The Brutalist Report - culture
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- Alexis Bledel Withdraws From Emmy Race for ‘The Handmaid’s Tale’ Due to New Guest Actor Rules (EXCLUSIVE) [246d]
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- ‘SNL 50’ Becomes Most-Watched Season in Three Years, Hitting 8.1 Million Average Viewers After One Week [246d]
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- ‘The Studio’ and ‘Hacks’ Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing? [246d]
- Entertainment Partners Acquires CASHét, Digital Payments Vendor for Productions [246d]
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- Natasha Lyonne and Rian Johnson on Why ‘Poker Face’ Scared Hollywood Execs, Ignoring Internet Hate and How the Show Is a Bold ‘Act of Feminism’ [246d]
- Pablo Larraín to Direct Netflix Domestic Horror Miniseries ‘My Sad Dead,’ Co-Produced With ‘The Eternaut’s’ K&S Films (EXCLUSIVE) [246d]
- ‘Good Burger,’ ‘Hairspray’ and ‘Rear Window’ Among Vidiots Summer Matinee Series – Film News in Brief [246d]
- Paul Giamatti Reflects on His Standout ‘Black Mirror’ Episode ‘Eulogy’: ‘There Were Lots of Things I Felt an Instinctual Relationship To’ [246d]
- ‘Carrie’: Mike Flanagan’s Amazon TV Series Sets Main Cast, Including Samantha Sloyan as Margaret White [246d]
- How ‘The Studio,’ ‘Yellowjackets,’ ‘Monsters’ and ‘White Lotus’ Make Bad Behavior Appealing [246d]
- ‘The Fantastic Four’ Director Matt Shakman Reveals the ‘Magical’ Comics That Inspired the Film in ‘Small and Large Ways’ (EXCLUSIVE) [246d]
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- No new articles in the Past 6 Hours.
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