The Brutalist Report
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- Yola, Set for a Breakout American Music Awards Performance, Tells the Story Behind Her ‘Song of the Soul’ Segment [545d]
- Producer Lamia Chraibi Unveils New Projects, Talks Morocco’s Industry (EXCLUSIVE) [545d]
- ‘A Tale of Shemroon’ Takes Top Prize at Marrakech, as Tilda Swinton Receives Emotional Tribute [545d]
- Marrakech Festival Ambassador Melita Toscan du Plantier on Pulling Together a Star-Studded Comeback Edition, Working With Martin Scorsese (EXCLUSIVE) [545d]
- Tilda Swinton in Marrakech on Her ‘Homecoming’ with Joanna Hogg and Her Personal Pedro Almodóvar Masterclass [545d]
- ‘Women Talking’ Director Sarah Polley Talks Film’s Timeliness at Premiere: ‘I Don’t Think There’s a Moment Where This Film Wouldn’t Be Relevant’ [545d]
- ‘Tár’ Cinematographer Florian Hoffmeister Takes Camerimage Top Prize [545d]
- ‘Return to Bollene’ Helmer Saïd Hamich Benlarbi Sets Next Projects (EXCLUSIVE) [545d]
- Box Office: ‘Black Panther: Wakanda Forever’ Endures on Top in Second Weekend [545d]
- Cinematographer Kate McCullough Captures the Quiet Nuances of Her Subject in Irish Period Tale ‘The Quiet Girl’ [545d]
- ‘We Need a Destination, a Gathering,’ Says Sam Mendes of His Love Story to Cinema, ‘Empire of Light’ [545d]
- Florence Welch Postpones Tour After Breaking Foot: ‘My Heart is Aching’ [545d]
- Filmmaker Sally El Hosaini Puts Spotlight on Jonestown Mass Murder-Suicide With Feature ‘Jones’ (EXCLUSIVE) [545d]
- ‘Black Kisses,’ Exploring Love and the Devil, Gets Clip, Premieres at Tallinn, as Ventana Sur Follows (EXCLUSIVE) [545d]
- On the Rise French Filmmaker David Depesseville Talks Orphan Drama ‘Astrakan,’ Preps ‘Les Nuits d’Octobre’(EXCLUSIVE) [546d]
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