The Brutalist Report - culture

The A.V. Club

Vanity Fair

The Points Guy

TMZ

Variety

Vampire Romance ‘Haunted & Devoted’ Leads Four-Picture Pact Between New Zealand Genre House Black Mandala and Australia’s Black Forest Films (EXCLUSIVE) [3d]
‘Free Leonard Peltier’ Review: Engaging Doc About Activist Accused of Killing Two FBI Agents in 1975 Is Timelier Than Ever [3d]
Nordic Industry Leader Rikke Ennis, REinvent CEO on How to Survive Soaring Costs, Why Producers Need Extra Care and Coin (EXCLUSIVE) [3d]
Jon Stewart Slams Democrats for Panicking About Donald Trump’s Executive Orders, Calling Him ‘Un-American’ and ‘Authoritarian’ When They Should Be Providing Solutions [3d]
‘Serious People’ Review: L.A. Comedy About Indie Filmmakers Hoping to Work for Drake Has No Follow Through on Its Doppelganger Premise [3d]
Amazon MGM, Tiger Baby and Excel Set Theatrical Bow for Indian Festival Darling ‘Superboys of Malegaon’ (EXCLUSIVE) [3d]
‘Life After’ Review: An Empathetic and Confrontational Doc About Disabled People’s Right to Be in Control [3d]
‘9-1-1: Lone Star’ Showrunner on Tommy’s Fate, Asteroid’s Impact, Tarlos Adoption and How ‘9-1-1’ Could Possibly Top Spinoff’s Upcoming Finale [3d]
‘Sabar Bonda (Cactus Pears)’ Review: A Tender Queer Indian Drama Born of Grief [3d]
Celebrities Who Have Died in 2025 [3d]
CBS Unveils New Format For Venerable ‘Evening News’ [3d]
‘It’s Never Over, Jeff Buckley’ Review: Amy Berg’s Documentary Reverently Captures the Late Rocker With the Voice of an Angel [3d]
‘Prime Minister’ Review: New Zealand Leader Jacinda Ardern Works Through Crisis in an Intimate but Simplistic Documentary [3d]
Quentin Tarantino in ‘No Hurry’ to Direct Final Movie; Pledges to Wait Until His Son Can Have Lifelong Memories on Set [3d]
Dr. Seuss Movie ‘Oh, the Places You’ll Go!’ Sets March 2028 Release From Warner Bros. [3d]
Justin Baldoni and Blake Lively Could Go to Trial in March 2026 [3d]

The New Yorker

Daily Cartoon: Monday, January 27th [3d]
Remembering Jules Feiffer [4d]
“Speaker,” by Paul Tran [4d]
L.A.’s New-Music Bastion [4d]
The World-Changing Gaze of Celia Paul [4d]
The Insidious Charms of the Entrepreneurial Work Ethic [4d]
Kadir Nelson’s “Messenger” [4d]
The College Kids Tracking Your Decongested Commute [4d]
Production Notes on Amazon’s Melania Trump Documentary [4d]
“The Bay,” by David Baker [4d]
How to Tag a Skyscraper, Six Hundred Feet Up [4d]
Catherine Breillat’s Unsettling Cinema of Desire [4d]
Briefly Noted [4d]
Letters from Our Readers [4d]
Kim Hastreiter, the Queen of Stuff [4d]
The Met’s New Aida Visits the Other Met [4d]
Inside the Fight Against California’s Wildfires [4d]
How the Capybara Won My Heart—and Almost Everyone Else’s [4d]
Why We’re in Love with Apocalypse [4d]
Why Trump Freed Ross Ulbricht, the Silk Road’s Dread Pirate Roberts [4d]
A Witness in Assad’s Dungeons [4d]

Heavy

Esquire

Mashable