The Brutalist Report - culture
- Korea Box Office: Lim Young-woong Concert Film Takes Weekend Honors Ahead of ‘Alien: Romulus’ [88d]
- Disney Goes Dark on DirecTV in Contract Fight Over Fees for ESPN, ABC, Disney Channel, Freeform and More [89d]
- ‘September 5’ Is the Hot Sales Title for Studios Seeking a Worthy Best Picture Contender [89d]
- Brad Pitt and George Clooney Dance to 4-Minute Standing Ovation for ‘Wolfs’ During Chaotic Venice Premiere [89d]
- ‘Saturday Night’ May Score a Best Picture Invitation to Oscar Sunday [89d]
- KC Fox, ‘The Girl With the Dragon Tattoo’ and ‘Speed’ Set Decorator, Dies at 70 [89d]
- ‘Wolfs’ Review: George Clooney and Brad Pitt Are Rival Fixers in a Winning Action Comedy Spiked With Movie-Star Chemistry [89d]
- Angelina Jolie Could Sing Her Way to Second Oscar Win Playing a Legendary Diva in Pablo Larrain’s ‘Maria’ [89d]
- 16 Best Movies New to Streaming in September: ‘Civil War,’ ‘Wolfs,’ ‘The Boy and the Heron’ and More [89d]
- ‘Heartstopper’ Star Kit Connor Says Filming Season 3 Sex Scenes Took ‘About Seven Hours’: ‘We Shot a Lot of Footage’ [89d]
- ‘Deadpool & Wolverine’ Crossing $600 Million Domestically, Leads Box Office Over Dreary Labor Day Weekend [89d]
- Caleb Landry Jones on Venice Entry ‘Harvest,’ Auditioning for ‘Star Wars’ and How Luc Besson’s Upcoming ‘Dracula’ is a ‘Touching Story’ About ‘Love Being Ripped Away From You’ [89d]
- ‘The Brutalist’ Review: Director Brady Corbet Breaks Through in His Third Feature, an Engrossing Epic Starring Adrien Brody as a Visionary Architect [89d]
- George Clooney Says Biden Is ‘Most Selfless’ President Since George Washington for Dropping Out of Presidential Race Against Trump: ‘All the Credit Goes to Him’ [89d]
- ‘Peacock’ Review: A Zingy Austrian Comedy Follows a Friend-For-Hire In Desperate Need of a Real Connection [89d]
- Brady Corbet Says Discourse Around Film Runtimes Is ‘Quite Silly’ as He Premieres 215-Minute ‘The Brutalist’: ‘We Should Be Past That, It’s 2024’ [89d]
- Richard Gere Talks Improvising ‘Pretty Woman’s’ ‘Sexy’ Piano Scene and Why His Character Was ‘Criminally Underwritten’: ‘It Was Basically a Suit and a Good Haircut’ [89d]
- ‘Boomerang’ Review: A Fresh, Leisurely Look at a Changing Tehran [89d]
- ‘Saturday Night’ Review: Jason Reitman Finds the Right Ensemble to Capture the Lunacy from Which ‘SNL’ Was Born [89d]
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