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Variety

Busan Festival Claims Best-Ever Selection, Sets ‘Because I Hate Korea’ as Opening Film [502d]
Disney Tells Charter Subscribers to Consider Hulu With Live TV Option [502d]
Gary Wright, ‘Dream Weaver’ Singer, Dies at 80 [502d]
‘Anatomy of a Fall’ and ‘The Taste of Things’ Put Neon and IFC Back in Oscar Hunt with French Twist [502d]
‘Great British Baking Show’ Axes National-Themed Weeks After ‘Mexican Week’ Backlash [502d]
Woody Allen’s ‘Coup de Chance’ Ignites Protests and Enthusiastic Standing Ovation at Venice Premiere [502d]
Marcia de Rousse, Actor in ‘True Blood,’ Dies at 70 [502d]
‘Office Race’ Producers on How ‘Caddyshack’ and ‘Dodgeball’ Inspired Joel McHale, Beck Bennett-Led Running Comedy [502d]
Robert Klane, ‘Weekend at Bernie’s’ Screenwriter, Dies at 81 [502d]
Sofia Coppola’s ‘Priscilla’ Rocks Venice With 7-Minute Standing Ovation as Priscilla Presley Cries [502d]
‘Coup de Chance’ Review: Woody Allen’s Drama of Upper-Middle-Class Murder Is His Best Movie Since ‘Blue Jasmine’ (or Maybe ‘Match Point’) [502d]
WGA Leader Chris Keyser Says AMPTP Is ‘Wrestling Amongst Themselves’ to End Strikes: ‘This Negotiation Is Different’ [502d]
Rolling Stones Announce ‘Hackney Diamonds,’ First Studio Album in 18 Years [502d]
Everything We Know About ‘I Am Legend 2,’ Starring Will Smith and Michael B. Jordan [502d]
Toronto Midnight Madness Selection ‘Working Class Goes to Hell’ Boarded by Patra Spanou, Trailer Unveiled (EXCLUSIVE) [502d]
‘Sidonie in Japan’ Review: A Haunted Isabelle Huppert Gives This Gently Drifting Ghost Story a Soul [502d]
‘In the Name of the Land’ Director Edouard Bergeon Sets Eco-Thriller Set in Indonesian Forest; Playtime Boards Sales (EXCLUSIVE) [502d]
Steve Harwell, Former Lead Singer of Smash Mouth, Dies at 56 [502d]
‘Evil Does Not Exist’ Review: Ryusuke Hamaguchi’s Tale of Rural Gentrification is a Tone Poem with an Atonal End [502d]
Netflix Unveils South African Slate Including ‘Blood & Water’ Season 4, Rom-Com ‘Soweto Love Story’ [502d]
‘Sweet Dreams,’ Ena Sendijarevic’s Lush, Sardonic, Locarno Prize-Winning Satire of Colonial Decline, Drops Trailer Ahead of Toronto Premiere (EXCLUSIVE) [502d]
Mohamed Ben Attia Believes a Man Can Fly in Venice Film Festival’s ‘Behind the Mountains’ [502d]
Roald Dahl’s ‘The Witches’ London Stage Musical Unveils Full Cast [502d]
‘The Crown’ Season 6 Will Feature a Royal Wedding, Teases Netflix [502d]
Priscilla Presley on ‘Priscilla’s’ Portrayal of Her Age Difference With Elvis: ‘He Respected the Fact I Was Only 14 Years Old’ [502d]
Italian Cinema Builds on Bumper Budgets to Up Quality, Be Bolder, Battle in International Markets [502d]
Woody Allen Avoids Controversial Questions at ‘Coup de Chance’ Press Conference in Venice, Teases Possible New York Film [502d]
LevelK Boards Danish 3D Animation ‘Mumbo Jumbo’ (EXCLUSIVE) [502d]
‘All of American Labor Has Joined Our Fight’: SAG-AFTRA Chief Pushes Studios to Negotiate as Actors Strike Hits Day 53 (Guest Column) [502d]
Arab Cinema Rises on International Stage [502d]
Netflix Sets Hotel Period Drama ‘Winter Palace’ With Swiss Network RTS (EXCLUSIVE) [502d]
European Film Academy Reveals 2023 Lux Award Nominations – Global Bulletin [502d]
‘A Whole Life,’ Based on Robert Seethaler Bestseller, Debuts Trailer Ahead of Zurich Film Festival Premiere (EXCLUSIVE) [503d]

The New Yorker

The Holy Heresies of George Eliot [502d]
Daily Cartoon: Monday, September 4th [502d]
Can We Talk to Whales? [502d]
Slide Show: New Yorker Cartoons September 11, 2023 [502d]
“End of Summer in the Foothills,” by D. Nurkse [502d]
Matthew Wong’s “The Realm of Appearances,” Reviewed [502d]
The Rider to Your Lease [502d]
Play the Worst Version of Yourself [502d]
A Novel That Links Climate Change and the Death of Salvador Allende [502d]
Tips for Transporting Children by Bike in New York [502d]
“Siberian Wood,” by Lara Vapnyar [502d]
The Mail [502d]
The Case of the Descending Bed [502d]
The Lies in Your Grocery Store [502d]
Lara Vapnyar on Immigration and Idealism [502d]
Wayne Thiebaud’s “Office and Shopping Mall, 2005-2021” [502d]
Lisztomania Enters the Twenty-first Century [502d]
A Gen X-er Goes Bat-Mitzvah-Dress Shopping [502d]
Briefly Noted Book Reviews [502d]
Lara Vapnyar Reads “Siberian Wood” [502d]
In “Telemarketers,” the Chaos Is the Point [502d]
Myths and Facts About Climate Change [502d]
Bob Woodward Discusses His Trump Tapes [502d]
The Slaves and Civil War Soldiers Buried a Few Five-Irons from Ivana Trump [502d]
“The Endlessness,” by Ada Limón [502d]

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