The Brutalist Report - culture
- Instagram Back Up After Outage [627d]
- Dead and Company Final Tour Kick-Off Brings the Faithful to the Forum [627d]
- Hong Sang-soo’s ‘In Our Day’ Scores Sales Deals Ahead of Cannes Premiere [627d]
- Warner Bros. Discovery CEO David Zaslav Gets Booed During Boston University Graduation Speech, Students Chant ‘Pay Your Writers’ [627d]
- Alicia Vikander Reigned Over an Eight-Minute Standing Ovation at Cannes Premiere of Brutal Historical Drama ‘Firebrand’ [627d]
- Who Is New Foo Fighters Drummer Josh Freese? Career, Musical History and More [627d]
- Jennifer Lawrence Produced ‘Bread and Roses’ After Feeling ‘Helpless and Frustrated’ for Suppressed Afghan Women [627d]
- Romania’s Culture Minister Confident That Government Can ‘Repair’ Beleaguered Cash Rebate System (EXCLUSIVE) [627d]
- Foo Fighters Reveal New Drummer in Livestreamed ‘Preparing Music for Concerts’ Event [627d]
- Thomas Cailley on Turning Reality Into Fantasy With ‘The Animal Kingdom,’ Cannes’ Un Certain Regard Opener [627d]
- ‘Bread and Roses’ Review: Righteously Angry Doc Draws Attention to Human Rights Abuses [627d]
- ‘Firebrand’ Review: Alicia Vikander Brings Subversive Edge to Ahistorical Portrait of Henry VIII’s Last Wife [627d]
- Siouxsie and Iggy Pop Will Return to Cruel World Festival Sunday After Lightning Forces Evacuation [627d]
- Spain Sees Toon Surge [627d]
- ‘Anatomy of a Fall’ Review: Justine Triet Puts a Marriage on Trial in Thought-Provoking Courtroom Drama [627d]
- Michelle Yeoh Says ‘There’s No Sequel’ to ‘Everything Everywhere’ — And She’s Finally Getting Scripts That Don’t Ask For ‘Asian-Looking Person’ [627d]
- Spain: Top Toon Titles to Track [627d]
- Quentin Tarantino Announces the Death of ‘Once Upon A Time’ Character Rick Dalton [627d]
- Cannes’ Longest Standing Ovations: ‘Pan’s Labyrinth’ at 22 Minutes, ‘Inglourious Basterds’ and More [627d]
- Adrian Wootton, CEO of Film London, to Head Jury of Malta’s Mediterrane Film Festival Lineup For Which is Unveiled [627d]
- Rachel Bilson Recently Lost a Job Over Publicly Talking About Her Sex Life: ‘I Am Baffled’ and Didn’t Say ‘Anything Inappropriate’ [627d]
- Box Office: ‘Fast X’ Opens to Soft $67.5 Million Domestically, Revs to $319 Million Globally [627d]
- Julianne Moore and Natalie Portman Are Both Lead-Actress Oscar Worthy in Todd Haynes’ Delicious ‘May December’ [627d]
- ‘We Used to Treat Movie Stars Like Gods’: Hollywood Grapples With Loss of Young Star Power [627d]
- Ariana Madix’s Gold Sequin Dress From ‘Vanderpump Rules’ Finale Is More Than Half Off Right Now [628d]
- Rio de Janeiro Looks to Grow Cash Rebate [628d]
- Robert De Niro Drags ‘Stupid’ Donald Trump While Discussing Evil Men at Cannes: It’s ‘Insane’ People ‘Think He Could Do a Good Job’ [628d]
- ‘The (Ex)perience of Love’ Review: A Couple Must Sleep With All Their Old Flames in High-Concept Comedy [628d]
- Iranian Directors Alireza Khatami and Ali Asgari on Making Underground Film ‘Terrestrial Verses’ – Watch Trailer (EXCLUSIVE) [628d]
- Christopher Nolan Confirms ‘Oppenheimer’ Is His Longest Movie and ‘Kissing Three Hours’: ‘Slightly Longer’ Than ‘Interstellar’ [628d]
- M-Appeal Scores Further Deals for Romantic Drama ‘Let Me Go,’ Starring Cesar Winner Jeanne Balibar (EXCLUSIVE) [628d]
- Miley Cyrus Can’t Do Another Arena Tour Because They’re ‘So Isolating’: ‘There’s No Connection. There’s No Safety’ [628d]
- Cannes Competition Director of ‘Four Daughters,’ Kaouther Ben Hania, Sets Next Film ‘Mimesis’ With The Party Films Sales (EXCLUSIVE) [628d]
- Motherhood, Spain’s Tumultuous History, Destiny, Co-Existence: Issues and Talents in Malaga Goes to Cannes Titles [628d]
- Korean Remake of India’s ‘Drishyam’ Franchise Set at Panorama, Anthology [628d]
- Italy to Be Country of Honor at Berlin’s European Film Market [628d]
- Claude Lelouch to Shoot New Movie ‘Finalement…’ With Cast Including Kad Merad, Elsa Zylberstein, Metropolitan FilmExport On Board (EXCLUSIVE) [628d]
- Natalie Portman Says Women at Cannes Are Expected to Behave Differently Than Men: ‘How We Look, How We Carry Ourselves’ [628d]
- Winnie the Pooh, Peter Pan Horror Films Set at Red Shadow Studios, Dolphin Medien (EXCLUSIVE) [628d]
- With a Record Number of African Films in Cannes, Marketgoers Ask if This Is the Continent’s Time [628d]
- CAA Takes North American Sales on ‘Goodbye Julia,’ First Sudanese Film in Cannes [628d]
- ‘Prey’ Producer Jhane Myers Joins Will Rogers Baseball Film ‘Will to Win’ as Executive Producer (EXCLUSIVE) [628d]
- Cannes Film Festival Reviews 2023: ‘Killers of the Flower Moon,’ ‘May December,’ ‘Indiana Jones 5’ and More [628d]
- Italy’s Intramovies Takes World Rights on Israeli Director Dani Rosenberg’s Gaza-Strip drama ‘The Vanishing Soldier’ (EXCLUSIVE) [628d]
- XYZ Films Boards North American Sales on Ukraine War Screenlife Drama ‘StayOnline’ (EXCLUSIVE) [628d]
- Anthony Chen Breaks the Ice With a Tale of Disillusioned Youth in China [628d]
- Alicia Vikander on ‘Firebrand’s’ Rarely Told Henry VIII Story: ‘What’s Mostly Dramatized Are the Wives That Didn’t Make It’ (EXCLUSIVE) [628d]
- Best Friend Forever Acquires Mongolian Teenage Shaman Drama ‘City of Wind’ (EXCLUSIVE) [628d]
- Cannes Critics’ Week Title ‘Vincent Must Die’ Acquired in English-Speaking Territories by Flawless, XYZ Films, Tea Shop (EXCLUSIVE) [628d]
- Beta Cinema Closes First Deals for Tragicomedy ‘One Last Evening,’ Winner of Locarno Prize (EXCLUSIVE) [628d]
- Lily Gladstone Eyes Historic Oscar Representation for Indigenous Actors With ‘Killers of the Flower Moon’ [628d]
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