The Brutalist Report - culture
- ‘Finally’ Review: Claude Lelouch’s Bizarre Male-Crisis Comedy Feels Like a Farewell [87d]
- Japan Hits Venice With Immersive Projects and Features as It Makes Inroads Into Global Co-Productions [87d]
- Telluride Oscar Contenders Wrap Up: ‘Conclave’ Soars, ‘Nickel Boys’ Divides, ‘A Real Pain’ Charms and More [87d]
- ‘Tristes Tropiques,’ Korean Action Film by Park Hoon-jung, Finds Sales, Sets Toronto Launch [87d]
- James Darren, Teen Idol Actor in ‘Gidget,’ Singer and Director, Dies at 88 [87d]
- How Ian Holm’s Return in ‘Alien: Romulus’ Brings SAG-AFTRA’s Digital Replicas Work Into Focus [87d]
- Asif Kapadia on Taking Aim at the Rich and Powerful in Dystopian Docudrama ‘2073’: ‘If I Don’t Work Again, at Least I Made This Movie’ [87d]
- ‘Chestnut vs. Kobayashi: Unfinished Beef’: Netflix’s Hot Dog-Eating Contest Special Was an Only-in-America Spectacle [88d]
- Joey Chestnut Beats Takeru Kobayashi in Netflix’s ‘Unfinished Beef’ Hot Dog-Eating Contest [88d]
- Pedro Almodóvar and New Muses Julianne Moore and Tilda Swinton Land Unbelievable 17-Minute Venice Standing Ovation for ‘The Room Next Door’ [88d]
- Sean Baker’s ‘Anora’ Captivates Telluride and Generates Oscar Heat for Mikey Madison [88d]
- ‘The Piano Lesson’ Enters Best Picture Race, As Danielle Deadwyler and Ray Fisher Deliver Standout Performances [88d]
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