The Brutalist Report - culture
- ‘Anatomy of a Fall’ and ‘The Taste of Things’ Put Neon and IFC Back in Oscar Hunt with French Twist [599d]
- ‘Great British Baking Show’ Axes National-Themed Weeks After ‘Mexican Week’ Backlash [599d]
- Woody Allen’s ‘Coup de Chance’ Ignites Protests and Enthusiastic Standing Ovation at Venice Premiere [599d]
- Marcia de Rousse, Actor in ‘True Blood,’ Dies at 70 [599d]
- ‘Office Race’ Producers on How ‘Caddyshack’ and ‘Dodgeball’ Inspired Joel McHale, Beck Bennett-Led Running Comedy [599d]
- Robert Klane, ‘Weekend at Bernie’s’ Screenwriter, Dies at 81 [599d]
- Sofia Coppola’s ‘Priscilla’ Rocks Venice With 7-Minute Standing Ovation as Priscilla Presley Cries [599d]
- ‘Coup de Chance’ Review: Woody Allen’s Drama of Upper-Middle-Class Murder Is His Best Movie Since ‘Blue Jasmine’ (or Maybe ‘Match Point’) [599d]
- WGA Leader Chris Keyser Says AMPTP Is ‘Wrestling Amongst Themselves’ to End Strikes: ‘This Negotiation Is Different’ [599d]
- Rolling Stones Announce ‘Hackney Diamonds,’ First Studio Album in 18 Years [599d]
- Everything We Know About ‘I Am Legend 2,’ Starring Will Smith and Michael B. Jordan [599d]
- Toronto Midnight Madness Selection ‘Working Class Goes to Hell’ Boarded by Patra Spanou, Trailer Unveiled (EXCLUSIVE) [599d]
- ‘Sidonie in Japan’ Review: A Haunted Isabelle Huppert Gives This Gently Drifting Ghost Story a Soul [599d]
- ‘In the Name of the Land’ Director Edouard Bergeon Sets Eco-Thriller Set in Indonesian Forest; Playtime Boards Sales (EXCLUSIVE) [599d]
- Steve Harwell, Former Lead Singer of Smash Mouth, Dies at 56 [599d]
- ‘Evil Does Not Exist’ Review: Ryusuke Hamaguchi’s Tale of Rural Gentrification is a Tone Poem with an Atonal End [599d]
- Netflix Unveils South African Slate Including ‘Blood & Water’ Season 4, Rom-Com ‘Soweto Love Story’ [599d]
- ‘Sweet Dreams,’ Ena Sendijarevic’s Lush, Sardonic, Locarno Prize-Winning Satire of Colonial Decline, Drops Trailer Ahead of Toronto Premiere (EXCLUSIVE) [599d]
- Mohamed Ben Attia Believes a Man Can Fly in Venice Film Festival’s ‘Behind the Mountains’ [599d]
- Roald Dahl’s ‘The Witches’ London Stage Musical Unveils Full Cast [599d]
- ‘The Crown’ Season 6 Will Feature a Royal Wedding, Teases Netflix [599d]
- Priscilla Presley on ‘Priscilla’s’ Portrayal of Her Age Difference With Elvis: ‘He Respected the Fact I Was Only 14 Years Old’ [600d]
- Italian Cinema Builds on Bumper Budgets to Up Quality, Be Bolder, Battle in International Markets [600d]
- Woody Allen Avoids Controversial Questions at ‘Coup de Chance’ Press Conference in Venice, Teases Possible New York Film [600d]
- LevelK Boards Danish 3D Animation ‘Mumbo Jumbo’ (EXCLUSIVE) [600d]
- ‘All of American Labor Has Joined Our Fight’: SAG-AFTRA Chief Pushes Studios to Negotiate as Actors Strike Hits Day 53 (Guest Column) [600d]
- Arab Cinema Rises on International Stage [600d]
- Netflix Sets Hotel Period Drama ‘Winter Palace’ With Swiss Network RTS (EXCLUSIVE) [600d]
- European Film Academy Reveals 2023 Lux Award Nominations – Global Bulletin [600d]
- ‘A Whole Life,’ Based on Robert Seethaler Bestseller, Debuts Trailer Ahead of Zurich Film Festival Premiere (EXCLUSIVE) [600d]
- Woody Allen Considers Retirement After Latest Film, Still Maintains Innocence and Calls Cancel Culture ‘Silly’ (EXCLUSIVE) [600d]
- Michel Franco on Jessica Chastain, Peter Sarsgaard Venice Competition Film ‘Memory’: ‘I’ve Always Been Interested in Broken People’ [600d]
- China Box Office: ‘Oppenheimer’ Enjoys $30 Million Five-Day Opening as ‘Gran Turismo’ Stalls [600d]
- Venice Competition Entry ‘Woman Of’ Paints Decades-Spanning Portrait of a Polish Trans Woman’s Struggle to Be Free [600d]
- Akshay Kumar, Kartik Aaryan Projects in the Mix as Indian Producer Sajid Nadiadwala Reveals $120 Million U.K. Investment (EXCLUSIVE) [600d]
- Agnieszka Holland’s Venice Competition Entry Explores ‘Border’ Between Good and Evil Amid Europe’s Refugee Crisis [600d]
- ‘Daddio’ Review: Sean Penn Takes Dakota Johnson for a Ride in Bold, Conversation-Igniting Debut [600d]
- Korea Box Office: ‘Oppenheimer’ Takes Third Weekend Win as Revenues Slow [600d]
- Adrien Brody and Jason Segel Unpack Pat Riley’s Coaching Coup and Paul Westhead’s Downfall on ‘Winning Time’ [600d]
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