The Brutalist Report - culture
- ‘Sunday Night Football’: How to Watch Buffalo Bills vs. Baltimore Ravens Live Online [202d]
- ‘Howl’s Moving Castle’ Turns 20: Supervising Animator Akihiko Yamashita Reflects on His Relationship With Hayao Miyazaki and Bringing the Studio Ghibli Classic to Life [202d]
- Songs by Adele, Bob Dylan, Green Day, Many More Blocked by YouTube in Legal Dispute [202d]
- Global Citizen to Produce Halftime Show for FIFA World Cup Final, Starting in 2026 [202d]
- Idles Brings Urgent Post-Punk and Dynamic Energy to Ruckus New York Show: Concert Review [202d]
- ‘Superman’ Star David Corenswet Bulked Up to 230 Pounds to Play Man of Steel: ‘I Didn’t Fit Into Any of My Pants’ [202d]
- ‘Strictly Business’ Live on Streaming’s Changing Economics, the Future of Moviegoing, M&A on Ice and More [202d]
- Arab Filmmakers Focus on Young Audiences, Lament ‘Unfair Fight’ With U.S. Films, Having to Westernize Stories to Reach Hyper-Connected Teens [202d]
- Albert Serra’s Bullfighting Doc ‘Afternoons of Solitude’ Wins Golden Shell at San Sebastián, as Pamela Anderson and ‘The Last Showgirl’ Take Jury Prize [202d]
- Jungle Keeps Fans Moving — and Wanting More — at Sold-Out Hollywood Bowl Show: Concert Review [202d]
- Sharjah Film Festival Celebrates Growth, Introduces Palestine as Guest of Honor Country: ‘The Interest in Young Audiences in the Arab World Is Growing’ [202d]
- Bright Eyes Cancels Remaining 2024 Concert Dates After Alarming Tour Kickoff, Says Conor Oberst Will Be Treated for ‘Vocal Problems’ [202d]
- ‘Monsters’ Stars Break Down Erik Menendez’s ‘Powerful,’ 33-Minute Single Take in Episode 5: ‘You Couldn’t Look Away’ [202d]
- Will Ferrell and Harper Steele Insisted Netflix Release ‘Will & Harper’ Before Election Day So People Could ‘Start Having Important Discussions in Their Living Rooms’ [202d]
- Box Office: ‘The Wild Robot’ Powering Up to $35 Million Opening, ‘Megalopolis’ on Track for Less Than $5 Million [202d]
- Sophie Turner on Playing a Glamorous Diamond Thief Fighting for Custody of Her Child in British Crime Drama ‘Joan’: ‘I Had That Maternal Ferocity in Me’ [203d]
- Amazon in Talks With Brian Williams to Host Election-Night Special (EXCLUSIVE) [203d]
- Finland’s Fireframe Studios Boards Arctic Thriller ‘The Ice’ in Collaboration With Nordisk Film Production (EXCLUSIVE) [203d]
- Andrew Garfield Says ‘We Live in Time’ Helped Him Through a ‘Kind of Mid-Life Crisis’ [203d]
- Norwegian Director Eirik Svensson’s Africa-Set Drama ‘Safe House’ Tells Pulled-From-Headlines Story of Aid Worker’s Harrowing Plight [203d]
- Antti J. Jokinen Puts Emotion Over Violence in Nordic Epic ‘Kalevala’: ‘These Are Men Who Feel’ [203d]
- Judge Rules ‘Baby Reindeer’ Was Not a ‘True Story,’ Allows Real Martha to Sue Netflix [203d]
- ‘Randy Newman’s Faust,’ the Songwriter’s Brilliant but Rarely Produced Stage Musical, Rises Again for a Weekend in L.A. at the Soraya [203d]
- ‘Nickel Boys’ Opens New York Film Festival, Marking RaMell Ross’s Fictional Film Debut: ‘Hopefully This Film Can Be a Proxy For the Real Dozier Boys’ [203d]
- Casting Directors Reach Tentative Deal on New Contract [203d]
- ‘Killer Heat’ Review: Okay Greek-Island Noir, with Joseph Gordon-Levitt and Shailene Woodley in the Tale of a Murderous Love Triangle [203d]
- Anna Sawai on Her ‘Surreal’ Emmy Win for ‘Shogun,’ Playing Heartbreak on ‘Pachinko’ — and Whether She’d Ever Sing On Screen [203d]
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