The Brutalist Report - culture
- Disney Goes Dark on DirecTV in Contract Fight Over Fees for ESPN, ABC, Disney Channel, Freeform and More [214d]
- ‘September 5’ Is the Hot Sales Title for Studios Seeking a Worthy Best Picture Contender [214d]
- Brad Pitt and George Clooney Dance to 4-Minute Standing Ovation for ‘Wolfs’ During Chaotic Venice Premiere [214d]
- ‘Saturday Night’ May Score a Best Picture Invitation to Oscar Sunday [214d]
- KC Fox, ‘The Girl With the Dragon Tattoo’ and ‘Speed’ Set Decorator, Dies at 70 [214d]
- ‘Wolfs’ Review: George Clooney and Brad Pitt Are Rival Fixers in a Winning Action Comedy Spiked With Movie-Star Chemistry [215d]
- Angelina Jolie Could Sing Her Way to Second Oscar Win Playing a Legendary Diva in Pablo Larrain’s ‘Maria’ [215d]
- 16 Best Movies New to Streaming in September: ‘Civil War,’ ‘Wolfs,’ ‘The Boy and the Heron’ and More [215d]
- ‘Heartstopper’ Star Kit Connor Says Filming Season 3 Sex Scenes Took ‘About Seven Hours’: ‘We Shot a Lot of Footage’ [215d]
- ‘Deadpool & Wolverine’ Crossing $600 Million Domestically, Leads Box Office Over Dreary Labor Day Weekend [215d]
- Caleb Landry Jones on Venice Entry ‘Harvest,’ Auditioning for ‘Star Wars’ and How Luc Besson’s Upcoming ‘Dracula’ is a ‘Touching Story’ About ‘Love Being Ripped Away From You’ [215d]
- ‘The Brutalist’ Review: Director Brady Corbet Breaks Through in His Third Feature, an Engrossing Epic Starring Adrien Brody as a Visionary Architect [215d]
- George Clooney Says Biden Is ‘Most Selfless’ President Since George Washington for Dropping Out of Presidential Race Against Trump: ‘All the Credit Goes to Him’ [215d]
- ‘Peacock’ Review: A Zingy Austrian Comedy Follows a Friend-For-Hire In Desperate Need of a Real Connection [215d]
- Brady Corbet Says Discourse Around Film Runtimes Is ‘Quite Silly’ as He Premieres 215-Minute ‘The Brutalist’: ‘We Should Be Past That, It’s 2024’ [215d]
- Richard Gere Talks Improvising ‘Pretty Woman’s’ ‘Sexy’ Piano Scene and Why His Character Was ‘Criminally Underwritten’: ‘It Was Basically a Suit and a Good Haircut’ [215d]
- ‘Boomerang’ Review: A Fresh, Leisurely Look at a Changing Tehran [215d]
- ‘Saturday Night’ Review: Jason Reitman Finds the Right Ensemble to Capture the Lunacy from Which ‘SNL’ Was Born [215d]
- Ghosts of German Past From Leni Riefenstahl to the Munich Olympics Unspool at Venice Festival [215d]
- Venice Contenders ‘Maria,’ ‘Brutalist’ and Blockbuster ‘Dune’ Among Global Productions Fueled by Hungary’s Artisans [215d]
- Martin Scorsese, George Lucas, Film Heritage Foundation’s Venice-Bowing Indian Classic ‘Ghatashraddha’ Restoration Unpacked (EXCLUSIVE) [215d]
- Story of Giancarlo Parretti, Flamboyant Italian Financier Who Bought MGM and Was Ousted, Is Headed to the Big Screen (EXCLUSIVE) [215d]
- ‘Mistress Dispeller,’ Elizabeth Lo’s Venice Documentary, Puts Love Triangle in the Hands of a Paid Disruptor: ‘Seductive Approach Was Compelling to Financiers’ [215d]
- ‘The End’ Review: Tilda Swinton and Michael Shannon Took Shelter, but 20 Years Underground Starts to Get Tedious [215d]
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