The Brutalist Report - culture

The A.V. Club

Vanity Fair

The Points Guy

23 Disney World secrets that can add ‘pixie dust’ to your vacation [3d]

TMZ

Variety

Maren Morris on Addressing Divorce, Religion and a Single Woman’s Freedom in Pop-Leaning ‘Dreamsicle’ Album: ‘It’s Taken Me Years to Live Up to the Boldness of My Own Music’ [3d]
SNL Film Lines Up Cast for Soccer Comedy ‘Olde Boys’ as Screenbound Launches Sales (EXCLUSIVE) [3d]
Guillermo del Toro Teases ‘Incredibly Emotional’ ‘Frankenstein’ at Cannes: ‘I’m Not Doing a Horror Movie’ [3d]
Shia LaBeouf’s Theater Company From Hell: Cannes Doc Reveals Actor’s Misconduct With Students and Hopes for Redemption [3d]
Joe Biden Diagnosed With Prostate Cancer [3d]
Tom Cruise Says He’s ‘Working On’ Potential Sequels for ‘Top Gun: Maverick’ and ‘Days of Thunder’: ‘We’re Thinking and Talking About Many Different Stories’ [3d]
Cannes Film Festival President Iris Knobloch Awarded Commander of the Order of Arts and Letters by the French Culture Minister [3d]
Wes Anderson Delights Cannes as ‘Phoenician Scheme’ Lands 6.5-Minute Standing Ovation, Leading Lady Mia Threapleton Overcome With Tears [3d]
The Who Sacks Zak Starkey for a Second Time, in Advance of Farewell Tour: ‘I Was Fired Two Weeks After Reinstatement,’ Drummer Says [3d]
‘The Phoenician Scheme’ Review: Wes Anderson Weighs in on the Art of the Deal, and Assorted Other Funny Business [3d]
Mubi Buys Jennifer Lawrence and Robert Pattinson’s ‘Die My Love’ in $24 Million Cannes Deal [3d]
‘Peak Everything’ Review: Absurdist Quebecois Comedy Tries to Do Too Many Things At Once [3d]
Sarah Silverman Says She Was ‘F–ing Ignorant’ to Think She Could ‘Say the N-Word’ During Stand-Up Because She Was ‘Liberal’: ‘Looking Back, My Intentions Were Always Good’ [3d]
Wes Anderson Says Gene Hackman Was ‘Furious’ Over ‘Royal Tenenbaums’ Pay and ‘Left Without Saying Goodbye’; They Never Spoke After Film’s Release: ‘We Had Friction’ [3d]
‘Final Destination Bloodlines’ Surpasses $100 Million Globally in Opening Weekend [3d]
‘The Secret Agent’ Review: Wagner Moura Is Marked for Death in Kleber Mendonça Filho’s Terrific ’70s Thriller [3d]
Box Office: ‘Final Destination Bloodlines’ Scares Up $51 Million Debut, The Weeknd’s ‘Hurry Up Tomorrow’ Misfires With $3.3 Million [3d]
‘Overcompensating’ Stars on the Show’s ‘Nostalgic World of Americana College Hell’ and Plans for Potential Season 2: ‘More Unhinged and Insane’ [3d]
‘Pillion’ Review: Edgy Queer Romance Stars Alexander Skarsgård as a Sexy Biker and Harry Melling as His Budding Submissive [3d]
Richard Linklater on Trump’s Film Tariff Threat: ‘That’s Not Going to Happen, Right? That Guy Changes His Mind Like 50 Times in One Day’ [3d]
Jennifer Lawrence Gets Honest About Motherhood and Postpartum at Cannes: ‘It’s Extremely Isolating’ and ‘You Feel Like an Alien’ [3d]
Lee Sang-il, Stars Detail Grueling Kabuki Journey on Cannes Film ‘Kokuho’: ‘I Could Not Hear Anything Except My Own Heartbeats and Breath’ [3d]
Italy’s Cinecittà Studios Veers Towards Digital Age With Large LED Wall as New Soundstage Prepares to Host Mel Gibson’s ‘Passion of the Christ’ Sequel [3d]
1989 Chile World Cup Qualifier Scandal Spotlighted in ‘Simulacro’ (EXCLUSIVE) [4d]
Next Gen World Sales Prize at Iberseries Platino Industria Renewed by Egeda, FilmSharks (EXCLUSIVE) [4d]
New Production Banner Veloche Launches With Horror Film, Fund for Indian Subcontinent Talent (EXCLUSIVE) [4d]
Indonesian Cinema Legend Garin Nugroho and Director Razka Robby Ertanto Launch ‘Spirit of the Kantil’ at Cannes Market (EXCLUSIVE) [4d]
Cannes Caméra d’Or Winner Anthony Chen Begins Production on ‘We Are All Strangers,’ Completing His ‘Growing Up’ Trilogy (EXCLUSIVE) [4d]

The New Yorker

Heavy

Esquire

No new articles in the last 24 hours.

Mashable