The Brutalist Report - culture

The A.V. Club

Vanity Fair

The Points Guy

TMZ

Variety

Denzel Washington Gets Baptized and Receives Minister License After Saying ‘It’s Not Fashionable’ to Be Religious in Hollywood: ‘It’s Not Sexy’ [97d]
Burt, Reptilian Star of ‘Crocodile Dundee,’ Dies at More Than 90 Years Old [97d]
David Fincher’s ‘Panic Room’ Getting Brazilian Remake [97d]
João Emanuel Carneiro on Reuniting With ‘Brazil Avenue’ Star Adriana Esteves in ‘Crazy About You’ and ‘Unique’ Advantage of Brazilian Telenovelas (EXCLUSIVE) [97d]
Sarajevo Film Festival and Slano Film Days Team With Uniqa SEE Future Foundation to Launch Female Filmmakers Support Program [97d]
Dogwoof Secures Raft of Sales for Oscar-Shortlisted Documentary ‘Black Box Diaries’ (EXCLUSIVE) [97d]
‘A Simple Favor’ Director Paul Feig, Robyn Lively Join Chorus of Voices Speaking Up for Blake Lively: ‘She Truly Did Not Deserve Any of This Smear Campaign’ [97d]
Universal and Amazon Music Strike Deal to Collaborate on Streaming 2.0, Audiobooks and AI Protection [97d]
‘Belle’ Director Mamoru Hosoda’s Princess Tale ‘Scarlet’ Lands at Sony [97d]
‘Mufasa: The Lion King’ Opens in Second Place at Korea Box Office as ‘The Firefighters’ Stays on Top [97d]
‘Paatal Lok’ Season 2 Sets January Launch on Prime Video (EXCLUSIVE) [97d]
‘Mufasa: The Lion King’ Ends ‘Her Story’ Reign at China Box Office [97d]
‘Dune: Prophecy’ Star Tabu on Sister Francesca Role: ‘Every Scene of Mine Was Beautiful to Play’ [97d]
‘Sisterhood of the Traveling Pants’ Stars America Ferrera, Amber Tamblyn and Alexis Bledel Support Blake Lively Amid Justin Baldoni Allegations : ‘We Stand in Solidarity’ [97d]
Waymond Lee, Who Appeared in Comedy Central’s ‘Workaholics,’ Dies at 72 [98d]
Billie Eilish Sings ‘O Holy Night’ as Part of a Wholly Captivating U.S. Tour Finale: Concert Review [98d]
‘All In: Comedy About Love’ Review: Stars Align on Broadway for Offbeat Tales of Love Connections [98d]
Woody Fraser, Producer and Creator of ‘The Mike Douglas Show’ and ‘Good Morning America’, Dies at 90 [98d]

The New Yorker

The New “Nosferatu” Drains the Life from Its Predecessor [97d]
How Much Does Our Language Shape Our Thinking? [97d]
The Year the Metropolitan Opera Declared War on the Critics [97d]
“Bass Lake,” by Safia Elhillo [97d]
“Black Doves” Offers a Sentimental Spin on the Spy Genre [97d]
Daily Cartoon: Monday, December 23rd [97d]
What Spotify Is Really Costing Us [97d]
He’s Making a List, and Checking It Twice [97d]
Letters from Our Readers [97d]
Diana Ejaita’s “Midnight Moments” [97d]
To the Detective Investigating My Murder [97d]
“Prelude in Grey Major,” by Christian Wiman [97d]
The Lonely Skepticism of a Bull-Market Skeptic [97d]
Does Morality Do Us Any Good? [97d]
Kyle Abraham’s Extraordinary Dance Memoir [97d]
Searching for (Real?) New Jersey Drones at a Fake Alien-Landing Site [97d]
The Hollywood Slog That Led Adam Scott to “Severance” [97d]
The Professional Health-Insurance-C.E.O. Nagger [97d]
Christmas Recalled, by the Feds [97d]
Andy Cohen Gets His Face (and the Rest of Him) in Wax [97d]
Alice Munro’s Passive Voice [97d]
Briefly Noted Book Reviews [97d]

Heavy

Esquire

Mashable