The Brutalist Report - culture
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- ‘Icarus: The Aftermath’ Review: Doping Doc Sequel Zooms Out to Confront the Real Issue [960d]
- John Williams Premieres ‘Indiana Jones 5’ Music at the Hollywood Bowl [960d]
- John Williams Premieres ‘Indiana Jones 5’ Music at the Hollywood Bowl [960d]
- Brendan Fraser Breaks Down in Tears as ‘The Whale’ Gets Huge 6-Minute Standing Ovation in Venice [960d]
- ‘Squaring the Circle: The Story of Hipgnosis’ Review: How Pink Floyd’s and Led Zep’s Album Covers Became a Rich Palette for ’70s Surrealism [960d]
- ‘Star Trek’ Cast Members Talk Franchise’s Embrace of ‘Infinite Diversity’ at Dragon Con 2022 [960d]
- ‘The Whale’ Review: Brendan Fraser is Sly and Moving as a Morbidly Obese Man, But Darren Aronofsky’s Film Is Hampered by Its Contrivances [960d]
- ‘Call My Agent!’ Star Laure Calamy on Taking on a Darker Role in Venice Film ‘The Origin of Evil’ [960d]
- Florence Pugh Skipping ‘Don’t Worry Darling’ Venice Press Conference, but Will Walk the Red Carpet [960d]
- Final Creative Arts Emmy Predictions Night Two: ‘Only Murders in the Building’ Projected to Lead With Zendaya Set to Win Second Statuette for Song [960d]
- ‘L’Immensità’ Review: Penélope Cruz Adds Dazzle to a Gentle, Poignant Tale of Transgender Adolescence [960d]
- National Cinema Day Brought 8.1 Million Moviegoers to Theaters, Setting Attendance Record in 2022 [960d]
- ‘Spider-Man: No Way Home’ Tops Dismal Box Office After Nine Months Away [960d]
- Oscar-Nominated Director Evgeny Afineevsky on Documenting ‘Next Chapter’ of Ukraine’s Struggle in Venice Premiere ‘Freedom on Fire’ [960d]
- ‘Other People’s Children’ Review: Virginie Efira Shines in a Wise, Humane Story of Second-Degree Parenting [960d]
- International Trailer Unveiled for Venice-Premiering ‘To The North,’ Mihai Mincan’s Feature Debut (EXCLUSIVE) [960d]
- Penelope Cruz, Star of Emanuele Crialese’s ‘L’Immensità,’ Blasts Domestic Violence: ‘There Are Many Women Around the World Trapped in Their Homes’ [960d]
- ‘The Whale’ Star Brendan Fraser on Playing a Man Who Weighs 600 Pounds: ‘I Needed to Learn to Move In a New Way’ [961d]
- Franck Thilliez Adaptation ‘Syndrome E’ Hits Biarritz as Newen Connect Drives Sales [961d]
- Motion Picture Association CEO Charles Rivkin on Hollywood’s Increasingly Strong Ties With Europe [961d]
- French TV Market Unifrance Rendez-Vous Relaunches in Biarritz [961d]
- LevelK Boards Venice Gap-Financing Market Project ‘Cold’ (EXCLUSIVE) [961d]
- Topic Attends Unifrance Rendez-Vous, Adds French Titles to Growing Streaming Offering [961d]
- Cyber Group Studios Makes Splash in Biarritz With Diverse Animated Fare [961d]
- Nicolas Winding Refn on His Cathartic Experience Filming ‘Copenhagen Cowboy,’ Netflix Drops Trailer (EXCLUSIVE) [961d]
- ‘If These Walls Could Sing’ Review: Mary McCartney Takes Her Own Crosswalk to Abbey Road [961d]
- Venice Critics’ Week Body-Swap Drama ‘Skin Deep’ Bows Trailer (EXCLUSIVE) [961d]
- The Weeknd Cuts Short Los Angeles Concert: ‘I Lost My Voice… I’m Sorry’ [961d]
- Step-Motherhood Gets the Spotlight in Rebecca Zlotowski’s ‘Other People’s Children’ [961d]
- ‘Palimpsest’ Helmer Hanna Västinsalo Readies ‘Space Hobos,’ New Series ‘Heaven’ (EXCLUSIVE) [961d]
- ‘Full Frontal With Samantha Bee’ Producers Hint at Canceled Show’s Future After ‘Bittersweet’ Emmy Win [961d]
- Eminem Is Just One Award Shy of an EGOT, Following Super Bowl Emmy Win [961d]
- Chadwick Boseman Wins Posthumous Emmy Award [961d]
- Barack Obama Wins Emmy for Narration, Inches Closer to EGOT [961d]
- ‘Women Talking’ Soars at Telluride, Sarah Polley Could Be Third Consecutive Female Director Oscar Winner [961d]
- ‘Empire of Light’ Review: Do Yourself a Favor and See Sam Mendes’ Ode to Movies on the Big Screen [961d]
- With Emmy Win, Adele Just Needs Tony Award to EGOT [961d]
- 2022 Creative Arts Emmys Winners List, Night 1: ‘Adele: One Night Only,’ Super Bowl Halftime, ‘The Beatles: Get Back’ Dominate [961d]
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