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Busan Winner Shawkat Amin Korki’s Asian Project Market Title ‘Disorder’ Exposes Clash Between Psychiatry and Faith Healing in Kurdistan [3d]
Shu Qi and Lee Sinje on First-Time Collaboration in Netflix’s ‘The Resurrected’: ‘We Had This Great Unspoken Chemistry’ [3d]
‘Franz’ Review: Agnieszka Holland’s Kafka Biopic Never Stands Still, but Never Finds Its Stride [3d]
Thailand Horror Studio Fearfolks Unveils Inaugural Slate at Busan Market (EXCLUSIVE) [3d]
Indonesia’s Matta Cinema Unveils Six-Film Slate at Busan Market (EXCLUSIVE) [4d]
From Jordan to Cannes: 10 Jordanian Titles From a Netflix Hit to a Croisette Winner, Signalling a New Era for the Kingdom’s Cinema [4d]
From ‘Lawrence of Arabia’ to ‘Dune’: Jordan’s Cinematic Journey [4d]
Business Building: Jordan’s Rebate, Locations, Crews Draw Shoots From Around the World [4d]
Sonny Curtis, Writer of ‘I Fought the Law’ and the ‘Mary Tyler Moore Show’ Theme, Dies at 88 [4d]
Lorde Strips Down, Gets Vulnerable at Chicago ‘Ultrasound’ Show: Concert Review [4d]
‘The Voice of Hind Rajab’ and ‘Nuremberg’ Raise the Question: Is Reality the Same as Art? [4d]
Mark Ruffalo Says Disney Stock Will ‘Go Down a Lot’ if ABC Cancels ‘Jimmy Kimmel Live!’: They Don’t ‘Want to Be the Ones That Broke America’ [4d]
Who’s Crying? Not Roger Daltrey and Pete Townshend, but Most Everyone Else During the Who’s Hollywood Bowl Farewell Shows — Concert Review [4d]
‘Him’ Star Marlon Wayans on Sports, Success and Sacrifice: ‘Everybody Wants to Be Great, and Everyone Is Willing to Sacrifice Up to a Point’ [4d]
‘Black Rabbit’ Star Jude Law and Creators on That Shocking Final Death, Jake and Vince’s Destructive Relationship and More [4d]
As Nexstar and Sinclair Take on Disney Over Jimmy Kimmel, the FCC Is Happy — But Will It Backfire? [4d]
Bad Bunny’s Final Residency Concert Will Livestream From Puerto Rico Tonight: Here’s How to Watch the Show Online [4d]
Steve Martin Diagnosed with COVID, Cancels Shows with Martin Short [4d]
‘The 47’ Lead Eduard Fernández Upon Receiving Spain’s Prestigious National Cinematography Award: ‘Gaza is a Mirror in Which We All Appear, Whether We Like It or Not’ [4d]
Goya-Winning ‘Nocturna’ Director Adrià García Returns With First Animated Feature in Almost Two Decades in ‘The Treasure of Barracuda’ [4d]
Josh Duhamel on ‘Trying to Be Jason Statham’ in ‘London Calling,’ Having to Shoot His Next Movie Out of Los Angeles and ‘Ransom Canyon’ Season 2 [4d]
Box Office: ‘Him’ Heaves $6.4 Million Opening Day, ‘A Big Bold Beautiful Journey’ Goes Bust With Sixth Place Debut [4d]
Bill Maher Defends ‘My Compatriot’ Jimmy Kimmel, Slams ABC and Recalls Getting Fired by the Network: ‘ABC Stands for “Always Be Caving”‘ [4d]
Guillermo del Toro and Yeon Sang-ho Connect Over Monsters, Animation, and Creative Process at Busan [4d]
Xin Zhilei Talks Venice Best Actress Win, ‘The Sun Rises on Us All’ Ahead of Busan Premiere: ‘The Character That I Had Always Longed for’ [4d]
‘Kpop Demon Hunters’ Creator Maggie Kang Names Her Favorite Character and Reveals How She Injected Korean Culture Into Netflix Hit at Busan: ‘We’re All Excited for the Possibilities of More Stories’ [4d]
Juliette Binoche on Her Directorial Debut ‘In-I In Motion,’ Revisiting Her Daunting Experience Making a Bold Dance Show With Akram Khan: ‘I Felt Like I Wasn’t Going to Survive’ [4d]
Aleksi Salmenperä’s ‘Father’s Day,’ About Real-Life ‘Man With a Tragic Past,’ Reveals First-Look as Tekele Productions Joins Forces With Fragile Ego Films (EXCLUSIVE) [4d]
‘Good News’ Review: A Sharp Political Farce From the Director of ‘Kill Boksoon’ Follows an Unplanned Detour From Tokyo to Pyongyang [4d]
Getting to Know Daniel Domenjó, the New Movistar Plus+ CEO [4d]
Spain’s Small Screen Operators like Movistar Plus+ Drive Much of the Local Features Business [4d]
Director Jose Alayón Unpacks San Sebastián New Directors Title ‘Dance of the Living’ [4d]
Busan Title ‘Don’t Tell Mother’ Director Anoop Lokkur Draws From Personal Experience in Debut Feature [4d]
‘Drive My Car’ Star Nishijima Hidetoshi’s Busan, Golden Horse Title ‘Dear Stranger’ Unveils International Trailer (EXCLUSIVE) [4d]
San Sebastian, Busan Title ‘Sai: Disaster’ Boarded by Bitters End (EXCLUSIVE) [4d]
New Projects by Fernando Eimbcke, Jonas Bak and León & Cociña Amongst San Sebastián WIP Lineup [4d]
Netflix Expands Creative Asia Program at Busan Film Festival, Unveils New Initiatives Across APAC Region [4d]
Busan at 30: Director Jung Hanseok Charts Bold New Course for Festival’s Future [4d]
Busan Market Chief Eyes Tech-Driven Future for Asian Content Hub: ‘Traditional Cinema Excellence Meets Cutting-Edge Innovation’ [4d]
San Sebastian Title ‘Before the Bright Day’ Boarded by Maboroshi for Sales (EXCLUSIVE) [4d]
Cat Animation ‘Scotty’ Acquired by Skyline Media, Bows at Busan Market (EXCLUSIVE) [4d]

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