
Ian Munsick Puts the Western Back in Country [228d]
Why New York Restaurants Are Going Members-Only [228d]
Zach Williams on Making a Story Travel [228d]
How Quinta Brunson Hacked the Sitcom with “Abbott Elementary” [228d]
How Candida Royalle Set Out to Reinvent Porn [228d]
The Crime Rings Stealing Everything from Purses to Power Tools [228d]
“3 Body Problem” Is a Rare Species of Sci-Fi Epic [228d]
“Neighbors,” by Zach Williams [228d]
Klaas Verplancke’s “On the Grid” [228d]
The Bodega as Chaotic Good, the Salad Joint as Neutral Evil [228d]
An Encyclopedia of Gardening for Colored Children [228d]
The Mail [228d]
“Untitled,” by Nasser Rabah (translated, from the Arabic, by Emna Zghal, Khaled al-Hilli, and Ammiel Alcalay) [228d]
Gustav Klimt at the Neue Galerie, Reviewed [228d]
How Julien’s Auctions Leads the Booming Market in Celebrity Memorabilia [228d]
Judith Butler on the Global Backlash to L.G.B.T.Q. Rights [228d]
The Forgotten History of Hitler’s Establishment Enablers [228d]

Heavy

Esquire

Mashable